39

"Isn't it time yet, bitch? I've melted away, Muslims. I've dissolved like a bar of soap. Nothing’s left but the suds. She knows this and doesn't care to open the window. Go ahead, play the coquette, you bitch. Didn't we agree on a date? But you're right to hold back… one of your breasts could destroy Malta. The second would drive Hindenburg out of his mind. You've got a treasure. May our Lord be gracious to me. May our Lord be gracious to me and to every poor rogue like me who can't sleep for thinking about swelling breasts, plump buttocks, and eyes enhanced by kohl. Eyes come last, because many a blind woman with a fleshy rump and full breasts is a thousand times better than a skinny, flat-chested woman with eyes decorated with kohl. You're the performer’s daughter and a neighbor of al-Tarbi'a Alley. The performer has taught you to flirt, and the alley has supplied you with its secret beauty potions. If your breasts have grown full and round, it’s because so many lovers have fondled them. We agreed on this date. I'm not dreaming, open the window. Open up, bitch. Open up. You're the most beautiful creature ever to arouse my passion. Holding your lip between mine… sucking on your nipple… I'll wait until dawn. You'll find me very docile. If you want me to be the rear end of a donkey cart that you rock back and forth on, I'll do it. If you want me to be the ass pulling the cart, I'll do that. What a mishap, Yasin! Your life is destroyed, you son of Ahmad Abd al-Jawad. How the Australians gloat at your fate. Woe to me, expelled from the Ezbekiya entertainment district, a prisoner in al-Gamaliya. It’s all the fault of the war. Kaiser Wilhelm launched it in Europe and I have become its victim here in al-Nahhasin. Open the window, delight of your mother. Open up, my delight…"

This was the way Yasin had begun talking to himself as he sat on a bench in the coffee shop of al-Sayyid Ali. His eyes were gazing at the house of the performer Zubayda through the small window overlooking al-Ghuriya. The more anxious he became, the more he sank into his dreams and musings, which soothed his anxiety but aroused his desires, just as some sedatives deal with insomnia but tire the heart. He had progressed a step forward in his courtship of the lute player Zanuba. He had advanced from the preparatory stage-frequenting the coffee shop of al-Sayyid Ali in the evening, watching for her, walking behind her donkey cart, smiling, twisting his mustache, and raising his eyebrows playfully-to the stage of negotiating and getting down to business.

He had taken this step in al-Tarbi'a Alley, which was long and narrow with a canvas roof. There were small stores clustered on either side like the cells of a beehive. He was certainly not unfamiliar with al-Tarbi'a, a bazaar frequented by women of all classes. They thronged there to purchase something that was light to carry and had much to offer. They were shopping for various types of perfume useful in promoting delight and beauty. He headed for this market whenever he had no other special destination. It was a favorite haunt of his Friday mornings. Going from one end to the other, he would walk along slowly, both because of the congestion and because he wanted it that way. He pretended to examine the shops as though wanting to select something. Actually, he was scrutinizing the faces, visible when veils were momentarily lifted, and the outlines of bodies, discernible where the ladies' wraps were drawn tight. He saw some features in their entirety and others only in part. He took in the charming fragrances here and there as well as the voices that slipped out from time to time or their whispering laughter. He usually kept within the bounds of good manners because of the preponderance of respectable women there. He was content to observe, compare, and criticize. From what he saw he gathered extraordinary pictures with which to decorate his mental museum. Nothing made him so happy as to come upon a clearer complexion than he had ever seen before, an unusual glance from an eye, a breast that was astonishingly round, or buttocks unique in size or build. When he reviewed them later, he would say, "The winner in today’s competition for full breasts was the lady standing in front of so-and-so’s shop," or "Today’s the day of the rump surpassing size five," or "What a full bag, what a bag… today’s the day for splendid bags".

