The Wandering Jew

"Those who despoiled you, who took you captive, who killed your father—were men. Are there not other men, on whom you can avenge yourself! Let your hate fall upon them!"

"You, who speak thus of men, are not a man!"

"I, and those who resemble me, are more than men. We are, to the rest of the human race, what the bold hunter is to the wild beasts, which they run down in the forest. Will you be, like us, more than a man? Will you glut surely, largely, safely—the hate which devours your heart, for all the evil done you?"

"Your words become more and more obscure: I have no hatred in my heart," said Djalma. "When an enemy is worthy of me, I fight with him; when he is unworthy, I despise him. So that I have no hate—either for brave men or cowards."

"Treachery!" cried the negro on a sudden, pointing with rapid gesture to the door, for Djalma and the Indian had now withdrawn a little from it, and were standing in one corner of the hovel.

At the shout of the negro, Faringhea, who had not been perceived by Djalma, threw off abruptly the mat which covered him, drew his crease, started up like a tiger, and with one bound was out of the cabin. Then, seeing a body of soldiers advancing cautiously in a circle, he dealt one of them a mortal stroke, threw down two others, and disappeared in the midst of the ruins. All this passed so instantaneously, that, when Djalma turned round, to ascertain the cause of the negro's cry of alarm, Faringhea had already disappeared.

The muskets of several soldiers, crowding to the door, were immediately pointed at Djalma and the three Stranglers, whilst others went in pursuit of Faringhea. The negro, the Malay, and the Indian, seeing the impossibility of resistance, exchanged a few rapid words, and offered their hands to the cords, with which some of the soldiers had provided themselves.

The Dutch captain, who commanded the squad, entered the cabin at this moment. "And this other one?" said he, pointing out Djalma to the soldiers, who were occupied in binding the three Phansegars.

"Each in his turn, captain!" said an old sergeant. "We come to him next."

Djalma had remained petrified with surprise, not understanding what was passing round him; but, when he saw the sergeant and two soldiers approach with ropes to bind him, he repulsed them with violent indignation, and rushed towards the door where stood the officer. The soldiers, who had supposed that Djalma would submit to his fate with the same impassibility as his companions, were astounded by this resistance, and recoiled some paces, being struck in spite of themselves, with the noble and dignified air of the son of Kadja-sing.

"Why would you bind me like these men?" cried Djalma, addressing himself in Hindostanee to the officer, who understood that language from his long service in the Dutch colonies.

"Why would we bind you, wretch?—because you form part of this band of assassins. What?" added the officer in Dutch, speaking to the soldiers, "are you afraid of him?—Tie the cord tight about his wrists; there will soon be another about his neck."

"You are mistaken," said Djalma, with a dignity and calmness which astonished the officer; "I have hardly been in this place a quarter of an hour—I do not know these men. I came here to meet a Frenchman."

"Not a Phansegar like them?—Who will believe the falsehood?"

"Them!" cried Djalma, with so natural a movement and expression of horror, that with a sign the officer stopped the soldiers, who were again advancing to bind the son of Kadja-sing; "these men form part of that horrible band of murderers! and you accuse me of being their accomplice!—Oh, in this case, sir! I am perfectly at ease," said the young man, with a smile of disdain.

"It will not be sufficient to say that you are tranquil," replied the officer; "thanks to their confessions, we now know by what mysterious signs to recognize the Thugs."

"I repeat, sir, that I hold these murderers in the greatest horror, and that I came here—"

The negro, interrupting Djalma, said to the officer with a ferocious joy: "You have hit it; the sons of the good work do know each other by marks tattooed on their skin. For us, the hour has come—we give our necks to the cord. Often enough have we twined it round the necks of those who served not with us the good work. Now, look at our arms, and look at the arms of this youth!"

The officer, misinterpreting the words of the negro, said to Djalma: "It is quite clear, that if, as this negro tells us, you do not bear on your arm the mysterious symbol—(we are going to assure ourselves of the fact), and if you can explain your presence here in a satisfactory manner, you may be at liberty within two hours."

"You do not understand me," said the negro to the officer; "Prince Djalma is one of us, for he bears on his left arm the name of Bowanee."

"Yes! he is like us, a son of Kale!" added the Malay.

"He is like us, a Phansegar," said the Indian.

The three men, irritated at the horror which Djalma had manifested on learning that they were Phansegars, took a savage pride in making it believed that the son of Kadja-sing belonged to their frightful association.

"What have you to answer?" said the officer to Djalma. The latter again gave a look of disdainful pity, raised with his right hand his long, wide left sleeve, and displayed his naked arm.

"What audacity!" cried the officer, for on the inner part of the fore arm, a little below the bend, the name of the Bowanee, in bright red Hindoo characters, was distinctly visible. The officer ran to the Malay, and uncovered his arm; he saw the same word, the same signs. Not yet satisfied, he assured himself that the negro and the Indian were likewise so marked.

"Wretch!" cried he, turning furiously towards Djalma; "you inspire even more horror than your accomplices. Bind him like a cowardly assassin," added he to the soldiers; "like a cowardly assassin, who lies upon the brink of the grave, for his execution will not be long delayed."

Struck with stupor, Djalma, who for some moments had kept his eye riveted on the fatal mark, was unable to pronounce a word, or make the least movement: his powers of thought seemed to fail him, in presence of this incomprehensible fact.

"Would you dare deny this sign?" said the officer to him, with indignation.

"I cannot deny what I see—what is," said Djalma, quite overcome.

"It is lucky that you confess at last," replied the officer. "Soldiers, keep watch over him and his accomplices—you answer for them."

Almost believing himself the sport of some wild dream. Djalma offered no resistance, but allowed himself to be bound and removed with mechanical passiveness. The officer, with part of his soldiers, hoped still to discover Faringhea amongst the ruins; but his search was vain, and, after spending an hour in fruitless endeavors, he set out for Batavia, where the escort of the prisoners had arrived before him.

Some hours after these events, M. Joshua van Dael thus finished his long despatch, addressed to M. Rodin, of Paris:

"Circumstances were such, that I could not act otherwise; and, taking all into consideration, it is a very small evil for a great good. Three murderers are delivered over to justice, and the temporary arrest of Djalma will only serve to make his innocence shine forth with redoubled luster.

"Already this morning I went to the governor, to protest in favor of our young prince. 'As it was through me,' I said, 'that those three great criminals fell into the hands of the authorities, let them at least show me some gratitude, by doing everything to render clear as day the innocence of Prince Djalma, so interesting by reason of his misfortunes and noble qualities. Most certainly,' I added, 'when I came yesterday to inform the governor, that the Phansegars would be found assembled in the ruins of Tchandi, I was far from anticipating that any one would confound with those wretches the adopted son of General Simon, an excellent man, with whom I have had for some time the most honorable relations. We must, then, at any cost, discover the inconceivable mystery that has placed Djalma in this dangerous position;' and, I continued, 'so convinced am I of his innocence, that, for his own sake, I would not ask for any favor on his behalf. He will have sufficient courage and dignity to wait patiently in prison for the day of justice.' In all this, you see, I spoke nothing but the truth, and had not to reproach myself with the least deception, for nobody in the world is more convinced than I am of Djalma's innocence.

"The governor answered me as I expected, that morally he felt as certain as I did of the innocence of the young prince, and would treat him with all possible consideration; but that it was necessary for justice to have its course, because it would be the only way of demonstrating the falsehood of the accusation, and discovering by what unaccountable fatality that mysterious sign was tattooed upon Djalma's arm.

"Mahal the Smuggler, who alone could enlighten justice on this subject, will in another hour have quitted Batavia, to go on board the 'Ruyter,' which will take him to Egypt; for he has a note from me to the captain, to certify that he is the person for whom I engaged and paid the passage. At the same time, he will be the bearer of this long despatch, for the 'Ruyter' is to sail in an hour, and the last letter-bag for Europe was made up yesterday evening. But I wished to see the governor this morning, before closing the present.

"Thus, then, is Prince Djalma enforced detained for a month, and, this opportunity of the 'Ruyter' once lost, it is materially impossible that the young Indian can be in France by the 13th of next February. You see, therefore, that, even as you ordered, so have I acted according to the means at my disposal—considering only the end which justifies them—for you tell me a great interest of the society is concerned.

"In your hands, I have been what we all ought to be in the hands of our superiors—a mere instrument: since, for the greater glory of God, we become corpses with regard to the will.(7) Men may deny our unity and power, and the times appear opposed to us; but circumstances only change; we are ever the same.

"Obedience and courage, secrecy and patience, craft and audacity, union and devotion—these become us, who have the world for our country, our brethren for family, Rome for our Queen!

"J. V."

About ten o'clock in the morning, Mahal the Smuggler set out with this despatch (sealed) in his possession, to board the "Ruyter." An hour later, the dead body of this same Mahal, strangled by Thuggee, lay concealed beneath some reeds on the edge of a desert strand, whither he had gone to take boat to join the vessel.

When at a subsequent period, after the departure of the steamship, they found the corpse of the smuggler, M. Joshua sought in vain for the voluminous packet, which he had entrusted to his care. Neither was there any trace of the note which Mahal was to have delivered to the captain of the "Ruyter," in order to be received as passenger.

Finally, the searches and bushwhacking ordered throughout the country for the purpose of discovering Faringhea, were of no avail. The dangerous chief of the Stranglers was never seen again in Java.

(7) It is known that the doctrine of passive and absolute obedience, the main-spring of the Society of Jesus, is summed up in those terrible words of the dying Loyola: "Every member of the Order shall be, in the hands of his superiors, even as a corpse (Perinde ac Cadaver)."—E. S.

CHAPTER XXIII. M. RODIN.

Three months have elapsed since Djalma was thrown into Batavia Prison accused of belonging to the murderous gang of Megpunnas. The following scene takes place in France, at the commencement of the month of February, 1832, in Cardoville Manor House, an old feudal habitation standing upon the tall cliffs of Picardy, not far from Saint Valery, a dangerous coast on which almost every year many ships are totally wrecked, being driven on shore by the northwesters, which render the navigation of the Channel so perilous.

From the interior of the Castle is heard the howling of a violent tempest, which has arisen during the night; a frequent formidable noise, like the discharge of artillery, thunders in the distance, and is repeated by the echoes of the shore; it is the sea breaking with fury against the high rocks which are overlooked by the ancient Manor House.

It is about seven o'clock in the morning. Daylight is not yet visible through the windows of a large room situated on the ground-floor. In this apartment, in which a lamp is burning, a woman of about sixty years of age, with a simple and honest countenance, dressed as a rich farmer's wife of Picardy, is already occupied with her needle-work, notwithstanding the early hour. Close by, the husband of this woman, about the same age as herself, is seated at a large table, sorting and putting up in bags divers samples of wheat and oats. The face of this white-haired man is intelligent and open, announcing good sense and honesty, enlivened by a touch of rustic humor; he wears a shooting-jacket of green cloth, and long gaiters of tan-colored leather, which half conceal his black velveteen breeches.

The terrible storm which rages without renders still more agreeable the picture of this peaceful interior. A rousing fire burns in a broad chimney-place faced with white marble, and throws its joyous light on the carefully polished floor; nothing can be more cheerful than the old fashioned chintz hangings and curtains with red Chinese figures upon a white ground, and the panels over the door painted with pastoral scenes in the style of Watteau. A clock of Sevres china, and rosewood furniture inlaid with green—quaint and portly furniture, twisted into all sorts of grotesque shapes—complete the decorations of this apartment.

Out-doors, the gale continued to howl furiously, and sometimes a gust of wind would rush down the chimney, or shake the fastenings of the windows. The man who was occupied in sorting the samples of grain was M. Dupont, bailiff of Cardoville manor.

"Holy Virgin!" said his wife; "what dreadful weather, my dear! This M. Rodin, who is to come here this morning, as the Princess de Saint Dizier's steward announced to us, picked out a very bad day for it."

"Why, in truth, I have rarely heard such a hurricane. If M. Rodin has never seen the sea in its fury, he may feast his eyes to-day with the sight."

"What can it be that brings this M. Rodin, my dear?"

"Faith! I know nothing about it. The steward tells me in his letter to show M. Rodin the greatest attention, and to obey him as if he were my master. It will be for him to explain himself, and for me to execute his orders, since he comes on the part of the princess."

"By rights he should come from Mademoiselle Adrienne, as the land belongs to her since the death of the duke her father."

"Yes; but the princess being aunt to the young lady, her steward manages Mademoiselle Adrienne's affairs—so whether one or the other, it amounts to the same thing."

"May be M. Rodin means to buy the estate. Though, to be sure, that stout lady who came from Paris last week on purpose to see the chateau appeared to have a great wish for it."

At these words the bailiff began to laugh with a sly look.

"What is there to laugh at, Dupont?" asked his wife, a very good creature, but not famous for intelligence or penetration.

"I laugh," answered Dupont, "to think of the face and figure of that enormous woman: with such a look, who the devil would call themselves Madame de la Sainte-Colombe—Mrs. Holy Dove? A pretty saint, and a pretty dove, truly! She is round as a hogshead, with the voice of a town-crier; has gray moustachios like an old grenadier, and without her knowing it, I heard her say to her servant: 'Stir your stumps, my hearty!'—and yet she calls herself Sainte-Colombe!"

"How hard on her you are, Dupont; a body don't choose one's name. And, if she has a beard, it is not the lady's fault."

"No—but it is her fault to call herself Sainte-Colombe. Do you imagine it her true name? Ah, my poor Catherine, you are yet very green in some things."

"While you, my poor Dupont, are well read in slander! This lady seems very respectable. The first thing she asked for on arriving was the chapel of the Castle, of which she had heard speak. She even said that she would make some embellishments in it; and, when I told her we had no church in this little place, she appeared quite vexed not to have a curate in the village."

"Oh, to be sure! that's the first thought of your upstarts—to play the great lady of the parish, like your titled people."

"Madame de la Sainte-Colombe need not play the great lady, because she is one."

"She! a great lady? Oh, lor'!"

"Yes—only see how she was dressed, in scarlet gown, and violet gloves like a bishop's; and, when she took off her bonnet, she had a diamond band round her head-dress of false, light hair, and diamond ear-drops as large as my thumb, and diamond rings on every finger! None of your tuppenny beauties would wear so many diamonds in the middle of the day."

"You are a pretty judge!"

"That is not all."

"Do you mean to say there's more?"

"She talked of nothing but dukes, and marquises, and counts, and very rich gentlemen, who visit at her house, and are her most intimate friends; and then, when she saw the summer house in the park, half-burnt by the Prussians, which our late master never rebuilt, she asked, 'What are those ruins there?' and I answered: 'Madame, it was in the time of the Allies that the pavilion was burnt.'—'Oh, my clear,' cried she; 'our allies, good, dear allies! they and the Restoration began my fortune!' So you see, Dupont, I said to myself directly: 'She was no doubt one of the noble women who fled abroad—'"

"Madame de la Sainte-Colombe!" cried the bailiff, laughing heartily. "Oh, my poor, poor wife!"

"Oh, it is all very well; but because you have been three years at Paris, don't think yourself a conjurer!"

"Catherine, let's drop it: you will make me say some folly, and there are certain things which dear, good creatures like you need never know."

"I cannot tell what you are driving at, only try to be less slanderous—for, after all, should Madame de la Sainte-Colombe buy the estate, will you be sorry to remain as her bailiff, eh?"

