В настоящую библиографию включены только основные работы о Данииле Хармсе и Сэмюэле Беккете. Более подробную информацию можно почерпнуть в книгах: Jaccard J.-Ph. Daniil Harms et la fin de l’avant-garde russe. Bern etc.: Peter Lang, 1991. P. 483–589; Federman R., Fletcher J. Samuel Beckett: his Works and his Critics (An Essay in Bibliography, 1929–1966). Berkeley & Los Angeles: University of California press, 1970; Murphy P. J., Huber W., Breuer R., Schoell K. Critique of Beckett Criticism: A Guide to Research in English, French and German. Columbia, South Caroline: Camden House, 1994.
ЖАККАР Ж.-Ф. Даниил Хармс и конец русского авангарда. СПб., 1995.
КОБРИНСКИЙ А.А. Поэтика «ОБЭРИУ» в контексте русского литературного авангарда (Ученые записки Московского культурологического лицея. 1999. № 4).
САЖИН В.Н. (ред.) Хармсиздат представляет. Сборник материалов. СПб., 1995.
Театр. 1991. № 11.
ЯМПОЛЬСКИЙ М. Беспамятство как исток (Читая Хармса). М., 1998.
CORNWELL N. (ed.) Daniil Kharms and the Poetics of the Absurd: Essays and Materials. London: The Macmillan press, 1991.
MÜLLER B. Absurde Literatur in Russland: Entstehung und Entwicklung. München: Otto Sagner, 1978 (Arbeiten und Texte zur Slawistik, 5).
STONE-NAKHIMOVSKY A. Laughter in the Void. An Introduction to the Writings of Daniil Kharms and Aleksander Vvedenskii (Wiener slawistischer Almanach. Bd. 5. 1982).
ABBOTT Н.Р. The Fiction of Samuel Beckett: Form and Effect. Berkeley: University of California press, 1973.
ABBOTT H.P. Beckett Writing Beckett: The Author in the Autograph. Ithaca & London: Cornell University press, 1996.
ACHESON J., ARTHUR K. Beckett’s Later Fiction and Drama: Texts for Company. Basingstoke & London: Macmillan press, 1987.
ADMUSSEN R. The Samuel Beckett Manuscripts: A Study. Boston: K.G. Hall, 1979.
ALBRIGHT D. Representation and the Imagination: Beckett, Kafka, Nabokov and Schoenberg. Chicago, London: University of Chicago press, 1981.
ALVAREZ A. Beckett. London: Woburn press, 1974.
ANZIEU D. Beckett et le psychanalyste. Paris: Mentha, Archimbaud, 1992.
As No Other Dare Fail: for Samuel Beckett on His 80th Birthday by His Friends and Admirers. London: J. Calder, 1986.
ASTRO AL. Understanding Samuel Beckett. Columbia: University of South Carolina press, 1990.
AXELROD M.R. The Politics of Style in the Fiction of Balzac, Beckett and Cortazar. Basington (G.B.): Macmillan, 1992.
BADIOU A. Beckett: l’increvable désir. Paris: Hachette, 1995.
BADIOU A. Samuel Beckett: l’écriture du générique et l’amour. Paris: Le Perroquet, 1989.
BAIR D. Samuel Beckett: A Biography, New York: Harcourt, Brace, Jovanovich, 1978. Trad, fr.: Paris: Fayard, 1979.
BARNARD G.C. Samuel Beckett: A New Approach: A Study of His Novels and Plays. London: J. M. Dent & Son, 1970.
BEGAM R. Samuel Beckett and the End of Modernity. Stanford: Stanford University press, 1996.
BEN-ZVI L. Samuel Beckett. Boston: Twayne, 1986.
BEN-ZVI L. (ed.) Women in Beckett: Performance and Critical Perspectives. Urbana & Chicago: Illinois University press, 1990.
BERNAL O. Langage et fiction dans le roman de Beckett. Paris: Gallimard, 1969.
BERNHARD M. Samuel Beckett et son sujet: une apparition évanouissante. Paris: l’Harmattan, 1996.
BISHOP Т., FEDERMAN R. (ed.) Cahiers de L’Herne. «Samuel Beckett». № 31. 1976.
BRATER E. (ed.) Beckett at 80: Beckett in Context. New York & Oxford: Oxford University press, 1986.