It was characteristic of him to devote all his attention to a woman’s body and neglect her personality. He also tended to concentrate on individual parts of the body and ignore the way they fit together. These investigations allowed him to keep his hopes alive, refreshing them with possible opportunities he could set aside for today or tomorrow. He seemed a man with no goal in the world that took precedence over women. On rare occasions he succeeded in making a good catch on these sexual excursions.

Late one afternoon he was sitting beneath the small window in al-Sayyid Ali’s coffee shop when he saw the lute player leave the house alone. He rose at once to follow her. She turned into al-Tarbi'a Alley, and he turned too. When she stopped at a store, he stood beside her. She had to wait while the proprietor of this perfume shop tended to some other customers. So Yasin waited. She did not turn toward him. From her attempt to pretend he was not there, he inferred she was aware of his presence. She must also have guessed from the outset that he was following her. He whispered into her ear, "Good evening".

She continued to look straight ahead of her, but he noticed her mouth move slightly in a smile of greeting or at least of recognition for all the time he had spent following her, evening after evening. He sighed with relief and victory, confident now that he would pluck this fruit he had patiently pursued. Lust surged inside him, the way a ravenously hungry man’s mouth waters when his nose smells meat being broiled for him.

He thought the best thing would be to pretend they had come together. So he paid for her purchases of henna and tonic with the good humor of a man who believes he will acquire an enjoyable and entertaining right by rendering this small service. He did not mind when she seemed inclined to purchase several more things once she was sure he was paying. As they returned, he told her, with the haste of a person who fears the end of the road is in sight, "Beautiful and lovely lady, I have spent my whole life following after you, as you have seen. Can't a lover aspire to be rewarded with at least a meeting?"

She cast him a mischievous glance and asked sarcastically, "At least a meeting?"

He was almost consumed by laughter, body and soul, the way he usually was when intoxicated by joy, but he quickly shut his mouth tight to keep from causing a commotion that would attract attention. He answered her with a whisper, "A rendezvous and everything that goes with it".

She observed critically, "Each of you asks for a rendezvous, as though there were nothing to it, but it’s an important matter that does not take place for some people until after a proposal, negotiation, recitation of the opening prayer of the Qur'an, a dowry, a trousseau, and the arrival of a religious official to write the contract. Isn't that so, sir… you, the gentleman who’s as tall and broad as a camel?"

He blushed in confusion and said, "No matter how harsh your rebuke, coming from your lips it’s like honey. Hasn't passion always been like this, beautiful lady, since God created the earth and the people on it?"

She raised her eyebrows until they were level with the top of the cylinder connecting her veil to her scarf and resembled the spreading wings of a bee. "My camel, how would I know about passion?" she asked. "I'm just a musician. Do you suppose passion has things that go with it too?"

Trying not to laugh, he replied, "They're the same things that go along with a rendezvous".

"No more and no less?"

"No more and no less".

"Not one more than another?"

"Not more of one thing than another".

"Perhaps that’s what they call illicit sex".

"One and the same thing".

A laugh escaped from her. She said, "You've got a deal… wait in the coffee shop of al-Sayyid Ali, where you've spent all these evenings. When I open the window, come to the house".

He waited evening after evening after evening. One evening she went in the cart with the troupe. Another evening she went in a carriage with the chanteuse. Still another evening there was no sign of life in the house. Here he was waiting. His head was worn out from looking up at her window for so long. It was past midnight, the shops were closed, the road was deserted, and al-Ghuriya was enveloped in darkness. He found, as he often did, that the darkness and emptiness of the street acted as a strange stimulus for the desire latent in his body. He became more and more agitated.

Yet everything has an end, even waiting that seems endless. He made out a rattling noise coming from the direction of the window, which was lost in the darkness. This breathed a spirit of new hope into his senses just as the drone of an airplane inspires a person lost at the North Pole with hope that people are arriving to search for him in the snow. Light could be seen coming from the opening of the window. Then the musician’s silhouette was visible at the center of the opening.