"Not I—for we are getting old, my good Catherine; we have lived here twenty years, and we have been too honest to provide for our old days by pilfering—and truly, at our age, it would be hard to seek another place, which perhaps we should not find. What I regret is, that Mademoiselle Adrienne should not keep the land; it seems that she wished to sell it, against the will of the princess."

"Good gracious, Dupont! is it not very extraordinary that Mademoiselle Adrienne should have the disposal of her large fortune so early in life?"

"Faith! simple enough. Our young lady, having no father or mother, is mistress of her property, besides having a famous little will of her own. Dost remember, ten years ago, when the count brought her down here one summer?—what an imp of mischief! and then what eyes! eh?—how they sparkled, even then!"

"It is true that Mademoiselle Adrienne had in her look—an expression—a very uncommon expression for her age."

"If she has kept what her witching, luring face promised, she must be very pretty by this time, notwithstanding the peculiar color of her hair—for, between ourselves, if she had been a tradesman's daughter, instead of a young lady of high birth, they would have called it red."

"There again! more slander."

"What! against Mademoiselle Adrienne? Heaven forbid—I always thought that she would be as good as pretty, and it is not speaking ill of her to say she has red hair. On the contrary, it always appears to me so fine, so bright, so sunny, and to suit so well her snowy complexion and black eyes, that in truth I would not have had it other than it was; and I am sure, that now this very color of her hair, which would be a blemish in any one else, must only add to the charm of Mademoiselle Adrienne's face. She must have such a sweet vixen look!"

"Oh! to be candid, she really was a vixen—always running about the park, aggravating her governess, climbing the trees—in fact, playing all manner of naughty tricks."

"I grant you, Mademoiselle Adrienne was a chip of the old block; but then what wit, what engaging ways, and above all, what a good heart!"

"Yes—that she certainly had. Once I remember she gave her shawl and her new merino frock to a poor little beggar girl, and came back to the house in her petticoat, and bare arms."

"Oh, an excellent heart—but headstrong—terribly headstrong!"

"Yes—that she was; and 'tis likely to finish badly, for it seems that she does things at Paris—oh! such things—"

"What things?"

"Oh, my dear; I can hardly venture—"

"Fell, but what are they?"

"Why," said the worthy dame, with a sort of embarrassment and confusion, which showed how much she was shocked by such enormities, "they say, that Mademoiselle Adrienne never sets foot in a church, but lives in a kind of heathen temple in her aunt's garden, where she has masked women to dress her up like a goddess, and scratches them very often, because she gets tipsy—without mentioning, that every night she plays on a hunting horn of massive gold—all which causes the utmost grief and despair to her poor aunt the princess."

Here the bailiff burst into a fit of laughter, which interrupted his wife.

"Now tell me," said he, when this first access of hilarity was over, "where did you get these fine stories about Mademoiselle Adrienne?"

"From Rene's wife, who went to Paris to look for a child to nurse; she called at Saint-Dizier House, to see Madame Grivois, her godmother.—Now Madame Grivois is first bedchamber woman to the princess—and she it was who told her all this—and surely she ought to know, being in the house."

"Yes, a fine piece of goods that Grivois! once she was a regular bad 'un, but now she professes to be as over-nice as her mistress; like master like man, they say. The princess herself, who is now so stiff and starched, knew how to carry on a lively game in her time. Fifteen years ago, she was no such prude: do you remember that handsome colonel of hussars, who was in garrison at Abbeville? an exiled noble who had served in Russia, whom the Bourbons gave a regiment on the Restoration?"

"Yes, yes—I remember him; but you are really too backbiting."

"Not a bit—I only speak the truth. The colonel spent his whole time here, and every one said he was very warm with this same princess, who is now such a saint. Oh! those were the jolly times. Every evening, some new entertainment at the chateau. What a fellow that colonel was, to set things going; how well he could act a play!—I remember—"

The bailiff was unable to proceed. A stout maid-servant, wearing the costume and cap of Picardy, entered in haste, and thus addressed her mistress: "Madame, there is a person here that wants to speak to master; he has come in the postmaster's calash from Saint-Valery, and he says that he is M. Rodin."

"M. Rodin?" said the bailiff rising. "Show him in directly!"

A moment after, M. Rodin made his appearance. According to his custom, he was dressed even more than plainly. With an air of great humility, he saluted the bailiff and his wife, and at a sign from her husband, the latter withdrew. The cadaverous countenance of M. Rodin, his almost invisible lips, his little reptile eyes, half concealed by their flabby lids, and the sordid style of his dress, rendered his general aspect far from prepossessing; yet this man knew how, when it was necessary, to affect, with diabolical art, so much sincerity and good-nature—his words were so affectionate and subtly penetrating—that the disagreeable feeling of repugnance, which the first sight of him generally inspired, wore off little by little, and he almost always finished by involving his dupe or victim in the tortuous windings of an eloquence as pliant as it was honeyed and perfidious; for ugliness and evil have their fascination, as well as what is good and fair.

The honest bailiff looked at this man with surprise, when he thought of the pressing recommendation of the steward of the Princess de Saint Dizier; he had expected to see quite another sort of personage, and, hardly able to dissemble his astonishment, he said to him: "Is it to M. Rodin that I have the honor to speak?"

"Yes, sir; and here is another letter from the steward of the Princess de Saint-Dizier."

"Pray, sir, draw near the fire, whilst I just see what is in this letter. The weather is so bad," continued the bailiff, obligingly, "may I not offer you some refreshment?"

"A thousand thanks, my dear sir; I am off again in an hour."

Whilst M. Dupont read, M. Rodin threw inquisitive glances round the chamber; like a man of skill and experience, he had frequently drawn just and useful inductions from those little appearances, which, revealing a taste or habit, give at the same time some notion of a character; on this occasion, however, his curiosity was at fault.

"Very good, sir," said the bailiff, when he had finished reading; "the steward renews his recommendation, and tells me to attend implicitly to your commands."

"Well, sir, they will amount to very little, and I shall not trouble you long."

"It will be no trouble, but an honor."

"Nay, I know how much your time must be occupied, for, as soon as one enters this chateau, one is struck with the good order and perfect keeping of everything in it—which proves, my dear sir, what excellent care you take of it."

"Oh, sir, you flatter me."

"Flatter you?—a poor old man like myself has something else to think of. But to come to business: there is a room here which is called the Green Chamber?"

"Yes, sir; the room which the late Count-Duke de Cardoville used for a study."

"You will have the goodness to take me there."

"Unfortunately, it is not in my power to do so. After the death of the Count-Duke, and when the seals were removed, a number of papers were shut up in a cabinet in that room, and the lawyers took the keys with them to Paris."

"Here are those keys," said M. Rodin, showing to the bailiff a large and a small key tied together.

"Oh, sir! that is different. You come to look for papers?"

"Yes—for certain papers—and also far a small mahogany casket, with silver clasps—do you happen to know it?"

"Yes, sir; I have often seen it on the count's writing-table. It must be in the large, lacquered cabinet, of which you have the key."

"You will conduct me to this chamber, as authorized by the Princess de Saint-Dizier?"

"Yes, sir; the princess continues in good health?"

"Perfectly so. She lives altogether above worldly things."

"And Mademoiselle Adrienne?"

"Alas, my dear sir!" said M. Rodin, with a sigh of deep contrition and grief.

"Good heaven, sir! has any calamity happened to Mademoiselle Adrienne?"

"In what sense do you mean it?"

"Is she ill?"

"No, no—she is, unfortunately, as well as she is beautiful."

"Unfortunately!" cried the bailiff, in surprise.

"Alas, yes! for when beauty, youth, and health are joined to an evil spirit of revolt and perversity—to a character which certainly has not its equal upon earth—it would be far better to be deprived of those dangerous advantages, which only become so many causes of perdition. But I conjure you, my dear sir, let us talk of something else: this subject is too painful," said M. Rodin, with a voice of deep emotion, lifting the tip of his little finger to the corner of his right eye, as if to stop a rising tear.

The bailiff did not see the tear, but he saw the gesture, and he was struck with the change in M. Rodin's voice. He answered him, therefore, with much sympathy: "Pardon my indiscretion, sir; I really did not know—"

"It is I who should ask pardon for this involuntary display of feeling—tears are so rare with old men—but if you had seen, as I have, the despair of that excellent princess, whose only fault has been too much kindness, too much weakness, with regard to her niece—by which she has encouraged her—but, once more, let us talk of something else, my dear sir!"

After a moment's pause, during which M. Rodin seemed to recover from his emotion, he said to Dupont: "One part of my mission, my dear sir—that which relates to the Green Chamber—I have now told you; but there is yet another. Before coming to it, however, I must remind you of a circumstance you have perhaps forgotten—namely, that some fifteen or sixteen years ago, the Marquis d'Aigrigny, then colonel of the hussars in garrison at Abbeville, spent some time in this house."

"Oh, sir! what a dashing officer was there! It was only just now, that I was talking about him to my wife. He was the life of the house!—how well he could perform plays—particularly the character of a scapegrace. In the Two Edmonds, for instance, he would make you die with laughing, in that part of a drunken soldier—and then, with what a charming voice he sang Joconde, sir—better than they could sing it at Paris!"

Rodin, having listened complacently to the bailiff, said to him: "You doubtless know that, after a fierce duel he had with a furious Bonapartist, one General Simon, the Marquis d'Aigrigny (whose private secretary I have now the honor to be) left the world for the church."

"No, sir! is it possible? That fine officer!"

"That fine officer—brave, noble, rich, esteemed, and flattered—abandoned all those advantages for the sorry black gown; and, notwithstanding his name, position, high connections, his reputation as a great preacher, he is still what he was fourteen years ago—a plain abbe—whilst so many, who have neither his merit nor his virtues, are archbishops and cardinals."

M. Rodin expressed himself with so much goodness, with such an air of conviction, and the facts he cited appeared to be so incontestable, that M. Dupont could not help exclaiming: "Well, sir, that is splendid conduct!"

"Splendid? Oh, no!" said M. Rodin, with an inimitable expression of simplicity; "it is quite a matter of course when one has a heart like M. d'Aigrigny's. But amongst all his good qualities, he has particularly that of never forgetting worthy people—people of integrity, honor, conscience—and therefore, my dear M. Dupont, he has not forgotten you."

"What, the most noble marquis deigns to remember—"

"Three days ago, I received a letter from him, in which he mentions your name."

"Is he then at Paris?"

"He will be there soon, if not there now. He went to Italy about three months ago, and, during his absence, he received a very sad piece of news—the death of his mother, who was passing the autumn on one of the estates of the Princess de Saint-Dizier."

"Oh, indeed! I was not aware of it."

"Yes, it was a cruel grief to him; but we must all resign ourselves to the will of Providence!"

"And with regard to what subject did the marquis do me the honor to mention my name?"

"I am going to tell you. First of all, you must know that this house is sold. The bill of sale was signed the day before my departure from Paris."

"Oh, sir! that renews all my uneasiness."

"Pray, why?"

"I am afraid that the new proprietors may not choose to keep me as their bailiff."

"Now see what a lucky chance! It is just on that subject that I am going to speak to you."

"Is it possible?"

"Certainly. Knowing the interest which the marquis feels for you, I am particularly desirous that you should keep this place, and I will do all in my power to serve you, if—"

"Ah, sir!" cried Dupont, interrupting Rodin; "what gratitude do I not owe you! It is Heaven that sends you to me!'

"Now, my dear sir, you flatter me in your turn; but I ought to tell you, that I'm obliged to annex a small condition to my support."

"Oh, by all means! Only name it, sir—name it!"

"The person who is about to inhabit this mansion, is an old lady in every way worthy of veneration; Madame de la Sainte-Colombe is the name of this respectable—"

"What, sir?" said the bailiff, interrupting Rodin; "Madame de la Sainte Colombe the lady who has bought us out?"

"Do you know her?"

"Yes, sir, she came last week to see the estate. My wife persists that she is a great lady; but—between ourselves—judging by certain words that I heard her speak—"

"You are full of penetration, my dear M. Dupont. Madame de la Sainte Colombe is far from being a great lady. I believe she was neither more nor less than a milliner, under one of the wooden porticoes of the Palais Royal. You see, that I deal openly with you."

"And she boasted of all the noblemen, French and foreign, who used to visit her!"

"No doubt, they came to buy bonnets for their wives! However, the fact is, that, having gained a large fortune and, after being in youth and middle age—indifferent—alas! more than indifferent to the salvation of her soul—Madame de la Sainte-Colombe is now in a likely way to experience grace—which renders her, as I told you, worthy of veneration, because nothing is so respectable as a sincere repentance—always providing it to be lasting. Now to make the good work sure and effectual, we shall need your assistance, my dear M. Dupont."

"Mine, sir! what can I do in it?"

"A great deal; and I will explain to you how. There is no church in this village, which stands at an equal distance from either of two parishes. Madame de la Sainte-Colombe, wishing to make choice of one of the two clergymen, will naturally apply to you and Madame Dupont, who have long lived in these parts, for information respecting them."

"Oh! in that case the choice will soon be made. The incumbent of Danicourt is one of the best of men."

"Now that is precisely what you must not say to Madame de la Sainte Colombe."

"How so?"

"You must, on the contrary, much praise, without ceasing, the curate of Roiville, the other parish, so as to decide this good lady to trust herself to his care."

"And why, sir, to him rather than to the other?"

"Why?—because, if you and Madame Dupont succeed in persuading Madame de la Sainte-Colombe to make the choice I wish, you will be certain to keep your place as bailiff. I give you my word of it, and what I promise I perform."

"I do not doubt, sir, that you have this power," said Dupont, convinced by Rodin's manner, and the authority of his words; "but I should like to know—"

"One word more," said Rodin, interrupting him; "I will deal openly with you, and tell you why I insist on the preference which I beg you to support. I should be grieved if you saw in all this the shadow of an intrigue. It is only for the purpose of doing a good action. The curate of Roiville, for whom I ask your influence, is a man for whom M. d'Aigrigny feels a deep interest. Though very poor, he has to support an aged mother. Now, if he had the spiritual care of Madame de la Sainte Colombe, he would do more good than any one else, because he is full of zeal and patience; and then it is clear he would reap some little advantages, by which his old mother might profit—there you see is the secret of this mighty scheme. When I knew that this lady was disposed to buy an estate in the neighborhood of our friend's parish, I wrote about it to the marquis; and he, remembering you, desired me to ask you to render him this small service, which, as you see, will not remain without a recompense. For I tell you once more, and I will prove it, that I have the power to keep you in your place as bailiff."

"Well, sir," replied Dupont, after a moment's reflection, "you are so frank and obliging, that I will imitate your sincerity. In the same degree that the curate of Danicourt is respected and loved in this country, the curate of Roiville, whom you wish me to prefer to him, is dreaded for his intolerance—and, moreover—"

"Well, and what more?"

"Why, then, they say—"

"Come, what do they say?"

"They say—he is a Jesuit."

Upon these words, M. Rodin burst into so hearty a laugh that the bailiff was quite struck dumb with amazement—for the countenance of M. Rodin took a singular expression when he laughed. "A Jesuit!" he repeated, with redoubled hilarity; "a Jesuit!—Now really, my dear M. Dupont, for a man of sense, experience, and intelligence, how can you believe such idle stories?—A Jesuit—are there such people as Jesuits?—in our time, above all, can you believe such romance of the Jacobins, hobgoblins of the old freedom lovers?—Come, come; I wager, you have read about them in the Constitutionnel!"

