7
Tonight, the whatever of May, at nine p.m.,
On the dirt road past the young and rustling corn,
In the froth of the summer rain,
I was misfortunate enough to think of you.
I thought:
If you’re gone, if you desert,
If you want to be dead to me,
If you want to cower in the brothel of forgetfulness
With your arms over your head,
If you want to walk off unnoticed from one day into the next,
If you want to play with memory’s pearls,
Tying memory around your neck like a wreath.
I thought:
Where will be the grace in life’s bird cry,
Where will be the grace in day after day of
Swollen sickening time?
Village of cows and willows,
Church tower and rhododendrons in rows.
In a curtain of rain
In a fold of the sky and in the light,
The bronze mayor sits on a bronze box.
Moss from the palm of your hand,
Rain from the whites of your eyes,
Hedge tops from your lashes,
Hills of ochre from your breast,
And the folds of the whole country from your body.
And the ringed bulls bellow
Through the circle of hay to the open fields,
But the nearby cows don’t make a sound.
Again you say, Bye and Goodnight,
Words that come at me with the crooked gait
Of the tortoise in the kitchen.
The fourteen monkeys in the garden
Cower under the rhubarb leaves,
Huddling together to weep in the rain.
The wire that clangs against the smoke-stained walls
When the wind gets up.
The last cigarette. The smoke. The ash.
We have got 30 years left to live
And then centuries.
The lift starts up. The footsteps in the hall.
I tremble briefly. You’re caged in now
And won’t get past me again.
My woman, my pagan altar,
Which I caress and play with fingers of light,
My young wood, my wintering place,
My tender, unchaste, neurasthenic sign,
I write your breath and body down
On lined music paper.
And in your ear I promise brand-new horoscopes,
Preparing you again for trips around the world
And a stay somewhere up on an alp.
But with gods and constellations,
Eternal happiness can grow deathly tired,
And I have no home, I have no bed,
Not even flowers for your birthday.
I write you down on paper
While you swell and bloom like an orchard in July.
Saturday Sunday Monday sluggish week and weakened days
A still-life a landscape a portrait
A woman’s brows
Closing as I approach
The landscape with blond calves wading a river
Where the season of compassion is burnt
Into the Prussian blue of the fields
Then I painted another still-life
With unrecognisable brows and a mouth like a moon
With a spiral like a trumpet of redemption
In the Jerusalem of my room.
No house too black
For me to live in
No morning too bright
For me to wake up in
As in a bed
That’s how I live and watch in this house
Between night and morning
Walking on fields of nerves
And digging my nails into every
Uncomplaining body that approaches
Saying chaste words like
Rain and wind apple and bread
Dark and viscous blood of women
Where later radishes and mignonette will flower
In May that is
In a garden by the tracks of a country train
The wind
Is freezing now in December
And in that wind without light without shepherds without birds
Without any chance at all a foal has frozen to death
I’ve brought it here and put it under glass
I gaze away the days and hours
(That pass me by on the wide path
Of this existence which reasonably
We tread in sin with no great deeds)
And wait until thankful and thawed
The foal looks up and speaks its first word.