He got up at once and left the coffee shop to cross the street to the performer’s house. He pushed against the door without knocking. It swung open as though it had been left unlatched on purpose. He made his way inside, where it was too dark for him to find the staircase. He stayed put in order not to bump into something or trip. A question that made him a little nervous leapt into his head. Did the performer know that Zanuba had invited him? Did she allow the girl to meet her lovers in this house? But he dismissed the thought disdainfully. No obstacle was going to make him abandon this adventure. In any case, there was no need to worry about the consequences of a lover’s being caught in a house that depended for its very existence on lovers.

He cut short these reflections when he saw a pale light coming from upstairs. Then he noticed it slowly advancing down the walls. He could make out that he was an arm’s length from the bottom step of the staircase. It was not long before he saw Zanuba approaching with a lamp in her hand. He went to her, drunk with desire. He pressed her forearm affectionately with gratitude and lust. She laughed softly. Despite the softness of her laugh, it showed she was not trying to be cautious. She asked mischievously, "Did you have to wait long?"

He touched the hair at his temples and complained, "My hair turned gray while I waited, may God forgive you". Then he whispered, "Is the lady here?"

She jestingly imitated his whisper: "Yes… she’s alone with a fantastic man".

"Won't she be angry if she learns I've come at this hour?"

She turned around, shrugging her shoulders in disdain. She started up the stairs saying, "Is there a more appropriate hour for a lover like you to come?"

"So she won't see anything wrong with our meeting in her house?"

With a dancing motion of her head, she replied, "Perhaps she would think it very wrong if we didn't meet".

"Long live the lady!"

She resumed speaking, proudly this time, "I'm not just her lute player. I'm her sister’s daughter. She’s not stingy with me… You can enter in peace".

When they reached the foyer upstairs they could hear some delightful singing accompanied by lute and tambourine. Yasin listened a little and then asked, "Are they alone or is it a party?"

She whispered in his ear, "Alone and a party both. The sultana’s lover is a good-humored man who loves music. He wouldn't bear for even an hour of his soiree to pass without lute, tambourine, wine, laughter… and you know what else".

She turned to open a door and entered, setting the lamp on a table bracketed to the wall. She stood in front of the mirror to examine her reflection carefully. Yasin forgot about Zubayda and her musical lover. He riveted his greedy eyes on Zanuba’s desirable body, which he was seeing for the first time stripped of the wrap. He fixed his eyes on her with force and concentration and moved them deliberately and delightedly from top to bottom and from bottom to top. Before he could act on any of the tens of wishes racing through his breast, Zanuba remarked, as though continuing the same conversation, "He’s a man with no equal in his graciousness or sensitivity to music. As for his generosity, we could talk about that from today till tomorrow… that’s what lovers should be like… otherwise…"

He did not miss the implications of her reference to the generosity of the performer’s lover. He had accepted from the start that his new romance would cost him dearly, but her reference to it seemed in poor taste and offended him. Motivated by an instinct of self-defense, he found himself forced to say, "Perhaps he’s a rich man".

Responding to his maneuver, she said, "Wealth is one thing, generosity is another. Many a wealthy man is stingy".

He inquired, not because he wanted to know but merely to avoid silence, which he was afraid would seem to express disapproval, "Who do you suppose this generous man is?"

Turning the knob to raise the wick on the lamp, she answered, "He’s from our district. You must have heard of him… al-Sayyid Ahmad Abd al-Jawad".

"Who!"

She turned toward him in astonishment to see what had frightened him. She found him in a rigid pose with his eyes bulging out. She asked him disapprovingly, "What’s the matter with you?"

The name she had spoken had come upon him like a hammer falling violently on top of his head. The question had escaped from him unintentionally in a scream of alarm. For some moments he was bewildered and oblivious to his surroundings. When he saw Zanuba’s face again and its expression of astonishment and disapproval, he was afraid he would give himself away. He exerted his willpower to defend himself. To conceal his alarm, he resorted to some playacting. He clapped his hands together, as though he could not believe what had been said about the man, because he thought he was so respectable. He muttered incredulously, "Al-Sayyid Ahmad Abd al-Jawad!.. With a store in al-Nahhasin?

