Choreographed War

In soccer, ritual sublimation of war, eleven men in shorts are the sword of the neighborhood, the city, or the nation. These warriors without weapons or armor exorcise the demons of the crowd and reaffirm its faith: in each confrontation between two sides, old hatreds and old loves passed from father to son enter into combat.

The stadium has towers and banners like a castle, as well as a deep and wide moat around the field. In the middle, a white line separates the territories in dispute. At each end stand the goals to be bombed with flying balls. The area directly in front of the goals is called the “danger zone.”

In the center circle, the captains exchange pennants and shake hands as the ritual demands. The referee blows his whistle and the ball, another whistling wind, is set in motion. The ball travels back and forth, a player traps her and takes her for a ride until he gets pummeled in a tackle and falls spread-eagled. The victim does not rise. In the immensity of the green expanse, the player lies prostrate. From the immensity of the stands, voices thunder. The enemy crowd emits a friendly roar:

“¡Que se muera!”

“Devi morire!”

“Tuez-le!”

“Mach ihn nieder!”

“Let him die!”

“Kill, kill, kill!”

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