"And yet, sir, they say—"

"Good heavens! what will they not say?—But wise men, prudent men like you, do not meddle with what is said—they manage their own little matters, without doing injury to any one, and they never sacrifice, for the sake of nonsense, a good place, which secures them a comfortable provision for the rest of their days. I tell you frankly, however much I may regret it, that should you not succeed in getting the preference for my man, you will not remain bailiff here.

"But, sir," said poor Dupont, "it will not be my fault, if this lady, hearing a great deal in praise of the other curate, should prefer him to your friend."

"Ah! but if, on the other hand, persons who have long lived in the neighborhood—persons worthy of confidence, whom she will see every day—tell Madame de la Sainte-Colombe a great deal of good of my friend, and a great deal of harm of the other curate, she will prefer the former, and you will continue bailiff."

"But, sir—that would be calumny!" cried Dupont.

"Pshaw, my dear M. Dupont!" said Rodin, with an air of sorrowful and affectionate reproach, "how can you think me capable of giving you evil counsel?—I was only making a supposition. You wish to remain bailiff on this estate. I offer you the certainty of doing so—it is for you to consider and decide."

"But, sir—"

"One word more—or rather one more condition—as important as the other. Unfortunately, we have seen clergymen take advantage of the age and weakness of their penitents, unfairly to benefit either themselves or others: I believe our protege incapable of any such baseness—but, in order to discharge my responsibility—and yours also, as you will have contributed to his appointment—I must request that you will write to me twice a week, giving the most exact detail of all that you have remarked in the character, habits, connections, pursuits, of Madame de la Sainte Colombe—for the influence of a confessor, you see, reveals itself in the whole conduct of life, and I should wish to be fully edified by the proceedings of my friend, without his being aware of it—or, if anything blameable were to strike you, I should be immediately informed of it by this weekly correspondence."

"But, sir—that would be to act as a spy?" exclaimed the unfortunate bailiff.

"Now, my dear M. Dupont! how can you thus brand the sweetest, most wholesome of human desires—mutual confidence?—I ask of you nothing else—I ask of you to write to me confidentially the details of all that goes on here. On these two conditions, inseparable one from the other, you remain bailiff; otherwise, I shall be forced, with grief and regret, to recommend some one else to Madame de la Sainte-Colombe."

"I beg you, sir," said Dupont, with emotion, "Be generous without any conditions!—I and my wife have only this place to give us bread, and we are too old to find another. Do not expose our probity of forty years' standing to be tempted by the fear of want, which is so bad a counsellor!"

"My dear M. Dupont, you are really a great child: you must reflect upon this, and give me your answer in the course of a week."

"Oh, sir! I implore you—" The conversation was here interrupted by a loud report, which was almost instantaneously repeated by the echoes of the cliffs. "What is that?" said M. Rodin. Hardly had he spoken, when the same noise was again heard more distinctly than before.

"It is the sound of cannon," cried Dupont, rising; "no doubt a ship in distress, or signaling for a pilot."

"My dear," said the bailiffs wife, entering abruptly, "from the terrace, we can see a steamer and a large ship nearly dismasted—they are drifting right upon the shore—the ship is firing minute gulls—it will be lost."

"Oh, it is terrible!" cried the bailiff, taking his hat and preparing to go out, "to look on at a shipwreck, and be able to do nothing!"

"Can no help be given to these vessels?" asked M. Rodin.

"If they are driven upon the reefs, no human power can save them; since the last equinox two ships have been lost on this coast."

"Lost with all on board?—Oh, very frightful," said M. Rodin.

"In such a storm, there is but little chance for the crew; no matter," said the bailiff, addressing his wife, "I will run down to the rocks with the people of the farm, and try to save some of them, poor creatures!—Light large fires in several rooms—get ready linen, clothes, cordials—I scarcely dare hope to save any, but we must do our best. Will you come with me, M. Rodin?"

"I should think it a duty, if I could be at all useful, but I am too old and feeble to be of any service," said M. Rodin, who was by no means anxious to encounter the storm. "Your good lady will be kind enough to show me the Green Chamber, and when I have found the articles I require, I will set out immediately for Paris, for I am in great haste."

"Very well, sir. Catherine will show you. Ring the big bell," said the bailiff to his servant; "let all the people of the farm meet me at the foot of the cliff, with ropes and levers."

"Yes, my dear," replied Catherine; "but do not expose yourself."

"Kiss me—it will bring me luck," said the bailiff; and he started at a full run, crying: "Quick! quick; by this time not a plank may remain of the vessels."

"My dear madam," said Rodin, always impassible, "will you be obliging enough to show me the Green Chamber?"

"Please to follow me, sir," answered Catherine, drying her tears—for she trembled on account of her husband, whose courage she well knew.

CHAPTER XXIV. THE TEMPEST

The sea is raging. Mountainous waves of dark green, marbled with white foam, stand out, in high, deep undulations, from the broad streak of red light, which extends along the horizon. Above are piled heavy masses of black and sulphurous vapor, whilst a few lighter clouds of a reddish gray, driven by the violence of the wind, rush across the murky sky.

The pale winter sun, before he quite disappears in the great clouds, behind which he is slowly mounting, casts here and there some oblique rays upon the troubled sea, and gilds the transparent crest of some of the tallest waves. A band of snow-white foam boils and rages as far as the eye can reach, along the line of the reefs that bristle on this dangerous coast.

Half-way up a rugged promontory, which juts pretty far into the sea, rises Cardoville Castle; a ray of the sun glitters upon its windows; its brick walls and pointed roofs of slate are visible in the midst of this sky loaded with vapors.

A large, disabled ship, with mere shreds of sail still fluttering from the stumps of broken masts, drives dead upon the coast. Now she rolls her monstrous hull upon the waves—now plunges into their trough. A flash is seen, followed by a dull sound, scarcely perceptible in the midst of the roar of the tempest. That gun is the last signal of distress from this lost vessel, which is fast forging on the breakers.

At the same moment, a steamer, with its long plume of black smoke, is working her way from east to west, making every effort to keep at a distance from the shore, leaving the breakers on her left. The dismasted ship, drifting towards the rocks, at the mercy of the wind and tide, must some time pass right ahead of the steamer.

Suddenly, the rush of a heavy sea laid the steamer upon her side; the enormous wave broke furiously on her deck; in a second the chimney was carried away, the paddle box stove in, one of the wheels rendered useless. A second white-cap, following the first, again struck the vessel amidships, and so increased the damage that, no longer answering to the helm, she also drifted towards the shore, in the same direction as the ship. But the latter, though further from the breakers, presented a greater surface to the wind and sea, and so gained upon the steamer in swiftness that a collision between the two vessels became imminent—a new clanger added to all the horrors of the now certain wreck.

The ship was an English vessel, the "Black Eagle," homeward bound from Alexandria, with passengers, who arriving from India and Java, via the Red Sea, had disembarked at the Isthmus of Suez, from on board the steamship "Ruyter." The "Black Eagle," quitting the Straits of Gibraltar, had gone to touch at the Azores. She headed thence for Portsmouth, when she was overtaken in the Channel by the northwester. The steamer was the "William Tell," coming from Germany, by way of the Elbe, and bound, in the last place, for Hamburg to Havre.

These two vessels, the sport of enormous rollers, driven along by tide and tempest, were now rushing upon the breakers with frightful speed. The deck of each offered a terrible spectacle; the loss of crew and passengers appeared almost certain, for before them a tremendous sea broke on jagged rocks, at the foot of a perpendicular cliff.

The captain of the "Black Eagle," standing on the poop, holding by the remnant of a spar, issued his last orders in this fearful extremity with courageous coolness. The smaller boats had been carried away by the waves; it was in vain to think of launching the long-boat; the only chance of escape in case the ship should not be immediately dashed to pieces on touching the rocks, was to establish a communication with the land by means of a life-line—almost the last resort for passing between the shore and a stranded vessel.

The deck was covered with passengers, whose cries and terror augmented the general confusion. Some, struck with a kind of stupor, and clinging convulsively to the shrouds, awaited their doom in a state of stupid insensibility. Others wrung their hands in despair, or rolled upon the deck uttering horrible imprecations. Here, women knelt down to pray; there, others hid their faces in their hands, that they might not see the awful approach of death. A young mother, pale as a specter, holding her child clasped tightly to her bosom, went supplicating from sailor to sailor, and offering a purse full of gold and jewels to any one that would take charge of her son.

These cries, and tears, and terror contrasted with the stern and silent resignation of the sailors. Knowing the imminence of the inevitable danger, some of them stripped themselves of part of their clothes, waiting for the moment to make a last effort, to dispute their lives with the fury of the waves; others renouncing all hope, prepared to meet death with stoical indifference.

Here and there, touching or awful episodes rose in relief, if one may so express it, from this dark and gloomy background of despair.

A young man of about eighteen or twenty, with shiny black hair, copper colored complexion, and perfectly regular and handsome features, contemplated this scene of dismay and horror with that sad calmness peculiar to those who have often braved great perils; wrapped in a cloak, he leaned his back against the bulwarks, with his feet resting against one of the bulkheads. Suddenly, the unhappy mother, who, with her child in her arms, and gold in her hand, had in vain addressed herself to several of the mariners, to beg them to save her boy, perceiving the young man with the copper-colored complexion, threw herself on her knees before him, and lifted her child towards him with a burst of inexpressible agony. The young man took it, mournfully shook his head, and pointed to the furious waves—but, with a meaning gesture, he appeared to promise that he would at least try to save it. Then the young mother, in a mad transport of hope, seized the hand of the youth, and bathed it with her tears.

Further on, another passenger of the "Black Eagle," seemed animated by sentiments of the most active pity. One would hardly have given him five-and-twenty years of age. His long, fair locks fell in curls on either side of his angelic countenance. He wore a black cassock and white neck-band. Applying himself to comfort the most desponding, he went from one to the other, and spoke to them pious words of hope and resignation; to hear him console some, and encourage others, in language full of unction, tenderness, and ineffable charity, one would have supposed him unaware or indifferent to the perils that he shared.

On his fine, mild features, was impressed a calm and sacred intrepidity, a religious abstraction from every terrestrial thought; from time to time, he raised to heaven his large blue eyes, beaming with gratitude, love, and serenity, as if to thank God for having called him to one of those formidable trials in which the man of humanity and courage may devote himself for his brethren, and, if not able to rescue them at all, at least die with them, pointing to the sky. One might almost have taken him for an angel, sent down to render less cruel the strokes of inexorable fate.

Strange contrast! not far from this young man's angelic beauty, there was another being, who resembled an evil spirit!

Boldly mounted on what was left of the bowsprit, to which he held on by means of some remaining cordage, this man looked down upon the terrible scene that was passing on the deck. A grim, wild joy lighted up his countenance of a dead yellow, that tint peculiar to those who spring from the union of the white race with the East. He wore only a shirt and linen drawers; from his neck was suspended, by a cord, a cylindrical tin box, similar to that in which soldiers carry their leave of absence.

The more the danger augmented, the nearer the ship came to the breakers, or to a collision with the steamer, which she was now rapidly approaching—a terrible collision, which would probably cause the two vessels to founder before even they touched the rocks—the more did the infernal joy of this passenger reveal itself in frightful transports. He seemed to long, with ferocious impatience, for the moment when the work of destruction should be accomplished. To see him thus feasting with avidity on all the agony, the terror, and the despair of those around him, one might have taken him for the apostle of one of those sanguinary deities, who, in barbarous countries, preside over murder and carnage.

By this time the "Black Eagle," driven by the wind and waves, came so near the "William Tell" that the passengers on the deck of the nearly dismantled steamer were visible from the first-named vessel.

These passengers were no longer numerous. The heavy sea, which stove in the paddle-box and broke one of the paddles, had also carried away nearly the whole of the bulwarks on that side; the waves, entering every instant by this large opening, swept the decks with irresistible violence, and every time bore away with them some fresh victims.

Amongst the passengers, who seemed only to have escaped this danger to be hurled against the rocks, or crushed in the encounter of the two vessels, one group was especially worthy of the most tender and painful interest. Taking refuge abaft, a tall old man, with bald forehead and gray moustache, had lashed himself to a stanchion, by winding a piece of rope round his body, whilst he clasped in his arms, and held fast to his breast, two girls of fifteen or sixteen, half enveloped in a pelisse of reindeer-skin. A large, fallow, Siberian dog, dripping with water, and barking furiously at the waves, stood close to their feet.

These girls, clasped in the arms of the old man, also pressed close to each other; but, far from being lost in terror, they raised their eyes to heaven, full of confidence and ingenuous hope, as though they expected to be saved by the intervention of some supernatural power.

A frightful shriek of horror and despair, raised by the passengers of both vessels, was heard suddenly above the roar of the tempest. At the moment when, plunging deeply between two waves, the broadside of the steamer was turned towards the bows of the ship, the latter, lifted to a prodigious height on a mountain of water, remained, as it were, suspended over the "William Tell," during the second which preceded the shock of the two vessels.

There are sights of so sublime a horror, that it is impossible to describe them. Yet, in the midst of these catastrophes, swift as thought, one catches sometimes a momentary glimpse of a picture, rapid and fleeting, as if illumined by a flash of lightning.

Thus, when the "Black Eagle," poised aloft by the flood, was about to crash down upon the "William Tell," the young man with the angelic countenance and fair, waving locks bent over the prow of the ship, ready to cast himself into the sea to save some victim. Suddenly, he perceived on board the steamer, on which he looked down from the summit of the immense wave, the two girls extending their arms towards him in supplication. They appeared to recognize him, and gazed on him with a sort of ecstacy and religious homage!

For a second, in spite of the horrors of the tempest, in spite of the approaching shipwreck, the looks of those three beings met. The features of the young man were expressive of sudden and profound pity; for the maidens with their hands clasped in prayer, seemed to invoke him as their expected Saviour. The old man, struck down by the fall of a plank, lay helpless on the deck. Soon all disappeared together.

A fearful mass of water dashed the "Black Eagle" down upon the "William Tell," in the midst of a cloud of boiling foam. To the dreadful crash of the two great bodies of wood and iron, which splintering against one another, instantly foundered, one loud cry was added—a cry of agony and death—the cry of a hundred human creatures swallowed up at once by the waves!

And then—nothing more was visible!

A few moments after, the fragments of the two vessels appeared in the trough of the sea, and on the caps of the waves—with here and there the contracted arms, the livid and despairing faces of some unhappy wretches, striving to make their way to the reefs along the shore, at the risk of being crushed to death by the shock of the furious breakers.

CHAPTER XXV. THE SHIPWRECK.

While the bailiff was gone to the sea-shore, to render help to those of the passengers who might escape from the inevitable shipwreck, M. Rodin, conducted by Catherine to the Green Chamber, had there found the articles that he was to take with him to Paris.

After passing two hours in this apartment, very indifferent to the fate of the shipwrecked persons, which alone absorbed the attention of the inhabitants of the Castle, Rodin returned to the chamber commonly occupied by the bailiff, a room which opened upon a long gallery. When he entered it he found nobody there. Under his arm he held a casket, with silver fastenings, almost black from age, whilst one end of a large red morocco portfolio projected from the breast-pocket of his half buttoned great coat.