She gave him a bitterly critical look for alarming her for no reason. She asked him scornfully, "Yes, him… So what made you cry out for help like a virgin being deflowered?"

He laughed in a perfunctory way. Praising God secretly that he had not told her his full name the day they met, he replied with mock astonishment, "Who would believe this of such a pious, respectable man?"

She looked at him with skepticism before asking him sarcastically, "Is this what really alarmed you?… Nothing but that? Did you think he was a sinless saint?… What’s wrong with his doing this? Can a man attain perfection without having an affair?"

He said apologetically, "You're right… there’s nothing in this world worth being astonished at". He laughed nervously and continued: "Imagine this dignified gentleman flirting with the sultana, drinking wine, and swaying to the music…"

In her same sarcastic tone she said, as though to continue his statement, "And playing the tambourine better than a professional like Ayusha and telling one gem of a joke after another until everyone with him is dying of laughter. It’s not surprising, given all of this, that in his store he’s seen to be a fine example of sobriety and earnestness. You should be serious about serious things and playful when you play. There’s an hour for your Lord and an hour for your heart".

He plays the tambourine better than a professional like Ayusha… He tells jokes that make his companions die from laughter… Who could this man be? His father?… Al-Sayyid Ahmad Abd al-Jawad? That stern, tyrannical, terrifying, God-fearing, reserved man who kills everyone around him with fright?

How could he believe what his ears had heard? How, how?… There must be some confusion between two men with similar names. There could be no relationship between his father and this tambourine-playing lover. But Zanuba had agreed he owned a store in al-Nahhasin. There was only one store in al-Nahhasin that bore this name and it was his father's. Lord, was what he had heard true or was he raving? He wanted dearly to learn the truth for himself, to see it with his own eyes. That desire gained control of him. This investigation appeared to him the most important thing in life. He was unable to combat the desire. He smiled to the girl and shook his head sagely as though to say, "What days we live in. Each more amazing than the last". Then he asked her, as if motivated by nothing but curiosity, "Isn't there some way I could see him without being seen?"

She objected, "You're strange! What need is there to spy?"

He entreated her: "It’s a sight worth seeing. Don't deprive me of it".

She laughed contemptuously and commented, "You've got the brains of a child in the body of a camel. Isn't that so, my camel? But death to anyone who disappoints one of your requests… Hide in the foyer while I take them a dish of fruit. I'll leave the door open till I come back".

She left the room and he trailed after her with a pounding heart. He hid in a dark corner of the hall while the lute player continued on her way to the kitchen. She soon returned with a dish of grapes. She went to the door from which the singing came and knocked. She waited a moment and then went in, leaving the door open. There he saw a divan at the end of the room. Zubayda sat in the middle of it cradling a lute. She accompanied herself as she sang, "O Muslims, O People of God".

Sitting next to her was his father, not someone else. When he saw him, his heart pounded harder. His father had removed his cloak and rolled up his sleeves. He was shaking the tambourine and gazing at the performer with a face brimming with joy and happiness. The door was open only so long as Zanuba was in the room, one or two minutes, but during that time he witnessed an amazing sight: a secret life, a long story with many ramifications. He awoke like a person emerging from a long, deep sleep to the convulsions of a violent earthquake. In those two minutes he saw a whole life summed up by one image, like a brief scene in a dream that brings together diverse events that would take years in the real world. He saw his father the way he truly was-his father, not some other man, but not as he was accustomed to seeing him. Never before had he seen him without his cloak, at a relaxed, spontaneous party. He had never seen him with his black hair sticking up as though he had been running around bareheaded. He had never seen his naked leg as it appeared at the edge of the divan, sticking out from his gown, which had been pulled up. He had never seen, by God, the tambourine in his hands as he shook it with a dancing rhythm gracefully interspersed with taps on the skin. Perhaps most amazing of all, he had never before seen his face smile. It was glistening with such affection and goodwill that Yasin was stunned, just as Kamal had been when he saw their father laughing in front of his store, the day he went to see him driven by his desire to get his mother released.