BRATER E. Beyond Minimalism: Beckett’s Late Style in the Theater. New York & Oxford: Oxford University press, 1987.
BRATER E. Why Beckett? London: Thames & Hudson, 1989.
BROWN Т., GRENE N. (ed.) Beckett at 80: A Trinity Tribute, Dublin, University press of Dublin, 1986.
BRYDEN M. Women in Samuel Beckett’s Prose and Drama: Her Own Other. Basingstoke & London, Macmillan, 1993.
BURKMAN K.H. (ed.) Myth and Rituals in the Plays of Samuel Beckett. London & Toronto: Associated University presses, 1987.
BUSI F. The Transformations of Godot. Lexington: The University press of Kentucky, 1979.
BUTLER St. J. L. Samuel Beckett and the Meaning of Being: A Study in Ontological Parable. London: Macmillan, 1984.
BÜTTNER G. Samuel Beckett’s Novel «Watt». Philadelphia: University of Pennsylvania press, 1984.
CALDER J. (ed.) Beckett at Sixty: A Festschrift. London: Calder à Boyars, 1967.
CALDER J. (ed.) The Journal of Samuel Beckett Studies. University of Reading. 1976.
CASANOVA P. Beckett l’abstracteur: anatomie d’une révolution littérature. Paris: Seuil, 1997.
CAREY Ph., JEWINSKI E. (ed.) Re-Joyce’n Beckett. New York: Fordham University press, 1992.
CHABERT P. (ed.) Revue d’esthétique. «Beckett». Nº hors série. Toulouse: Privat, 1986.
CHEVIGNEY B. G. (ed.) Twentieth Century Interpretations of «Endgame». Englewood Cliffs, N.J.: Prentice Hall, 1969.
CLÉMENT B. L’œuvre sans qualités: Rhétorique de Samuel Beckett. Paris: Seuil, 1994.
COE R. Beckett. Edinburgh & London: Oliver & Boyd, 1964.
COHN R. Back to Beckett. Princeton, N. J.: Princeton University press, 1973.
COHN R. (ed.) Casebook on «Waiting for Godot». New York: Grove press, 1967.
COHN R. (ed.) Just Play: Beckett’s Theater. Princeton, N.J.: Princeton University press, 1980.
COHN R. (ed.) Samuel Beckett: A Collection of Criticism. New York: McGraw Hill, 1962.
COHN R. Samuel Beckett: The Comic Gamut. New Brunswick, N.J.: Rutgers University press, 1962.
COHN R. (ed.) Modern Drama. Special Issue «Samuel Beckett». December 1966.
COHN R. (ed.) Perspective. Special Issue «Samuel Beckett» № 11. 1959.
CONNOR ST. Samuel Beckett: Repetition, Theory and Text. Oxford: Blackwell, 1988.
COPELAND H. Art and the Artist in the Works of Samuel Beckett. La Haye: Mouton, 1975.
CROUSSY G. Beckett. Paris: Hachette, 1971.
DAVIS R.J., BATLER L. St. J. (ed.) «Make Sens Who May»: Essays on Samuel Beckett’s Later Works. Gerrards Cross, G.B.: Colin Smythe, 1989.
DEARLOVE J.E. Accommodating the Chaos: Samuel Beckett’s Nonrelational Art. Durham: Duke University press, 1982.
DELYE H. Samuel Beckett ou la philosophic de l’Absurde. Aixen-Provence: La Pensee Universitaire, 1960.
DOLL M.A. Beckett and Myth: an Archetypal Approach. Syracuse, N.Y.: Syracuse University press, 1988.
DRECHSLER U. Die Absurde Farce bei Beckett, Pinter und Ionesco. Tübingen: G. Narr, 1988.
DREW A.M. (ed.) Past Crimson, Past Woe: The Shakespeare — Beckett Connection. New York & London: Garland, 1993.
DUROZOI G. Beckett. Paris & Montréal: Bordas, 1972.
EDWARDS M. Eloge de l’attente: T. S. Eliot et Samuel Beckett. Paris: Belin, 1996.
EGEBACK N. L’écriture de Beckett. Copenhague: Akademisk Forlag, 1975.
ELIOPULUS J. Samuel Beckett’s Dramatic Language. La Haye: Mouton, 1975.
ESSLIN M. The Theatre of the Absurd. Garden City, N.Y.: Doubleday & Co., 1961.