Had the cold and livid countenance of the Abbe d'Aigrigny's secretary been able to express joy otherwise than by a sarcastic smile, his features would have been radiant with delight; for, just then, he was under the influence of the most agreeable thoughts. Having placed the casket upon a table, it was with marked satisfaction that he thus communed with himself:

"All goes well. It was prudent to keep these papers here till this

moment, for one must always be on guard against the diabolical spirit of

that Adrienne de Cardoville, who appears to guess instinctively what it

is impossible she should know. Fortunately, the time approaches when we

shall have no more need to fear her. Her fate will be a cruel one; it

must be so. Those proud, independent characters are at all times our

natural enemies—they are so by their very essence—how much more when

they show themselves peculiarly hurtful and dangerous! As for La Sainte

Colombe, the bailiff is sure to act for us; between what the fool

calls his conscience, and the dread of being at his age deprived of a

livelihood, he will not hesitate. I wish to have him because he will

serve us better than a stranger; his having been here twenty years will

prevent all suspicion on the part of that dull and narrow-minded woman.

Once in the hands of our man at Roiville, I will answer for the result.

The course of all such gross and stupid women is traced beforehand:

in their youth, they serve the devil; in riper years, they make others

serve him; in their old age, they are horribly afraid of him; and this

fear must continue till she has left us the Chateau de Cardoville,

which, from its isolated position, will make us an excellent college.

All then goes well. As for the affair of the medals, the 13th of

February approaches, without news from Joshua—evidently, Prince Djalma

is still kept prisoner by the English in the heart of India, or I must

have received letters from Batavia. The daughters of General Simon will

be detained at Leipsic for at least a month longer. All our foreign

relations are in the best condition. As for our internal affairs—"

Here M. Rodin was interrupted in the current of his reflections by the

entrance of Madame Dupont, who was zealously engaged in preparations to

give assistance in case of need.

"Now," said she to the servant, "light a fire in the next room; put this warm wine there; your master may be in every minute."

"Well, my dear madam," said Rodin to her, "do they hope to save any of these poor creatures?"

"Alas! I do not know, sir. My husband has been gone nearly two hours. I am terribly uneasy on his account. He is so courageous, so imprudent, if once he thinks he can be of any service."

"Courageous even to imprudence," said Rodin to himself, impatiently; "I do not like that."

"Well," resumed Catherine, "I have here at hand my hot linen, my cordials—heaven grant it may all be of use!"

"We may at least hope so, my dear madam. I very much regretted that my age and weakness did not permit me to assist your excellent husband. I also regret not being able to wait for the issue of his exertions, and to wish him joy if successful—for I am unfortunately compelled to depart, my moments are precious. I shall be much obliged if you will have the carriage got ready."

"Yes, Sir; I will see about it directly."

"One word, my dear, good Madame Dupont. You are a woman of sense, and excellent judgment. Now I have put your husband in the way to keep, if he will, his situation as bailiff of the estate—"

"Is it possible? What gratitude do we not owe you! Without this place what would become of us at our time of life?"

"I have only saddled my promise with two conditions—mere trifles—he will explain all that to you."

"Ah, sir! we shall regard you as our deliverer."

"You are too good. Only, on two little conditions—"

"If there were a hundred, sir we should gladly accept them. Think what we should be without this place—penniless—absolutely penniless!"

"I reckon upon you then; for the interest of your husband, you will try to persuade him."

"Missus! I say, missus! here's master come back," cried a servant, rushing into the chamber.

"Has he many with him?"

"No, missus; he is alone."

"Alone! alone?"

"Quite alone, missus."

A few moments after, M. Dupont entered the room; his clothes were streaming with water; to keep his hat on in the midst of the storm, he had tied it down to his head by means of his cravat, which was knotted under his chin; his gaiters were covered with chalky stains.

"There I have thee, my dear love!" cried his wife, tenderly embracing him. "I have been so uneasy!"

"Up to the present moment—THREE SAVED."

"God be praised, my dear M. Dupont!" said Rodin; "at least your efforts will not have been all in vain."

"Three, only three?" said Catherine. "Gracious heaven!"

"I only speak of those I saw myself, near the little creek of Goelands. Let us hope there may be more saved on other parts of the coast."

"Yes, indeed; happily, the shore is not equally steep in all parts."

"And where are these interesting sufferers, my dear sir?" asked Rodin, who could not avoid remaining a few instants longer.

"They are mounting the cliffs, supported by our people. As they cannot walk very fast, I ran on before to console my wife, and to take the necessary measures for their reception. First of all, my dear, you must get ready some women's clothes."

"There is then a woman amongst the persons saved?"

"There are two girls—fifteen or sixteen years of age at the most—mere children—and so pretty!"

"Poor little things!" said Rodin, with an affectation of interest.

"The person to whom they owe their lives is with them. He is a real hero!"

"A hero?"

"Yes; only fancy—"

"You can tell me all this by and by. Just slip on this dry warm dressing-gown, and take some of this hot wine. You are wet through."

"I'll not refuse, for I am almost frozen to death. I was telling you that the person who saved these young girls was a hero; and certainly his courage was beyond anything one could have imagined. When I left here with the men of the farm, we descended the little winding path, and arrived at the foot of the cliff—near the little creek of Goelands, fortunately somewhat sheltered from the waves by five or six enormous masses of rock stretching out into the sea. Well, what should we find there? Why, the two young girls I spoke of, in a swoon, with their feet still in the water, and their bodies resting against a rock, as though they had been placed there by some one, after being withdrawn from the sea."

"Dear children! it is quite touching!" said M. Rodin, raising, as usual, the tip of his little finger to the corner of his right eye, as though to dry a tear, which was very seldom visible.

"What struck me was their great resemblance to each other," resumed the bailiff; "only one in the habit of seeing them could tell the difference."

"Twin—sisters, no doubt," said Madame Dupont.

"One of the poor things," continued the bailiff, "held between her clasped hands a little bronze medal, which was suspended from her neck by a chain of the same material."

Rodin generally maintained a very stooping posture; but at these last words of the bailiff, he drew himself up suddenly, whilst a faint color spread itself over his livid cheeks. In any other person, these symptoms would have appeared of little consequence; but in Rodin, accustomed for long years to control and dissimulate his emotions, they announced no ordinary excitement. Approaching the bailiff, he said to him in a slightly agitated voice, but still with an air of indifference: "It was doubtless a pious relic. Did you see what was inscribed on this medal?"

"No, sir; I did not think of it."

"And the two young girls were like one another—very much like, you say?"

"So like, that one would hardly know which was which. Probably they are orphans, for they are dressed in mourning."

"Oh! dressed in mourning?" said M. Rodin, with another start.

"Alas! orphans so young!" said Madame Dupont, wiping her eyes.

"As they had fainted away, we carried them further on to a place where the sand was quite dry. While we were busy about this, we saw the head of a man appear from behind one of the rocks, which he was trying to climb, clinging to it by one hand; we ran to him, and luckily in the nick of time, for he was clean worn out, and fell exhausted into the arms of our men. It was of him I spoke when I talked of a hero; for, not content with having saved the two young girls by his admirable courage, he had attempted to rescue a third person, and had actually gone back amongst the rocks and breakers—but his strength failed him, and, without the aid of our men, he would certainly have been washed away from the ridge to which he clung."

"He must indeed be a fine fellow!" said Catherine.

Rodin, with his head bowed upon his breast, seemed quite indifferent to this conversation. The dismay and stupor, in which he had been plunged, only increased upon reflection. The two girls, who had just been saved, were fifteen years of age; were dressed in mourning; were so like, that one might be taken for the other; one of them wore round her neck a chain with a bronze medal; he could scarcely doubt that they were the daughters of General Simon. But how could those sisters be amongst the number of shipwrecked passengers? How could they have escaped from the prison at Leipsic? How did it happen, that he had not been informed of it? Could they have fled, or had they been set at liberty? How was it possible that he should not be apprise of such an event? But these secondary thoughts, which offered themselves in crowds to the mind of M. Rodin, were swallowed up in the one fact: "the daughters of General Simon are here!"—His plan, so laboriously laid, was thus entirely destroyed.

"When I speak of the deliverer of these young girls," resumed the bailiff, addressing his wife, and without remarking M. Rodin's absence of mind, "you are expecting no doubt to see a Hercules?—well, he is altogether the reverse. He is almost a boy in look, with fair, sweet face, and light, curling locks. I left him a cloak to cover him, for he had nothing on but his shirt, black knee-breeches, and a pair of black worsted stockings—which struck me as singular."

"Why, it was certainly not a sailor's dress."

"Besides, though the ship was English, I believe my hero is a Frenchman, for he speaks our language as well as we do. What brought the tears to my eyes, was to see the young girls, when they came to themselves. As soon as they saw him, they threw themselves at his feet, and seemed to look up to him and thank him, as one would pray. Then they cast their eyes around them, as if in search of some other person, and, having exchanged a few words, they fell sobbing into each other's arms."

"What a dreadful thing it is! How many poor creatures must have perished!"

"When we quitted the rocks, the sea had already cast ashore seven dead bodies, besides fragments of the wrecks, and packages. I spoke to some of the coast-guard, and they will remain all day on the look-out; and if, as I hope, any more should escape with life, they are to be brought here. But surely that is the sound of voices!—yes, it is our shipwrecked guests!"

The bailiff and his wife ran to the door of the room—that door, which opened on the long gallery—whilst Rodin, biting convulsively his flat nails, awaited with angry impatience the arrival of the strangers. A touching picture soon presented itself to his view.

From the end of the dark some gallery, only lighted on one side by several windows, three persons, conducted by a peasant, advanced slowly. This group consisted of the two maidens, and the intrepid young man to whom they owed their lives. Rose and Blanche were on either side of their deliverer, who, walking with great difficulty, supported himself lightly on their arms.

Though he was full twenty-five years of age, the juvenile countenance of this man made him appear younger. His long, fair hair, parted on the forehead, streamed wet and smooth over the collar of a large brown cloak, with which he had been covered. It would be difficult to describe the adorable expression of goodness in his pale, mild face, as pure as the most ideal creations of Raphael's pencil—for that divine artist alone could have caught the melancholy grace of those exquisite features, the serenity of that celestial look, from eyes limpid and blue as those of an archangel, or of a martyr ascended to the skies.

Yes, of a martyr! for a blood-red halo already encircled that beauteous head. Piteous sight to see! just above his light eyebrows, and rendered still more visible by the effect of the cold, a narrow cicatrix, from a wound inflicted many months before, appeared to encompass his fair forehead with a purple band; and (still more sad!) his hands had been cruelly pierced by a crucifixion—his feet had suffered the same injury—and, if he now walked with so much difficulty, it was that his wounds had reopened, as he struggled over the sharp rocks.

This young man was Gabriel, the priest attached to the foreign mission, the adopted son of Dagobert's wife. He was a priest and martyr—for, in our days, there are still martyrs, as in the time when the Caesars flung the early Christians to the lions and tigers of the circus.

Yes, in our days, the children of the people—for it is almost always amongst them that heroic and disinterested devotion may still be found—the children of the people, led by an honorable conviction, because it is courageous and sincere, go to all parts of the world, to try and propagate their faith, and brave both torture and death with the most unpretending valor.

How many of them, victims of some barbarous tribe, have perished, obscure and unknown, in the midst of the solitudes of the two worlds!—And for these humble soldiers of the cross, who have nothing but their faith and their intrepidity, there is never reserved on their return (and they seldom do return) the rich and sumptuous dignities of the church. Never does the purple or the mitre conceal their scarred brows and mutilated limbs; like the great majority of other soldiers, they die forgotten.(8)

In their ingenuous gratitude, the daughters of General Simon, as soon as they recovered their senses after the shipwreck, and felt themselves able to ascend the cliffs, would not leave to any other person the care of sustaining the faltering steps of him who had rescued them from certain death.

The black garments of Rose and Blanche streamed with water; their faces were deadly pale, and expressive of deep grief; the marks of recent tears were on their cheeks, and, with sad, downcast eyes, they trembled both from agitation and cold, as the agonizing thought recurred to them, that they should never again see Dagobert, their friend and guide; for it was to him that Gabriel had stretched forth a helping hand, to assist him to climb the rocks. Unfortunately the strength of both had failed, and the soldier had been carried away by a retreating wave.

The sight of Gabriel was a fresh surprise for Rodin, who had retired on one side, in order to observe all; but this surprise was of so pleasant a nature, and he felt so much joy in beholding the missionary safe after such imminent peril, that the painful impression, caused by the view of General Simon's daughters, was a little softened. It must not be forgotten, that the presence of Gabriel in Paris, on the 13th of February, was essential to the success of Rodin's projects.

The bailiff and his wife, who were greatly moved at sight of the orphans, approached them with eagerness. Just then a farm-boy entered the room, crying: "Sir! sir! good news—two more saved from the wreck!"

"Blessing and praise to God for it!" said the missionary.

"Where are they?" asked the bailiff, hastening towards the door.

"There is one who can walk, and is following behind me with Justin; the other was wounded against the rocks, and they are carrying him on a litter made of branches."

"I will run and have him placed in the room below," said the bailiff, as he went out. "Catherine, you can look to the young ladies."

"And the shipwrecked man who can walk—where is he?" asked the bailiff's wife.

"Here he is," said the peasant, pointing to some one who came rapidly along the gallery; "when he heard that the two young ladies were safe in the chateau—though he is old, and wounded in the head, he took such great strides, that it was all I could do to get here before him."

Hardly had the peasant pronounced these words, when Rose and Blanche, springing up by a common impulse, flew to the door. They arrived there at the same moment as Dagobert.

The soldier, unable to utter a syllable, fell on his knees at the threshold, and extended his arms to the daughters of General Simon; while Spoil-sport, running to them licked their hands.

But the emotion was too much for Dagobert; and, when he had clasped the orphans in his arms, his head fell backward, and he would have sunk down altogether, but for the care of the peasants. In spite of the observations of the bailiff's wife, on their state of weakness and agitation, the two young girls insisted on accompanying Dagobert, who was carried fainting into an adjoining apartment.

At sight of the soldier, Rodin's face was again violently contracted, for he had till then believed that the guide of General Simon's daughters was dead. The missionary, worn out with fatigue, was leaning upon a chair, and had not yet perceived Rodin.

A new personage, a man with a dead yellow complexion, now entered the room, accompanied by another peasant, who pointed out Gabriel to him. This man, who had just borrowed a smock-frock and a pair of trousers, approached the missionary, and said to him in French but with a foreign accent: "Prince Djalma has just been brought in here. His first word was to ask for you."

"What does that man say?" cried Rodin, in a voice of thunder; for, at the name of Djalma, he had sprung with one bound to Gabriel's side.

"M. Rodin!" exclaimed the missionary, falling back in surprise.

"M. Rodin," cried the other shipwrecked person; and from that moment, he kept his eye fixed on the correspondent of M. Van Dael.

"You here, sir?" said Gabriel, approaching Rodin with an air of deference, not unmixed with fear.

"What did that man say to you?" repeated Rodin, in an excited tone. "Did he not utter the name of Prince Djalma?"

"Yes, sir; Prince Djalma was one of the passengers on board the English ship, which came from Alexandria, and in which we have just been wrecked. This vessel touched at the Azores, where I then was; the ship that brought me from Charlestown having been obliged to put in there, and being likely to remain for some time, on account of serious damage, I embarked on board the 'Black Eagle,' where I met Prince Djalma. We were bound to Portsmouth, and from thence my intention was to proceed to France."