Yasin saw all of this in two minutes. Once Zanuba had closed the door and gone to her room he remained where he was, listening to the singing and the jingling of the tambourine with a spinning head. It was the same sound he had heard when he entered the building, but how differently it affected his soul, what new images and ideas it brought to his mind now… When a child who has not started school yet hears a school bell ring, he smiles, but once he is a pupil it sounds like a warning of the many hardships ahead.

Zanuba rapped on the door of her room to summon him. He awoke from his daze and went to her. He was trying to gain control of himself so he would not appear disturbed or stunned when she saw him. He entered with a broad smile on his face.

"Did you see something to make you forget yourself?"

He replied in a contented and relieved tone, "It was a rare sight, and the singing was excellent".

"Would you like us to do what they're doing?"

"On our first night?… Certainly not… I wouldn't want to mix anything else with you, not even singing".

At first he had been forcing himself to talk so he would appear to her, and to himself, to be calm and natural. He got caught up in what he was saying and no longer needed to pretend. He found he had returned to normal faster than he would have imagined. Similarly, a person who pretends to cry at a funeral may end up weeping profusely. Even so, Yasin was suddenly struck with astonishment and told himself, "What an amazing situation! It would never have occurred to me. Here I am with Zanuba and my father’s in a nearby room with Zubayda. Both of us in the same house!" He soon shrugged his shoulders and continued to himself: "But why should I bother to be amazed at something that seems incredible when it’s an actuality I've observed myself? There it is, so it’s silly to wonder with astonishment whether I can believe it. I'll believe it and stop marveling at it. What’s wrong with that?"

He felt not only relief but happiness beyond measure. He needed no encouragement to continue his sex life, but like most men indulging in forbidden pleasure, he was interested in the company of a like-minded person. How incredible to have found this person in his father, the traditional role model, who had terrified him for so long, whether consciously or not, because he assumed they held contradictory views. He set aside everything but his joy, which seemed the most precious thing he had achieved in life. He felt new love and admiration for his father, unlike the old types he had previously known, which had a thick coating of awe and fear. This new emotion sprang from the depths of his soul and was intertwined with the roots of his being. It seemed identical to his love and admiration for himself. His father was no longer a man who was distant, hard to reach, a closed door. He was near at hand, a bit of his own soul and heart. Father and son were a single spirit. The man in there shaking the tambourine was not al-Sayyid Ahmad Abd al-Jawad but Yasin himself, the way he would be in the future and the way he should be. Nothing separated them except secondary considerations of age and experience.

"Good health to you, Father," he thought to himself. "Today I've discovered you. Today’s your birthday in my soul. What a day and what a father you are… Until tonight I've been an orphan. Drink and play the tambourine even better than Ayusha. I'm proud of you. Do you sing too, I wonder?"

"Doesn't al-Sayyid Ahmad Abd al-Jawad sing sometimes?"

"Are you still thinking about him? Why can't people leave each other alone?… Yes, he sings, my camel… When he’s drunk, he joins in singing the choruses".

"How’s his voice?"

"As full and beautiful as his neck".

"All the singing voices in our family go back to this source," he mused. "Everyone sings. It’s a family with deep roots in music. I wish I could hear you, even just once. The only memory I have of your voice is of yelling and scolding. The only refrain of yours we all know is 'Boy! Ox! Son of a bitch!' I'd like to hear you sing 'Affection’s rare with good-looking people' or 'I'm in love, my beauty.' What are you like when you're drunk, Father? What are you like when you get rowdy? I must know so I can follow your example and live according to your traditions. How are you when you're in love? How do you embrace?"

He remembered Zanuba. He saw her in front of the mirror smoothing her hair with her fingers. The armhole of her dress revealed smooth, clear skin sloping down to a breast like a round loaf of unbaked bread. Intoxicating desire swept through his body, and he fell on her like a bull elephant crushing a gazelle.

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