ESSLIN M. Meditations: Essays on Brecht, Beckett and the Media. Baton Rouge: Louisiana State University press, 1980.
ESSLIN M. (ed.) Samuel Beckett: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice Hall, 1965.
Europe. «Samuel Beckett». № 770–771 / Juin-Juillet 1993.
FEDERMAN R. Journey to Chaos: Samuel Beckett’s Early Fiction, Berkeley & Los Angeles: University of California press, 1965.
FINNEY B. Since «How it is»: A Study of Beckett’s Later Fiction. London: Covent Garden press, 1972.
FITCH B.T. Beckett and Babel: An Investigation into the Status of the Bilingual Work. Toronto, Buffalo & London: University of Toronto press, 1988.
FITCH B.T. Dimensions, structures et textualite dans la trilogie romanesque de Beckett. Paris: Lettres Modemes, 1977.
FLETCHER J. Samuel Beckett’s Art. London: Chatto à Windus, 1967.
FLETCHER J.The Novels of Samuel Beckett. London: Chatto & Windus, 1964.
FLETCHER J., SPURLING J. Beckett: A Study of his Plays. London: Methuen, 1972.
FOUCRÉ M. Le geste et la parole dans le théâtre de Samuel Beckett. Paris: Nizet, 1972.
FRIEDMAN M. (ed.) Samuel Beckett Now: Critical Approach to His Novels, Poetry & Plays, Chicago, London, University of Chicago press, 1970.
GESSNER N. Die Unzulänglichkeit der Sprache: Eine Untersuchung über Formzefall und Beziehungslosigkeit bei Samuel Beckett. Zürich: Juris, 1957.
GLUCK B. Beckett and Joyce: Friendship and Fiction. Lewis-burg: Bucknell University press / London: Associated University press, 1979.
GONTARSKI S.E. Beckett’s «Happy Days»: A Manuscript Study. Columbus, Ohio: The Ohio State University Libraries, 1977.
GONTARSKI S.E. (ed.) On Beckett: Essays and Criticism. New York: Grove press, 1986.
GONTARSKI S.E. (ed.) The Beckett’s Studies Reader. Gainesville etc.: University press of Florida, 1993.
GONTARSKI S.E. The Intent of Undoing in Samuel Beckett’s Dramatic Texts. Bloomington: Indiana University press, 1985.
GONTARSKI S.E. (ed.) Modern Fiction Studies. Special Issue «Samuel Beckett». № 29 (1). 1983.
GRAVER L., FEDERMAN R. (ed.) Samuel Beckett: The Critical Heritage. London, Henley & Boston: Routledge & Kegan Paul, 1979.
HAMILTON K. & A. Condemned to Life: The World of Samuel Beckett. Grand Rapids, Michigan: W.B. Eerdmans, 1976.
HARRINGTON J.P. The Irish Beckett. Syracuse, N. Y.: Syracuse University press, 1991.
HARVEY L.E. Samuel Beckett: Poet and Critic. Princeton, N.J.: Princeton University press, 1970.
HENNING S.D. Beckett’s Critical Complicity: Carnival, Contestation and Tradition. Lexington: The University press of Kentucky, 1988.
HESLA D. The Shape of Chaos: An Interpretation of the Art of Samuel Beckett. Minneapolis: University of Minnesota press, 1971.
HILDERBRANDT H.-H. Becketts-, Proust-Bilder, Erinnerung und Identitat. Stuttgart: J. B. Metzler, 1980.
HOFFMAN F. J. Samuel Beckett: The Language of Self. Carbondale: Southern Illinois University press, 1962.
HOFFMAN F.J. Samuel Beckett. New York: E.D. Dutton, 1964.
HUBERT M.-CL. Langage et corps fantasmé dans le théâtre des années cinquante: Beckett, Ionesco, Adamov. Paris: J. Corti, 1987.
JACOBSEN J., MILLER W. The Testament of Samuel Beckett. New York: Hill & Wang, 1964.
JACQUART E. Le Théâtre de dérision: Beckett, Ionesco, Adamov. Paris: Gallimard, 1974.
JANVIER L. Beckett par lui-même. Paris: Seuil, 1969.
JANVIER L. Pour Samuel Beckett. Paris: Minuit, 1966.
JULIET Ch. Rencontre avec Samuel Beckett. Paris: Fata Morgana, 1986.