Rodin did not care to interrupt Gabriel. This new shock had completely paralyzed his thoughts. At length, like a man who catches at a last hope, which he knows beforehand to be vain, he said to Gabriel: "Can you tell me who this Prince Djalma is?"

"A young man as good as brave—the son of an East Indian king, dispossessed of his territory by the English."

Then, turning towards the other shipwrecked man, the missionary said to him with anxious interest: "How is the Prince? are his wounds dangerous?"

"They are serious contusions, but they will not be mortal," answered the other.

"Heaven be praised!" said the missionary, addressing Rodin; "here, you see, is another saved."

"So much the better," observed Rodin, in a quick, imperious tone.

"I will go see him," said Gabriel, submissively. "You have no orders to give me?"

"Will you be able to leave this place in two or three hours, notwithstanding your fatigue?"

"If it be necessary—yes."

"It is necessary. You will go with me."

Gabriel only bowed in reply, and Rodin sank confounded into a chair, while the missionary went out with the peasant. The man with the sallow complexion still lingered in a corner of the room, unperceived by Rodin.

This man was Faringhea, the half-caste, one of the three chiefs of the Stranglers. Having escaped the pursuit of the soldiers in the ruins of Tchandi, he had killed Mahal the Smuggler, and robbed him of the despatches written by M. Joshua Van Dael to Rodin, as also of the letter by which the smuggler was to have been received as passenger on board the "Ruyter." When Faringhea left the hut in the ruins of Tchandi, he had not been seen by Djalma; and the latter, when he met him on shipboard, after his escape (which we shall explain by and by), not knowing that he belonged to the sect of Phansegars, treated him during the voyage as a fellow-countryman.

Rodin, with his eye fixed and haggard, his countenance of a livid hue, biting his nails to the quick in silent rage, did not perceive the half caste, who quietly approached him and laying his hand familiarly on his shoulder, said to him: "Your name is Rodin?"

"What now?" asked the other, starting, and raising his head abruptly.

"Your name is Rodin?" repeated Faringhea.

"Yes. What do you want?"

"You live in the Rue du Milieu-des-Ursins, Paris?"

"Yes. But, once more, what do you want?"

"Nothing now, brother: hereafter, much!"

And Faringhea, retiring, with slow steps, left Rodin alarmed at what had passed; for this man, who scarcely trembled at anything, had quailed before the dark look and grim visage of the Strangler.

(8) We always remember with emotion the end of a letter written, two or three years ago, by one of these young and valiant missionaries, the son of poor parents in Beauce. He was writing to his mother from the heart of Japan, and thus concluded his letter: "Adieu, my dear mother! they say there is much danger where I am now sent to. Pray for me, and tell all our good neighbors that I think of them very often." These few words, addressed from the centre of Asia to poor peasants in a hamlet of France, are only the more touching from their very simplicity—E. S.

CHAPTER XXVI. THE DEPARTURE FOR PARIS.

The most profound silence reigns throughout Cardoville House. The tempest has lulled by degrees, and nothing is heard from afar but the hoarse murmur of the waves, as they wash heavily the shore.

Dagobert and the orphans have been lodged in warm and comfortable apartments on the first-floor of the chateau. Djalma, too severely hurt to be carried upstairs, has remained in a room below. At the moment of the shipwreck, a weeping mother had placed her child in his arms. He had failed in the attempt to snatch this unfortunate infant from certain death, but his generous devotion had hampered his movements, and when thrown upon the rocks, he was almost dashed to pieces. Faringhea, who has been able to convince him of his affection, remains to watch over him.

Gabriel, after administering consolation to Djalma, has rescinded to the chamber allotted to him; faithful to the promise he made to Rodin, to be ready to set out in two hours, he has not gone to bed; but, having dried his clothes, he has fallen asleep in a large, high-backed arm-chair, placed in front of a bright coal-fire. His apartment is situated near those occupied by Dagobert and the two sisters.

Spoil-sport, probably quite at his ease in so respectable a dwelling, has quitted the door of Rose and Blanche's chamber, to lie down and warm himself at the hearth, by the side of which the missionary is sleeping. There, with his nose resting on his outstretched paws, he enjoys a feeling of perfect comfort and repose, after so many perils by land and sea. We will not venture to affirm, that he thinks habitually of poor old Jovial; unless we recognize as a token of remembrance on his part, his irresistible propensity to bite all the white horses he has met with, ever since the death of his venerable companion, though before, he was the most inoffensive of dogs with regard to horses of every color.

Presently one of the doors of the chamber opened, and the two sisters entered timidly. Awake for some minutes, they had risen and dressed themselves, feeling still some uneasiness with respect to Dagobert; though the bailiff's wife, after showing them to their room, had returned again to tell them that the village doctor found nothing serious in the hurt of the old soldier, still they hoped to meet some one belonging to the chateau, of whom they could make further inquiries about him.

The high back of the old-fashioned arm-chair, in which Gabriel was sleeping, completely screened him from view; but the orphans, seeing their canine friend lying quietly at his feet, thought it was Dagobert reposing there, and hastened towards him on tip-toe. To their great astonishment, they saw Gabriel fast asleep, and stood still in confusion, not daring to advance or recede, for fear of waking him.

The long, light hair of the missionary was no longer wet, and now curled naturally round his neck and shoulders; the paleness of his complexion was the more striking, from the contrast afforded by the deep purple of the damask covering of the arm-chair. His beautiful countenance expressed a profound melancholy, either caused by the influence of some painful dream, or else that he was in the habit of keeping down, when awake, some sad regrets, which revealed themselves without his knowledge when he was sleeping. Notwithstanding this appearance of bitter grief, his features preserved their character of angelic sweetness, and seemed endowed with an inexpressible charm, for nothing is more touching than suffering goodness. The two young girls cast down their eyes, blushed simultaneously, and exchanged anxious glances, as if to point out to each other the slumbering missionary.

"He sleeps, sister," said Rose in a low voice.

"So much the better," replied Blanche, also in a whisper, making a sign of caution; "we shall now be able to observe him well."

"Yes, for we durst not do so, in coming from the sea hither."

"Look! what a sweet countenance!"

"He is just the same as we saw him in our dreams."

"When he promised he would protect us."

"And he has not failed us."

"But here, at least, he is visible."

"Not as it was in the prison at Leipsic, during that dark night."

"And so—he has again rescued us."

"Without him, we should have perished this morning."

"And yet, sister, it seems to me, that in our dreams his countenance shone with light."

"Yes, you know it dazzled us to look at him."

"And then he had not so sad a mien."

"That was because he came then from heaven; now he is upon earth."

"But, sister, had he then that bright red scar round his forehead?"

"Oh, no! we should have certainly perceived it."

"And these other marks on his hands?"

"If he has been wounded, how can he be an archangel?"

"Why not, sister? If he received those wounds in preventing evil, or in helping the unfortunate, who, like us, were about to perish?"

"You are right. If he did not run any danger for those he protects, it would be less noble."

"What a pity that he does not open his eye!"

"Their expression is so good, so tender!"

"Why did he not speak of our mother, by the way?"

"We were not alone with him; he did not like to do so."

"But now we are alone."

"If we were to pray to him to speak to us?"

The orphans looked doubtingly at each other, with charming simplicity; a bright glow suffused their cheeks, and their young bosoms heaved gently beneath their black dresses.

"You are right. Let us kneel down to him."

"Oh, sister! our hearts beat so!" said Blanche, believing rightly, that Rose felt exactly as she did. "And yet it seems to do us good. It is as if some happiness were going to befall us."

The sisters, having approached the arm-chair on tip-toe, knelt down with clasped hands, one to the right the other to the left of the young priest. It was a charming picture. Turning their lovely faces towards him, they said in a low whisper, with a soft, sweet voice, well suited to their youthful appearance: "Gabriel! speak to us of our mother!"

On this appeal, the missionary gave a slight start, half-opened his eyes, and, still in a state of semi-consciousness, between sleep and waking, beheld those two beauteous faces turned towards him, and heard two gentle voices repeat his name.

"Who calls me?" said he, rousing himself, and raising his head.

"It is Blanche and Rose."

It was now Gabriel's turn to blush, for he recognized the young girls he had saved. "Rise, my sisters!" said he to them; "you should kneel only unto God."

The orphans obeyed, and were soon beside him, holding each other by the hand. "You know my name, it seems," said the missionary with a smile.

"Oh, we have not forgotten it!"

"Who told it you?"

"Yourself." "I?"

"Yes—when you came from our mother."

"I, my sisters?" said the missionary, unable to comprehend the words of the orphans. "You are mistaken. I saw you to-day for the first time."

"But in our dreams?"

"Yes—do you not remember?—in our dreams."

"In Germany—three months ago, for the first time. Look at us well."

Gabriel could not help smiling at the simplicity of Rose and Blanche, who expected him to remember a dream of theirs; growing more and more perplexed, he repeated: "In your dreams?"

"Certainly; when you gave us such good advice."

"And when we were so sorrowful in prison, your words, which we remembered, consoled us, and gave us courage."

"Was it not you, who delivered us from the prison at Leipsic, in that dark night, when we were not able to see you?"

"I!"

"What other but you would thus have come to our help, and to that of our old friend?"

"We told him, that you would love him, because he loved us, although he would not believe in angels."

"And this morning, during the tempest, we had hardly any fear."

"Because we expected you."

"This morning—yes, my sisters—it pleased heaven to send me to your assistance. I was coming from America, but I have never been in Leipsic. I could not, therefore, have let you out of prison. Tell me, my sisters," added he, with a benevolent smile, "for whom do you take me?"

"For a good angel whom we have seen already in dreams, sent by our mother from heaven to protect us."

"My dear sisters, I am only a poor priest. It is by mere chance, no doubt, that I bear some resemblance to the angel you have seen in your dreams, and whom you could not see in any other manner—for angels are not visible to mortal eye.

"Angels are not visible?" said the orphans, looking sorrowfully at each other.

"No matter, my dear sisters," said Gabriel, taking them affectionately by the hand; "dreams, like everything else, come from above. Since the remembrance of your mother was mixed up with this dream, it is twice blessed."

At this moment a door opened, and Dagobert made his appearance. Up to this time, the orphans, in their innocent ambition to be protected by an archangel, had quite forgotten the circumstance that Dagobert's wife had adopted a forsaken child, who was called Gabriel, and who was now a priest and missionary.

The soldier, though obstinate in maintaining that his hurt was only a blank wound (to use a term of General Simon's), had allowed it to be carefully dressed by the surgeon of the village, and now wore a black bandage, which concealed one half of his forehead, and added to the natural grimness of his features. On entering the room, he was not a little surprised to see a stranger holding the hands of Rose and Blanche familiarly in his own. This surprise was natural, for Dagobert did not know that the missionary had saved the lives of the orphans, and had attempted to save his also.

In the midst of the storm, tossed about by the waves, and vainly striving to cling to the rocks, the soldier had only seen Gabriel very imperfectly, at the moment when, having snatched the sisters from certain death, the young priest had fruitlessly endeavored to come to his aid. And when, after the shipwreck, Dagobert had found the orphans in safety beneath the roof of the Manor House, he fell, as we have already stated, into a swoon, caused by fatigue, emotion, and the effects of his wound—so that he had again no opportunity of observing the features of the missionary.

The veteran began to frown from beneath his black bandage and thick, gray brows, at beholding a stranger so familiar with Rose and Blanche; but the sisters ran to throw themselves into his arms, and to cover him with filial caresses. His anger was soon dissipated by these marks of affection, though he continued, from time to time, to cast a suspicious glance at the missionary, who had risen from his seat, but whose countenance he could not well distinguish.

"How is your wound?" asked Rose, anxiously. "They told us it was not dangerous."

"Does it still pain?" added Blanche.

"No, children; the surgeon of the village would bandage me up in this manner. If my head was carbonadoes with sabre cuts, I could not have more wrappings. They will take me for an old milksop; it is only a blank wound, and I have a good mind to—" And therewith the soldier raised one of his hands to the bandage.

"Will you leave that alone?" cried Rose catching his arm. "How can you be so unreasonable—at your age?"

"Well, well! don't scold! I will do what you wish, and keep it on." Then, drawing the sisters to one end of the room, he said to them in a low voice, whilst he looked at the young priest from the corner of his eye: "Who is that gentleman who was holding your hands when I came in? He has very much the look of a curate. You see, my children, you must be on your guard; because—"

"He?" cried both sisters at once, turning towards Gabriel. "Without him, we should not now be here to kiss you."

"What's that?" cried the soldier, suddenly drawing up his tall figure, and gazing full at the missionary.

"It is our guardian angel," resumed Blanche.

"Without him," said Rose, "we must have perished this morning in the shipwreck."

"Ah! it is he, who—" Dagobert could say no more. With swelling heart, and tears in his eyes, he ran to the missionary, offered him both his hands, and exclaimed in a tone of gratitude impossible to describe: "Sir, I owe you the lives of these two children. I feel what a debt that service lays upon me. I will not say more—because it includes everything!"

Then, as if struck with a sudden recollection, he cried: "Stop! when I was trying to cling to a rock, so as not to be carried away by the waves, was it not you that held out your hand to me? Yes—that light hair—that youthful countenance—yes—it was certainly you—now I am sure of it!"

"Unhappily, sir, my strength failed me, and I had the anguish to see you fall back into the sea."

"I can say nothing more in the way of thanks than what I have already said," answered Dagobert, with touching simplicity: "in preserving these children you have done more for me than if you had saved my own life. But what heart and courage!" added the soldier, with admiration; "and so young, with such a girlish look!"

"And so," cried Blanche, joyfully, "our Gabriel came to your aid also?"

"Gabriel!" said Dagobert interrupting Blanche, and addressing himself to the priest. "Is your name Gabriel?"

"Yes, sir."

"Gabriel!" repeated the soldier, more and more surprised. "And a priest!" added he.

"A priest of the foreign missions."

"Who—who brought you up?" asked the soldier, with increasing astonishment.

"An excellent and generous woman, whom I revere as the best of mothers: for she had pity on me, a deserted infant, and treated me ever as her son."

"Frances Baudoin—was it not?" said the soldier, with deep emotion.

"It was, sir," answered Gabriel, astonished in his turn. "But how do you know this?"

"The wife of a soldier, eh?" continued Dagobert.

"Yes, of a brave soldier—who, from the most admirable devotion, is even now passing his life in exile—far from his wife—far from his son, my dear brother—for I am proud to call him by that name—"

"My Agricola!—my wife!—when did you leave them?"

"What! is it possible! You the father of Agricola?—Oh! I knew not, until now," cried Gabriel, clasping his hands together, "I knew not all the gratitude that I owed to heaven!"

"And my wife! my child!" resumed Dagobert, in a trembling voice; "how are they? have you news of them?"

"The accounts I received, three months ago, were excellent."

"No; it is too much," cried Dagobert; "it is too much!" The veteran was unable to proceed; his feelings stifled his words, and fell back exhausted in a chair.

And now Rose and Blanche recalled to mind that portion of their father's letter which related to the child named Gabriel, whom the wife of Dagobert had adopted; then they also yielded to transports of innocent joy.

"Our Gabriel is the same as yours—what happiness!" cried Rose.

"Yes, my children! he belongs to you as well as to me. We have all our part in him." Then, addressing Gabriel, the soldier added with affectionate warmth: "Your hand, my brave boy! give me your hand!"

"Oh, sir! you are too good to me."

