In uniform and in civilian clothes, I am two different people. The first dominates the town as a conqueror, the second is conquered by its beauty.
This Chinese man here is me… I am amazed to see him taking on the accent, changing his looks and inventing an image for himself. When I put on my disguise I lose my normal points of reference, I am distanced from myself. It has almost made a free man of me, a man who knows nothing of commitment to duty.
As a child I would often have the same dream: dressed as a black Ninja, I would creep over the roofs of a sleeping town. The night was at my feet, and the occasional lights that twinkled were like the beacons on distant ships on a dark ocean. The town was not Tokyo, it was a place I did not know, and that made it all the more frighteningly exciting. In a narrow deserted street there were lanterns hanging under the eaves, their menacing glow swinging in the wind. I would step softly from one tile to the next, right up to the edge of the roof, then I would leap into the abyss.
I resent Captain Nakamura for making me do this dirty work. I lack the intuition, the cynicism or the paranoia to be a spy and I certainly lack that professional eye that can pick out a darker mark on a dark piece of paper. I feel as if I am being spied on myself. Despite the stifling June heat, I wear a thick linen tunic to hide a pistol in my belt, and when I sit at the go-board I put my hands on my knees so that my right elbow covers the weapon, which obstructs the fall of the cloth.
When I raise my right hand to move one of the stones, I can feel the steel brushing against me. The weapon is my strength and my weakness: I can open fire on anything that comes my way, but I can just as easily be shot in the back by a member of the Chinese Resistance.
I learned the strict rules of the game of go in Japan, where I would play in silence in the benevolent calm of a natural setting. I would be physically relaxed and my inspiration would diffuse its energy through my body, the rhythm of my breathing guiding my thoughts, and my soul would fleetingly grasp the universal duality of things.
There is nothing spiritual about the game I am playing today. The Manchurian summer is as harsh as the winter. Anyone who has not been burned and dazzled by its sun can never know the sheer power of this black land. After the merciless training sessions, which leave me dehydrated and physically exhausted, the time I spend playing go with the Chinese girl is like an escape to a land of demons. The June heat permeates my dilated blood vessels and sharpens my senses. The smallest detail gives me an erection: her naked arm, the crumpled hem of her dress, the way her buttocks sway under the silky fabric, a fly buzzing past.
It is torture trying to maintain my dignity in front of this opponent. Over the last week her tanned skin has taken on the smooth, dark texture of a grape. Her clothes are sleeveless and these Manchurian dresses are so close-fitting that the women could not be more disquieting if they were naked. Our heads almost touch as we lean over the board. Thanks to the strong will forged by years of military discipline, I struggle against my impulses and steel myself by playing the game.
My posting to China has taught me what greatness and what misery a soldier can know: on orders he moves from one place to the next without knowing where he is going or why. A pawn among many others. He lives and dies anonymously in the name of a greater victory. The game of go is changing me into a senior officer who uses his men coldly and with calculation: the stones make their steady progress, many condemned to die for the sake of a wider strategy.
Their loss becomes confused with the deaths of my comrades.