KENNEDY S. Murphy’s Bed. Lewisburg, Pa.: Bucknell University press, 1971.
KENNER H. Flaubert, Joyce and Beckett: The Stoic Comedians. Boston: Beacon press, 1962.
KENNER H. Samuel Beckett: A Critical Study. Berkeley: University of California press, 1968.
KERN E. Existential Thought and Fictional Technique: Kierkegaard, Sartre, Beckett. New Haven: Yale University press, 1970.
KNOWLSON J. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury pbsh., 1996. Trad, fr.: Paris: Solin, 1999.
KNOWLSON J., PILLING J. Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett. London: J. Calder, 1979.
KNOWLSON J. Light and Darkness in the Theatre of Samuel Beckett. London: Turret Books, 1972.
KNOWLSON J. Samuel Beckett: An Exhibition. London: Turret Books, 1971.
LANCE St. J. BUTLER (ed.) Critical Thought. Series IV. Critical Essays on Samuel Beckett. Hants: Scolar Press, 1993.
LEVENTHAL A.J. Samuel Beckett. Englewood Cliffs, N.J.: Prentice Hall, 1965.
MARISSEL A. Samuel Beckett. Paris: Editions Universitaires, 1963.
M EGGED M. Dialogue in the Void: Beckett and Giacometti. New York: Lumen Books, 1985.
MÉLÈSE P. Samuel Beckett. Paris: Seghers, 1966.
MERCIER V. Beckett / Beckett. New York: Oxford University press, 1978.
MÖLLER H. - M. Adorno, Proust, Beckett: zur Analisierung einer alternden Theorie. Frankfurt am Main: Haag und Hercleen, 1981.
MOORJANI A. Abysmal Games in the Novels of Samuel Beckett. Chapel Hill: University of North Carolina press, 1982.
MORICONI B. Beckett e altro «assurdo». Napoli: Guida, 1990.
MORRISON K. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter. Chicago: University of Chicago press, 1983.
MURPHY P.J. Reconstructing Beckett. Language for Being in Samuel Beckett’s Fiction. Toronto: University of Toronto press, 1990.
NORES D. (ed.) Les Critiques de notre temps et Beckett. Paris: Gamier, 1971.
O’HARA J. (ed.) 20th Century Interpretations of «Molloy», «Malone Dies», «The Unnamable»: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice Hall, 1970.
ONIMUS J. Samuel Beckett. Paris & Bruges: Desclée de Brouwer, 1968.
PERCHE L. Beckett, l’enfer à notre portée. Paris: Le Centurion, 1969.
PILLING J. Samuel Beckett. London, Henley à Boston: Routledge and Kegan Paul, 1976.
PILLING J. (ed.) The Cambridge Companion to Beckett. Cambridge: Cambridge University press, 1994.
PILLING J., BRYDEN M. (ed.) The Ideal Core of the Onion: Reading Beckett archives. The University of Reading: Beckett international foundation, 1992.
RABATÉ J.-M. (ed.) Beckett avant Beckett: Essais sur les premières œuvres. Paris: P.E.N.S., 1984.
RABINOVITZ R. The Development of Samuel Beckett’s Fiction. Urbana & Chicago: University of Illinois press, 1984.
REID A. All I can Manage More than I Could. Dublin: Dolmen press, 1968.
RICKS Ch. Beckett’s Dying Words. Oxford, G.B.: Clarendon press, 1993.
ROBINSON M. The Long Sonata of the Dead. A Study of Samuel Beckett. London: Rupert Hart-Davis, 1969.
ROJTMAN B. Forme et Signification dans le théâtre de Beckett. Paris: Nizet, 1976.
ROSEN S. Samuel Beckett and the Pessimistic Tradition. New Brunswick, N. J.: Rutgers University press, 1976.
SCOTT N. Samuel Beckett. London: Bowes and Bowes, 1965.
SIMON A. Samuel Beckett. Paris: Belfond, 1983.
TAGLIAFERRI A. Beckett et la surdetermination littéraire. Paris: Payot, 1977.
WEBB E. Samuel Beckett: A Study of His Novels. London: Peter Owen, 1970.
WEBB E. The Plays of Samuel Beckett. Seattle: University of Washington press, 1972.
ZURBRUGG N. Beckett and Proust. Gerrards Cross: Colin Smithe, 1988.