"Yes—that's it—thank me!—after all thou has done for us!"

"Does my adopted mother know of your return?" asked Gabriel, anxious to escape from the praises of the soldier.

"I wrote to her five months since, but said that I should come alone; there was a reason for it, which I will explain by and by. Does she still live in the Rue Brise-Miche? It was there Agricola was born."

"She still lives there."

"In that case, she must have received my letter. I wished to write to her from the prison at Leipsic, but it was impossible."

"From prison! Have you just come out of prison?"

"Yes; I come straight from Germany, by the Elbe and Hamburg, and I should be still at Leipsic, but for an event which the Devil must have had a hand in—a good sort of devil, though."

"What do you mean? Pray explain to me."

"That would be difficult, for I cannot explain it to myself. These little ladies," he added, pointing with a smile to Rose and Blanche, "pretended to know more about it than I did, and were continually repeating: 'It was the angel that came to our assistance, Dagobert—the good angel we told thee of—though you said you would rather have Spoil sport to defend us—'"

"Gabriel, I am waiting for you," said a stern voice, which made the missionary start. They all turned round instantly, whilst the dog uttered a deep growl.

It was Rodin. He stood in the doorway leading to the corridor. His features were calm and impassive, but he darted a rapid, piercing glance at the soldier and sisters.

"Who is that man?" said Dagobert, very little prepossessed in favor of Rodin, whose countenance he found singularly repulsive. "What the mischief does he want?"

"I must go with him," answered Gabriel, in a tone of sorrowful constraint. Then, turning to Rodin, he added: "A thousand pardons! I shall be ready in a moment."

"What!" cried Dagobert, stupefied with amazement, "going the very instant we have just met? No, by my faith! you shall not go. I have too much to tell you, and to ask in return. We will make the journey together. It will be a real treat for me."

"It is impossible. He is my superior, and I must obey him."

"Your superior?—why, he's in citizen's dress."

"He is not obliged to wear the ecclesiastical garb."

"Rubbish! since he is not in uniform, and there is no provost-marshal in your troop, send him to the—"

"Believe me, I would not hesitate a minute, if it were possible to remain."

"I was right in disliking the phi of that man," muttered Dagobert between his teeth. Then he added, with an air of impatience and vexation: "Shall I tell him that he will much oblige us by marching off by himself?"

"I beg you not to do so," said Gabriel; "it would be useless; I know my duty, and have no will but my superior's. As soon as you arrive in Paris, I will come and see you, as also my adopted mother, and my dear brother, Agricola."

"Well—if it must be. I have been a soldier, and know what subordination is," said Dagobert, much annoyed. "One must put a good face on bad fortune. So, the day after to-morrow, in the Rue Brise-Miche, my boy; for they tell me I can be in Paris by to-morrow evening, and we set out almost immediately. But I say—there seems to be a strict discipline with you fellows!"

"Yes, it is strict and severe," answered Gabriel, with a shudder, and a stifled sigh.

"Come, shake hands—and let's say farewell for the present. After all, twenty-four hours will soon pass away."

"Adieu! adieu!" replied the missionary, much moved, whilst he returned the friendly pressure of the veteran's hand.

"Adieu, Gabriel!" added the orphans, sighing also, and with tears in their eyes.

"Adieu, my sisters!" said Gabriel—and he left the room with Rodin, who had not lost a word or an incident of this scene.

Two hours after, Dagobert and the orphans had quitted the Castle for Paris, not knowing that Djalma was left at Cardoville, being still too much injured to proceed on his journey. The half-caste, Faringhea, remained with the young prince, not wishing, he said, to desert a fellow countryman.

We now conduct the reader to the Rue Brise-Miche, the residence of Dagobert's wife.

CHAPTER XXVII. DAGOBERT'S WIFE.

The following scenes occur in Paris, on the morrow of the day when the shipwrecked travellers were received in Cardoville House.

Nothing can be more gloomy than the aspect of the Rue Brise-Miche, one end of which leads into the Rue Saint-Merry, and the other into the little square of the Cloister, near the church. At this end, the street, or rather alley—for it is not more than eight feet wide—is shut in between immense black, muddy dilapidated walls, the excessive height of which excludes both air and light; hardly, during the longest days of the year, is the sun able to throw into it a few straggling beams; whilst, during the cold damps of winter, a chilling fog, which seems to penetrate everything, hangs constantly above the miry pavement of this species of oblong well.

It was about eight o'clock in the evening; by the faint, reddish light of the street lamp, hardly visible through the haze, two men, stopping at the angle of one of those enormous walls, exchanged a few words together.

"So," said one, "you understand all about it. You are to watch in the street, till you see them enter No. 5."

"All right!" answered the other.

"And when you see 'em enter so as to make quite sure of the game, go up to Frances Baudoin's room—"

"Under the cloak of asking where the little humpbacked workwoman lives—the sister of that gay girl, the Queen of the Bacchanals."

"Yes—and you must try and find out her address also—from her humpbacked sister, if possible—for it is very important. Women of her feather change their nests like birds, and we have lost track of her."

"Make yourself easy; I will do my best with Hump, to learn where her sister hangs out."

"And, to give you steam, I'll wait for you at the tavern opposite the Cloister, and we'll have a go of hot wine on your return."

"I'll not refuse, for the night is deucedly cold."

"Don't mention it! This morning the water friz on my sprinkling-brush, and I turned as stiff as a mummy in my chair at the church-door. Ah, my boy! a distributor of holy water is not always upon roses!"

"Luckily, you have the pickings—"

"Well, well—good luck to you! Don't forget the Fiver, the little passage next to the dyer's shop."

"Yes, yes—all right!" and the two men separated.

One proceeded to the Cloister Square; the other towards the further end of the street, where it led into the Rue Saint-Merry. This latter soon found the number of the house he sought—a tall, narrow building, having, like all the other houses in the street, a poor and wretched appearance. When he saw he was right, the man commenced walking backwards and forwards in front of the door of No. 5.

If the exterior of these buildings was uninviting, the gloom and squalor of the interior cannot be described. The house No. 5 was, in a special degree, dirty and dilapidated. The water, which oozed from the wall, trickled down the dark and filthy staircase. On the second floor, a wisp of straw had been laid on the narrow landing-place, for wiping the feet on; but this straw, being now quite rotten, only served to augment the sickening odor, which arose from want of air, from damp, and from the putrid exhalations of the drains. The few openings, cut at rare intervals in the walls of the staircase, could hardly admit more than some faint rays of glimmering light.

In this quarter, one of the most populous in Paris, such houses as these, poor, cheerless, and unhealthy, are generally inhabited by the working classes. The house in question was of the number. A dyer occupied the ground floor; the deleterious vapors arising from his vats added to the stench of the whole building. On the upper stories, several artisans lodged with their families, or carried on their different trades. Up four flights of stairs was the lodging of Frances Baudoin, wife of Dagobert. It consisted of one room, with a closet adjoining, and was now lighted by a single candle. Agricola occupied a garret in the roof.

Old grayish paper, broken here and there by the cracks covered the crazy wall, against which rested the bed; scanty curtains, running upon an iron rod, concealed the windows; the brick floor, not polished, but often washed, had preserved its natural color. At one end of this room was a round iron stove, with a large pot for culinary purposes. On the wooden table, painted yellow, marbled with brown, stood a miniature house made of iron—a masterpiece of patience and skill, the work of Agricola Baudoin, Dagobert's son.

A plaster crucifix hung up against the wall, surrounded by several branches of consecrated box-tree, and various images of saints, very coarsely colored, bore witness to the habits of the soldier's wife. Between the windows stood one of those old walnut-wood presses, curiously fashioned, and almost black with time; an old arm-chair, covered with green cotton velvet (Agricola's first present to his mother), a few rush bottomed chairs, and a worktable on which lay several bags of coarse, brown cloth, completed the furniture of this room, badly secured by a worm-eaten door. The adjoining closet contained a few kitchen and household utensils.

Mean and poor as this interior may perhaps appear, it would not seem so to the greater number of artisans; for the bed was supplied with two mattresses, clean sheets, and a warm counterpane; the old-fashioned press contained linen; and, moreover, Dagobert's wife occupied all to herself a room as large as those in which numerous families, belonging to honest and laborious workmen, often live and sleep huddled together—only too happy if the boys and girls can have separate beds, or if the sheets and blankets are not pledged at the pawnbroker's.

Frances Baudoin, seated beside the small stove, which, in the cold and damp weather, yielded but little warmth, was busied in preparing her son Agricola's evening meal.

Dagobert's wife was about fifty years of age; she wore a close jacket of blue cotton, with white flowers on it, and a stuff petticoat; a white handkerchief was tied round her head, and fastened under the chin. Her countenance was pale and meagre, the features regular, and expressive of resignation and great kindness. It would have been difficult to find a better, a more courageous mother. With no resource but her labor, she had succeeded, by unwearied energy, in bringing up not only her own son Agricola, but also Gabriel, the poor deserted child, of whom, with admirable devotion, she had ventured to take charge.

In her youth, she had, as it were, anticipated the strength of later life, by twelve years of incessant toil, rendered lucrative by the most violent exertions, and accompanied by such privations as made it almost suicidal. Then (for it was a time of splendid wages, compared to the present), by sleepless nights and constant labor, she contrived to earn about two shillings (fifty sous) a day, and with this she managed to educate her son and her adopted child.

At the end of these twelve years, her health was ruined, and her strength nearly exhausted; but, at all events, her boys had wanted for nothing, and had received such an education as children of the people can obtain. About this time, M. Francois Hardy took Agricola as an apprentice, and Gabriel prepared to enter the priest's seminary, under the active patronage of M. Rodin, whose communications with the confessor of Frances Baudoin had become very frequent about the year 1820.

This woman (whose piety had always been excessive) was one of those simple natures, endowed with extreme goodness, whose self-denial approaches to heroism, and who devote themselves in obscurity to a life of martyrdom—pure and heavenly minds, in whom the instincts of the heart supply the place of the intellect!

The only defect, or rather the necessary consequence of this extreme simplicity of character, was the invincible determination she displayed in yielding to the commands of her confessor, to whose influence she had now for many years been accustomed to submit. She regarded this influence as most venerable and sacred; no mortal power, no human consideration, could have prevented her from obeying it. Did any dispute arise on the subject, nothing could move her on this point; she opposed to every argument a resistance entirely free from passion—mild as her disposition, calm as her conscience—but, like the latter, not to be shaken. In a word, Frances Baudoin was one of those pure, but uninstructed and credulous beings, who may sometimes, in skillful and dangerous hands, become, without knowing it, the instruments of much evil.

For some time past, the bad state of her health, and particularly the increasing weakness of her sight, had condemned her to a forced repose; unable to work more than two or three hours a day, she consumed the rest of her time at church.

Frances rose from her seat, pushed the coarse bags at which she had been working to the further end of the table, and proceeded to lay the cloth for her son's supper, with maternal care and solicitude. She took from the press a small leathern bag, containing an old silver cup, very much battered, and a fork and spoon, so worn and thin, that the latter cut like a knife. These, her only plate (the wedding present of Dagobert) she rubbed and polished as well as she was able, and laid by the side of her son's plate. They were the most precious of her possessions, not so much for what little intrinsic value might attach to them, as for the associations they recalled; and she had often shed bitter tears, when, under the pressure of illness or want of employment, she had been compelled to carry these sacred treasures to the pawnbroker's.

Frances next took, from the lower shelf of the press, a bottle of water, and one of wine about three-quarters full, which she also placed near her son's plate; she then returned to the stove, to watch the cooking of the supper.

Though Agricola was not much later than usual, the countenance of his mother expressed both uneasiness and grief; one might have seen, by the redness of her eyes, that she had been weeping a good deal. After long and painful uncertainty, the poor woman had just arrived at the conviction that her eyesight, which had been growing weaker and weaker, would soon be so much impaired as to prevent her working even the two or three hours a day which had lately been the extent of her labors.

Originally an excellent hand at her needle, she had been obliged, as her eyesight gradually failed her, to abandon the finer for the coarser sorts of work, and her earnings had necessarily diminished in proportion; she had at length been reduced to the necessity of making those coarse bags for the army, which took about four yards of sewing, and were paid at the rate of two sous each, she having to find her own thread. This work, being very hard, she could at most complete three such bags in a day, and her gains thus amounted to threepence (six sous)!

It makes one shudder to think of the great number of unhappy females, whose strength has been so much exhausted by privations, old age, or sickness, that all the labor of which they are capable, hardly suffices to bring them in daily this miserable pittance. Thus do their gains diminish in exact proportion to the increasing wants which age and infirmity must occasion.

Happily, Frances had an efficient support in her son. A first-rate workman, profiting by the just scale of wages adopted by M. Hardy, his labor brought him from four to five shillings a day—more than double what was gained by the workmen of many other establishments. Admitting therefore that his mother were to gain nothing, he could easily maintain both her and himself.

But the poor woman, so wonderfully economical that she denied herself even some of the necessaries of life, had of late become ruinously liberal on the score of the sacristy, since she had adopted the habit of visiting daily the parish church. Scarcely a day passed but she had masses sung, or tapers burnt, either for Dagobert, from whom she had been so long separated, or for the salvation of her son Agricola, whom she considered on the high-road to perdition. Agricola had so excellent a heart, so loved and revered his mother, and considered her actions in this respect inspired by so touching a sentiment, that he never complained when he saw a great part of his week's wages (which he paid regularly over to his mother every Saturday) disappear in pious forms.

Yet now and then he ventured to remark to Frances, with as much respect as tenderness, that it pained him to see her enduring privations injurious at her age, because she preferred incurring these devotional expenses. But what answer could he make to this excellent mother, when she replied with tears: "My child, 'tis for the salvation of your father and yours too."

To dispute the efficacy of masses, would have been venturing on a subject which Agricola, through respect for his mother's religious faith, never discussed. He contented himself, therefore, with seeing her dispense with comforts she might have enjoyed.

A discreet tap was heard at the door. "Come in," said Frances. The person came in.

CHAPTER XXVIII. THE SISTER OF THE BACCHANAL QUEEN.

The person who now entered was a girl of about eighteen, short, and very much deformed. Though not exactly a hunchback, her spine was curved; her breast was sunken, and her head deeply set in the shoulders. Her face was regular, but long, thin, very pale, and pitted with the small pox; yet it expressed great sweetness and melancholy. Her blue eyes beamed with kindness and intelligence. By a strange freak of nature, the handsomest woman would have been proud of the magnificent hair twisted in a coarse net at the back of her head. She held an old basket in her hand. Though miserably clad, the care and neatness of her dress revealed a powerful struggle with her poverty. Notwithstanding the cold, she wore a scanty frock made of print of an indefinable color, spotted with white; but it had been so often washed, that its primitive design and color had long since disappeared. In her resigned, yet suffering face, might be read a long familiarity with every form of suffering, every description of taunting. From her birth, ridicule had ever pursued her. We have said that she was very deformed, and she was vulgarly called "Mother Bunch." Indeed it was so usual to give her this grotesque name, which every moment reminded her of her infirmity, that Frances and Agricola, though they felt as much compassion as other people showed contempt for her, never called her, however, by any other name.

Mother Bunch, as we shall therefore call her in future, was born in the house in which Dagobert's wife had resided for more than twenty years; and she had, as it were, been brought up with Agricola and Gabriel.

There are wretches fatally doomed to misery. Mother Bunch had a very pretty sister, on whom Perrine Soliveau, their common mother, the widow of a ruined tradesman, had concentrated all her affection, while she treated her deformed child with contempt and unkindness. The latter would often come, weeping, to Frances, on this account, who tried to console her, and in the long evenings amused her by teaching her to read and sew. Accustomed to pity her by their mother's example, instead of imitating other children, who always taunted and sometimes even beat her, Agricola and Gabriel liked her, and used to protect and defend her.

She was about fifteen, and her sister Cephyse was about seventeen, when their mother died, leaving them both in utter poverty. Cephyse was intelligent, active, clever, but different to her sister; she had the lively, alert, hoydenish character which requires air, exercise and pleasures—a good girl enough, but foolishly spoiled by her mother. Cephyse, listening at first to Frances's good advice, resigned herself to her lot; and, having learnt to sew, worked like her sister, for about a year. But, unable to endure any longer the bitter privations her insignificant earnings, notwithstanding her incessant toil, exposed her to—privations which often bordered on starvation—Cephyse, young, pretty, of warm temperament, and surrounded by brilliant offers and seductions—brilliant, indeed, for her, since they offered food to satisfy her hunger, shelter from the cold, and decent raiment, without being obliged to work fifteen hours a day in an obscure and unwholesome hovel—Cephyse listened to the vows of a young lawyer's clerk, who forsook her soon after. She formed a connection with another clerk, whom she (instructed by the examples set her), forsook in turn for a bagman, whom she afterwards cast off for other favorites. In a word, what with changing and being forsaken, Cephyse, in the course of one or two years, was the idol of a set of grisettes, students and clerks; and acquired such a reputation at the balls on the Hampstead Heaths of Paris, by her decision of character, original turn of mind, and unwearied ardor in all kinds of pleasures, and especially her wild, noisy gayety, that she was termed the Bacchanal Queen, and proved herself in every way worthy of this bewildering royalty.

From that time poor Mother Bunch only heard of her sister at rare intervals. She still mourned for her, and continued to toil hard to gain her three-and-six a week. The unfortunate girl, having been taught sewing by Frances, made coarse shirts for the common people and the army. For these she received half-a-crown a dozen. They had to be hemmed, stitched, provided with collars and wristbands, buttons, and button holes; and at the most, when at work twelve and fifteen hours a day, she rarely succeeded in turning out more than fourteen or sixteen shirts a week—an excessive amount of toil that brought her in about three shillings and fourpence a week. And the case of this poor girl was neither accidental nor uncommon. And this, because the remuneration given for women's work is an example of revolting injustice and savage barbarism. They are paid not half as much as men who are employed at the needle: such as tailors, and makers of gloves, or waistcoats, etc.—no doubt because women can work as well as men—because they are more weak and delicate—and because their need may be twofold as great when they become mothers.

Well, Mother Bunch fagged on, with three-and-four a week. That is to say, toiling hard for twelve or fifteen hours every day; she succeeded in keeping herself alive, in spite of exposure to hunger, cold, and poverty—so numerous were her privations. Privations? No! The word privation expresses but weakly that constant and terrible want of all that is necessary to preserve the existence God gives; namely, wholesome air and shelter, sufficient and nourishing food and warm clothing. Mortification would be a better word to describe that total want of all that is essentially vital, which a justly organized state of society ought—yes—ought necessarily to bestow on every active, honest workman and workwoman, since civilization has dispossessed them of all territorial right, and left them no other patrimony than their hands.

The savage does not enjoy the advantage of civilization; but he has, at least, the beasts of the field, the fowls of the air, the fish of the sea, and the fruits of the earth, to feed him, and his native woods for shelter and for fuel. The civilized man, disinherited of these gifts, considering the rights of property as sacred, may, in return for his hard daily labor, which enriches his country, demand wages that will enable him to live in the enjoyment of health: nothing more, and nothing less. For is it living, to drag along on the extreme edge which separates life from the grave, and even there continually struggle against cold, hunger, and disease? And to show how far the mortification which society imposes thus inexorably on its millions of honest, industrious laborers (by its careless disregard of all the questions which concern the just remuneration of labor), may extend, we will describe how this poor girl contrived to live on three shillings and sixpence a week.

Society, perhaps, may then feel its obligation to so many unfortunate wretches for supporting, with resignation, the horrible existence which leaves them just sufficient life to feel the worst pangs of humanity. Yes: to live at such a price is virtue! Yes, society thus organized, whether it tolerates or imposes so much misery, loses all right to blame the poor wretches who sell themselves not through debauchery, but because they are cold and famishing. This poor girl spent her wages as follows:

Six pounds of bread, second quality........0 8 1/2

Four pails of water................0 2

Lard or dripping (butter being out of the question)0 5

Coarse salt....................0 0 3/4

A bushel of charcoal...............0 4

A quart of dried vegetables............0 3

Three quarts of potatoes..............0 2

Dips........................0 3 1/4

Thread and needles.................0 2 1/2

______

2 7

To save charcoal, Mother Bunch prepared soup only two or three times a week at most, on a stove that stood on the landing of the fourth story. On other days she ate it cold. There remained nine or ten pence a week for clothes and lodging. By rare good fortune, her situation was in one respect an exception to the lot of many others. Agricola, that he might not wound her delicacy, had come to a secret arrangement with the housekeeper, and hired a garret for her, just large enough to hold a small bed, a chair, and a table; for which the sempstress had to pay five shillings a year. But Agricola, in fulfilment of his agreement with the porter, paid the balance, to make up the actual rent of the garret, which was twelve and sixpence. The poor girl had thus about eighteenpence a month left for her other expenses. But many workwomen, whose position is less fortunate than hers, since they have neither home nor family, buy a piece of bread and some other food to keep them through the day; and at night patronize the "twopenny rope," one with another, in a wretched room containing five or six beds, some of which are always engaged by men, as male lodgers are by far the most abundant. Yes; and in spite of the disgust that a poor and virtuous girl must feel at this arrangement, she must submit to it; for a lodging-house keeper cannot have separate rooms for females. To furnish a room, however meanly, the poor workwoman must possess three or four shillings in ready money. But how save this sum, out of weekly earnings of a couple of florins, which are scarcely sufficient to keep her from starving, and are still less sufficient to clothe her? No! no! The poor wretch must resign herself to this repugnant cohabitation; and so, gradually, the instinct of modesty becomes weakened; the natural sentiment of chastity, that saved her from the "gay life," becomes extinct; vice appears to be the only means of improving her intolerable condition; she yields; and the first "man made of money," who can afford a governess for his children, cries out against the depravity of the lower orders! And yet, painful as the condition of the working woman is, it is relatively fortunate. Should work fail her for one day, two days, what then? Should sickness come—sickness almost always occasioned by unwholesome food, want of fresh air, necessary attention, and good rest; sickness, often so enervating as to render work impossible; though not so dangerous as to procure the sufferer a bed in an hospital—what becomes of the hapless wretches then? The mind hesitates, and shrinks from dwelling on such gloomy pictures.

This inadequacy of wages, one terrible source only of so many evils, and often of so many vices, is general, especially among women; and, again this is not private wretchedness, but the wretchedness which afflicts whole classes, the type of which we endeavor to develop in Mother Bunch. It exhibits the moral and physical condition of thousands of human creatures in Paris, obliged to subsist on a scanty four shillings a week. This poor workwoman, then, notwithstanding the advantages she unknowingly enjoyed through Agricola's generosity, lived very miserably; and her health, already shattered, was now wholly undermined by these constant hardships. Yet, with extreme delicacy, though ignorant of the little sacrifice already made for her by Agricola, Mother Bunch pretended she earned more than she really did, in order to avoid offers of service which it would have pained her to accept, because she knew the limited means of Frances and her son, and because it would have wounded her natural delicacy, rendered still more sensitive by so many sorrows and humiliations.

But, singular as it may appear, this deformed body contained a loving and generous soul—a mind cultivated even to poetry; and let us add, that this was owing to the example of Agricola Baudoin, with whom she had been brought up, and who had naturally the gift. This poor girl was the first confidant to whom our young mechanic imparted his literary essays; and when he told her of the charm and extreme relief he found in poetic reverie, after a day of hard toil, the workwoman, gifted with strong natural intelligence, felt, in her turn, how great a resource this would be to her in her lonely and despised condition.

One day, to Agricola's great surprise, who had just read some verses to her, the sewing-girl, with smiles and blushes, timidly communicated to him also a poetic composition. Her verses wanted rhythm and harmony, perhaps; but they were simple and affecting, as a non-envenomed complaint entrusted to a friendly hearer. From that day Agricola and she held frequent consultations; they gave each other mutual encouragement: but with this exception, no one else knew anything of the girl's poetical essays, whose mild timidity made her often pass for a person of weak intellect. This soul must have been great and beautiful, for in all her unlettered strains there was not a word of murmuring respecting her hard lot: her note was sad, but gentle—desponding, but resigned; it was especially the language of deep tenderness—of mournful sympathy—of angelic charity for all poor creatures consigned, like her, to bear the double burden of poverty and deformity. Yet she often expressed a sincere free-spoken admiration of beauty, free from all envy or bitterness; she admired beauty as she admired the sun. But, alas! many were the verses of hers that Agricola had never seen, and which he was never to see.

The young mechanic, though not strictly handsome, had an open masculine face; was as courageous as kind; possessed a noble, glowing, generous heart, a superior mind, and a frank, pleasing gayety of spirits. The young girl, brought up with him, loved him as an unfortunate creature can love, who, dreading cruel ridicule, is obliged to hide her affection in the depths of her heart, and adopt reserve and deep dissimulation. She did not seek to combat her love; to what purpose should she do so? No one would ever know it. Her well known sisterly affection for Agricola explained the interest she took in all that concerned him; so that no one was surprised at the extreme grief of the young workwoman, when, in 1830, Agricola, after fighting intrepidly for the people's flag, was brought bleeding home to his mother. Dagobert's son, deceived, like others, on this point, had never suspected, and was destined never to suspect, this love for him.

Such was the poorly-clad girl who entered the room in which Frances was preparing her son's supper.

"Is it you, my poor love," said she; "I have not seen you since morning: have you been ill? Come and kiss me."

The young girl kissed Agricola's mother, and replied: "I was very busy about some work, mother; I did not wish to lose a moment; I have only just finished it. I am going down to fetch some charcoal—do you want anything while I'm out?"

"No, no, my child, thank you. But I am very uneasy. It is half-past eight, and Agricola is not come home." Then she added, after a sigh: "He kills himself with work for me. Ah, I am very unhappy, my girl; my sight is quite going. In a quarter of an hour after I begin working, I cannot see at all—not even to sew sacks. The idea of being a burden to my son drives me distracted."

"Oh, don't, ma'am, if Agricola heard you say that—"

"I know the poor boy thinks of nothing but me, and that augments my vexation. Only I think that rather than leave me, he gives up the advantages that his fellow-workmen enjoy at Hardy's, his good and worthy master—instead of living in this dull garret, where it is scarcely light at noon, he would enjoy, like the other workmen, at very little expense, a good light room, warm in winter, airy in summer, with a view of the garden. And he is so fond of trees! not to mention that this place is so far from his work, that it is quite a toil to him to get to it."

"Oh, when he embraces you he forgets his fatigue, Mrs. Baudoin," said Mother Bunch; "besides, he knows how you cling to the house in which he was born. M. Hardy offered to settle you at Plessy with Agricola, in the building put up for the workmen."

"Yes, my child; but then I must give up church. I can't do that."

"But—be easy, I hear him," said the hunchback, blushing.

A sonorous, joyous voice was heard singing on the stairs.

"At least, I'll not let him see that I have been crying," said the good mother, drying her tears. "This is the only moment of rest and ease from toil he has—I must not make it sad to him."

CHAPTER XXIX. AGRICOLA BAUDOIN.

Our blacksmith poet, a tall young man, about four-and-twenty years of age, was alert and robust, with ruddy complexion, dark hair and eyes, and aquiline nose, and an open, expressive countenance. His resemblance to Dagobert was rendered more striking by the thick brown moustache which he wore according to the fashion; and a sharp-pointed imperial covered his chin. His cheeks, however, were shaven, Olive color velveteen trousers, a blue blouse, bronzed by the forge smoke, a black cravat, tied carelessly round his muscular neck, a cloth cap with a narrow vizor, composed his dress. The only thing which contrasted singularly with his working habiliments was a handsome purple flower, with silvery pistils, which he held in his hand.

"Good-evening, mother," said he, as he came to kiss Frances immediately.

Then, with a friendly nod, he added, "Good-evening, Mother Bunch."

"You are very late, my child," said Frances, approaching the little stove on which her son's simple meal was simmering; "I was getting very anxious."

"Anxious about me, or about my supper, dear mother?" said Agricola, gayly. "The deuce! you won't excuse me for keeping the nice little supper waiting that you get ready for me, for fear it should be spoilt, eh?"

So saying, the blacksmith tried to kiss his mother again.

"Have done, you naughty boy; you'll make me upset the pan."

"That would be a pity, mother; for it smells delightfully. Let's see what it is."

"Wait half a moment."

"I'll swear, now, you have some of the fried potatoes and bacon I'm so fond of."

"Being Saturday, of course!" said Frances, in a tone of mild reproach.

"True," rejoined Agricola, exchanging a smile of innocent cunning with Mother Bunch; "but, talking of Saturday, mother, here are my wages."

"Thank ye, child; put the money in the cupboard."

"Yes, mother!"

"Oh, dear!" cried the young sempstress, just as Agricola was about to put away the money, "what a handsome flower you have in your hand, Agricola. I never saw a finer. In winter, too! Do look at it, Mrs. Baudoin."

"See there, mother," said Agricola, taking the flower to her; "look at it, admire it, and especially smell it. You can't have a sweeter perfume; a blending of vanilla and orange blossom."

"Indeed, it does smell nice, child. Goodness! how handsome!" said Frances, admiringly; "where did you find it?"

"Find it, my good mother!" repeated Agricola, smilingly: "do you think folks pick up such things between the Barriere du Maine and the Rue Brise-Miche?"

"How did you get it then?" inquired the sewing girl, sharing in Frances's curiosity.

"Oh! you would like to know? Well, I'll satisfy you, and explain why I came home so late; for something else detained me. It has been an evening of adventures, I promise you. I was hurrying home, when I heard a low, gentle barking at the corner of the Rue de Babylone; it was just about dusk, and I could see a very pretty little dog, scarce bigger than my fist, black and tan, with long, silky hair, and ears that covered its paws."

"Lost, poor thing, I warrant," said Frances.

"You've hit it. I took up the poor thing, and it began to lick my hands. Round its neck was a red satin ribbon, tied in a large bow; but as that did not bear the master's name, I looked beneath it, and saw a small collar, made of a gold plate and small gold chains. So I took a Lucifer match from my 'bacco-box, and striking a light, I read, 'FRISKY belongs to Hon. Miss Adrienne de Cardoville, No. 7, Rue de Babylone.'"

"Why, you were just in the street," said Mother Bunch.

"Just so. Taking the little animal under my arm, I looked about me till I came to a long garden wall, which seemed to have no end, and found a small door of a summer-house, belonging no doubt to the large mansion at the other end of the park; for this garden looked just like a park. So, looking up I saw 'No. 7,' newly painted over a little door with a grated slide. I rang; and in a few minutes, spent, no doubt, in observing me through the bars (for I am sure I saw a pair of eyes peeping through), the gate opened. And now, you'll not believe a word I have to say."

"Why not, my child?"

"Because it seems like a fairy tale."

"A fairy tale?" said Mother Bunch, as if she was really her namesake of elfish history.

"For, all the world it does. I am quite astounded, even now, at my adventure; it is like the remembrance of a dream."

"Well, let us have it," said the worthy mother, so deeply interested that she did not perceive her son's supper was beginning to burn.

"First," said the blacksmith, smiling at the curiosity he had excited, "a young lady opened the door to me, but so lovely, so beautifully and gracefully dressed, that you would have taken her for a beautiful portrait of past times. Before I could say a word, she exclaimed, 'Ah! dear me, sir, you have brought back Frisky; how happy Miss Adrienne will be! Come, pray come in instantly; she would so regret not having an opportunity to thank you in person!' And without giving me time to reply, she beckoned me to follow her. Oh, dear mother, it is quite out of my power to tell you, the magnificence I saw, as I passed through a small saloon, partially lighted, and full of perfume! It would be impossible. The young woman walked too quickly. A door opened,—Oh, such a sight! I was so dazzled I can remember nothing but a great glare of gold and light, crystal and flowers; and, amidst all this brilliancy, a young lady of extreme beauty—ideal beauty; but she had red hair, or rather hair shining like gold! Oh! it was charming to look at! I never saw such hair before. She had black eyes, ruddy lips, and her skin seemed white as snow. This is all I can recollect: for, as I said before, I was so dazzled, I seemed to be looking through a veil. 'Madame,' said the young woman, whom I never should have taken for a lady's-maid, she was dressed so elegantly, 'here is Frisky. This gentleman found him, and brought him back.' 'Oh, sir,' said the young lady with the golden hair, in a sweet silvery voice, 'what thanks I owe you! I am foolishly attached to Frisky.' Then, no doubt, concluding from my dress that she ought to thank me in some other way than by words, she took up a silk purse, and said to me, though I must confess with some hesitation—'No doubt, sir, it gave you some trouble to bring my pet back. You have, perhaps, lost some valuable time—allow me—' She held forth her purse."

"Oh, Agricola," said Mother Bunch, sadly; "how people may be deceived!"

"Hear the end, and you will perhaps forgive the young lady. Seeing by my looks that the offer of the purse hurt me, she took a magnificent porcelain vase that contained this flower, and, addressing me in a tone full of grace and kindness, that left me room to guess that she was vexed at having wounded me, she said—'At least, sir, you will accept this flower.'"

"You are right, Agricola," said the girl, smiling sadly; "an involuntary error could not be repaired in a nicer way.

"Worthy young lady," said Frances, wiping her eyes; "how well she understood my Agricola!"

"Did she not, mother? But just as I was taking the flower, without daring to raise my eyes (for, notwithstanding the young lady's kind manner, there was something very imposing about her) another handsome girl, tall and dark, and dressed to the top of fashion, came in and said to the red-haired young lady, 'He is here, Madame.' She immediately rose and said to me, 'A thousand pardons, sir. I shall never forget that I am indebted to you for a moment of much pleasure. Pray remember, on all occasions, my address and name—Adrienne de Cardoville.' Thereupon she disappeared. I could not find a word to say in reply. The same young woman showed me to the door, and curtseyed to me very politely. And there I stood in the Rue de Babylone, as dazzled and astonished as if I had come out of an enchanted palace."

"Indeed, my child, it is like a fairy tale. Is it not, my poor girl?"

"Yes, ma'am," said Mother Bunch, in an absent manner that Agricola did not observe.

"What affected me most," rejoined Agricola, "was, that the young lady, on seeing her little dog, did not forget me for it, as many would have done in her place, and took no notice of it before me. That shows delicacy and feeling, does it not? Indeed, I believe this young lady to be so kind and generous, that I should not hesitate to have recourse to her in any important case."

"Yes, you are right," replied the sempstress, more and more absent.

The poor girl suffered extremely. She felt no jealousy, no hatred, towards this young stranger, who, from her beauty, wealth, and delicacy, seemed to belong to a sphere too splendid and elevated to be even within the reach of a work, girl's vision; but, making an involuntary comparison of this fortunate condition with her own, the poor thing had never felt more cruelly her deformity and poverty. Yet such were the humility and gentle resignation of this noble creature, that the only thing which made her feel ill-disposed towards Adrienne de Cardoville was the offer of the purse to Agricola; but then the charming way in which the young lady had atoned for her error, affected the sempstress deeply. Yet her heart was ready to break. She could not restrain her tears as she contemplated the magnificent flower—so rich in color and perfume, which, given by a charming hand, was doubtless very precious to Agricola.

"Now, mother," resumed the young man smilingly, and unaware of the painful emotion of the other bystander, "you have had the cream of my adventures first. I have told you one of the causes of my delay; and now for the other. Just now, as I was coming in, I met the dyer at the foot of the stairs, his arms a beautiful pea-green. Stopping me he said, with an air full of importance, that he thought he had seen a chap sneaking about the house like a spy, 'Well, what is that to you, Daddy Loriot?' said I: 'are you afraid he will nose out the way to make the beautiful green, with which you are dyed up to the very elbows?'"

"But who could that man be, Agricola?" said Frances.

"On my word, mother, I don't know and scarcely care; I tried to persuade Daddy Loriot, who chatters like a magpie, to return to his cellar, since it could signify as little to him as to me, whether a spy watched him or not." So saying, Agricola went and placed the little leathern sack, containing his wages, on a shelf, in the cupboard.

As Frances put down the saucepan on the end of the table, Mother Bunch, recovering from her reverie, filled a basin with water, and, taking it to the blacksmith, said to him in a gentle tone-"Agricola—for your hands."

"Thank you, little sister. How kind you are!" Then with a most unaffected gesture and tone, he added, "There is my fine flower for your trouble."

"Do you give it me?" cried the sempstress, with emotion, while a vivid blush colored her pale and interesting face. "Do you give me this handsome flower, which a lovely rich young lady so kindly and graciously gave you?" And the poor thing repeated, with growing astonishment, "Do you give it to me?"

"What the deuce should I do with it? Wear it on my heart, have it set as a pin?" said Agricola, smiling. "It is true I was very much impressed by the charming way in which the young lady thanked me. I am delighted to think I found her little dog, and very happy to be able to give you this flower, since it pleases you. You see the day has been a happy one."

While Mother Bunch, trembling with pleasure, emotion, and surprise, took the flower, the young blacksmith washed his hands, so black with smoke and steel filings that the water became dark in an instant. Agricola, pointing out this change to the sempstress, said to her in a whisper, laughing,-"Here's cheap ink for us paper-stainers! I finished some verses yesterday, which I am rather satisfied with. I will read them to you."

With this, Agricola wiped his hands naturally on the front of his blouse, while Mother Bunch replaced the basin on the chest of drawers, and laid the flower against the side of it.

"Can't you ask for a towel," said Frances, shrugging her shoulders, "instead of wiping your hands on your blouse?"

"After being scorched all day long at the forge, it will be all the better for a little cooling to-night, won't it? Am I disobedient, mother? Scold me, then, if you dare! Come, let us see you."

Frances made no reply; but, placing her hands on either side of her son's head, so beautiful in its candor, resolution and intelligence, she surveyed him for a moment with maternal pride, and kissed him repeatedly on the forehead.

"Come," said she, "sit down: you stand all day at your forge, and it is late."

"So,—your arm-chair again!" said Agricola.—"Our usual quarrel every evening—take it away, I shall be quite as much at ease on another."

"No, no! You ought at least to rest after your hard toil."

"What tyranny!" said Agricola gayly, sitting down. "Well, I preach like a good apostle; but I am quite at ease in your arm-chair, after all. Since I sat down on the throne in the Tuileries, I have never had a better seat."

Frances Baudoin, standing on one side of the table, cut a slice of bread for her son, while Mother Bunch, on the other, filled his silver mug. There was something affecting in the attentive eagerness of the two excellent creatures, for him whom they loved so tenderly.

"Won't you sup with me?" said Agricola to the girl.

"Thank you, Agricola," replied the sempstress, looking down, "I have only just dined."

"Oh, I only ask you for form's sake—you have your whims—we can never prevail on you to eat with us—just like mother; she prefers dining all alone; and in that way she deprives herself without my knowing it."

"Goodness, child! It is better for my health to dine early. Well, do you find it nice?"

"Nice!—call it excellent! Stockfish and parsnips. Oh, I am very fond of stockfish; I should have been born a Newfoundland fisherman."

This worthy lad, on the contrary, was but poorly refreshed, after a hard day's toil, with this paltry stew,—a little burnt as it had been, too, during his story; but he knew he pleased his mother by observing the fast without complaining. He affected to enjoy his meal; and the good woman accordingly observed with satisfaction:

"Oh, I see you like it, my dear boy; Friday and Saturday next we'll have some more."

"Thank you, mother,—only not two days together. One gets tired of luxuries, you know! And now, let us talk of what we shall do to-morrow—Sunday. We must be very merry, for the last few days you seem very sad, dear mother, and I can't make it out—I fancy you are not satisfied with me."

"Oh, my dear child!—you—the pattern of—"

"Well, well! Prove to me that you are happy, then, by taking a little amusement. Perhaps you will do us the honor of accompanying us, as you did last time," added Agricola, bowing to Mother Bunch.

The latter blushed and looked down; her face assumed an expression of bitter grief, and she made no reply.

"I have the prayers to attend all day, you know, my dear child," said Frances to her son.

"Well, in the evening, then? I don't propose the theatre; but they say there is a conjurer to be seen whose tricks are very amusing.

"I am obliged to you, my son; but that is a kind of theatre."

"Dear mother, this is unreasonable!"

"My dear child, do I ever hinder others from doing what they like?"

"True, dear mother; forgive me. Well, then, if it should be fine, we will simply take a walk with Mother Bunch on the Boulevards. It is nearly three months since she went out with us; and she never goes out without us."

"No, no; go alone, my child. Enjoy your Sunday, 'tis little enough."

"You know very well, Agricola," said the sempstress, blushing up to the eyes, "that I ought not to go out with you and your mother again."

"Why not, madame? May I ask, without impropriety, the cause of this refusal?" said Agricola gayly.

The poor girl smiled sadly, and replied, "Because I will not expose you to a quarrel on my account, Agricola."

"Forgive me," said Agricola, in a tone of sincere grief, and he struck his forehead vexedly.

To this Mother Bunch alluded sometimes, but very rarely, for she observed punctilious discretion. The girl had gone out with Agricola and his mother. Such occasions were, indeed, holidays for her. Many days and nights had she toiled hard to procure a decent bonnet and shawl, that she might not do discredit to her friends. The five or six days of holidays, thus spent arm in arm with him whom she adored in secret, formed the sum of her happy days.

Taking their last walk, a coarse, vulgar man elbowed her so rudely that the poor girl could not refrain from a cry of terror, and the man retorted it by saying,-"What are you rolling your hump in my way for, stoopid?"

Agricola, like his father, had the patience which force and courage give to the truly brave; but he was extremely quick when it became necessary to avenge an insult. Irritated at the vulgarity of this man, Agricola left his mother's arm to inflict on the brute, who was of his own age, size, and force, two vigorous blows, such as the powerful arm and huge fist of a blacksmith never before inflicted on human face. The villain attempted to return it, and Agricola repeated the correction, to the amusement of the crowd, and the fellow slunk away amidst a deluge of hisses. This adventure made Mother Bunch say she would not go out with Agricola again, in order to save him any occasion of quarrel. We may conceive the blacksmith's regret at having thus unwittingly revived the memory of this circumstance,—more painful, alas! for Mother Bunch than Agricola could imagine, for she loved him passionately, and her infirmity had been the cause of that quarrel. Notwithstanding his strength and resolution, Agricola was childishly sensitive; and, thinking how painful that thought must be to the poor girl, a large tear filled his eyes, and, holding out his hands, he said, in a brotherly tone, "Forgive my heedlessness! Come, kiss me." And he gave her thin, pale cheeks two hearty kisses.

The poor girl's lips turned pale at this cordial caress; and her heart beat so violently that she was obliged to lean against the corner of the table.

"Come, you forgive me, do you not?" said Agricola.

"Yes! yes!" she said, trying to subdue her emotion; "but the recollection of that quarrel pains me—I was so alarmed on your account; if the crowd had sided with that man!"

"Alas!" said Frances, coming to the sewing-girl's relief, without knowing it, "I was never so afraid in all my life!"

"Oh, mother," rejoined Agricola, trying to change a conversation which had now become disagreeable for the sempstress, "for the wife of a horse grenadier of the Imperial Guard, you have not much courage. Oh, my brave father; I can't believe he is really coming! The very thought turns me topsy-turvy!"

"Heaven grant he may come," said Frances, with a sigh.

"God grant it, mother. He will grant it, I should think. Lord knows, you have had masses enough said for his return."

"Agricola, my child," said Frances, interrupting her son, and shaking her head sadly, "do not speak in that way. Besides, you are talking of your father."

"Well, I'm in for it this evening. 'Tis your turn now; positively, I am growing stupid, or going crazy. Forgive me, mother! forgive! That's the only word I can get out to-night. You know that, when I do let out on certain subjects, it is because I can't help it; for I know well the pain it gives you."

"You do not offend me, my poor, dear, misguided boy."

"It comes to the same thing; and there is nothing so bad as to offend one's mother; and, with respect to what I said about father's return, I do not see that we have any cause to doubt it."

"But we have not heard from him for four months."

"You know, mother, in his letter—that is, in the letter which he dictated (for you remember that, with the candor of an old soldier, he told us that, if he could read tolerably well, he could not write); well, in that letter he said we were not to be anxious about him; that he expected to be in Paris about the end of January, and would send us word, three or four days before, by what road he expected to arrive, that I might go and meet him."

"True, my child; and February is come, and no news yet."

"The greater reason why we should wait patiently. But I'll tell you more: I should not be surprised if our good Gabriel were to come back about the same time. His last letter from America makes me hope so. What pleasure, mother, should all the family be together!"

"Oh, yes, my child! It would be a happy day for me."

"And that day will soon come, trust me."

"Do you remember your father, Agricola?" inquired Mother Bunch.

"To tell the truth, I remember most his great grenadier's shako and moustache, which used to frighten me so, that nothing but the red ribbon of his cross of honor, on the white facings of his uniform, and the shining handle of his sabre, could pacify me; could it, mother? But what is the matter? You are weeping!"

"Alas! poor Baudoin! What he must suffer at being separated from us at his age—sixty and past! Alas! my child, my heart breaks, when I think that he comes home only to change one kind of poverty for another."

"What do you mean?"

"Alas! I earn nothing now."

"Why, what's become of me? Isn't there a room here for you and for him; and a table for you too? Only, my good mother, since we are talking of domestic affairs," added the blacksmith, imparting increased tenderness to his tone, that he might not shock his mother, "when he and Gabriel come home, you won't want to have any more masses said, and tapers burned for them, will you? Well, that saving will enable father to have tobacco to smoke, and his bottle of wine every day. Then, on Sundays, we will take a nice dinner at the eating-house."

A knocking at the door disturbed Agricola.

"Come in," said he. Instead of doing so, some one half-opened the door, and, thrusting in an arm of a pea-green color, made signs to the blacksmith.

"'Tis old Loriot, the pattern of dyers," said Agricola; "come in, Daddy, no ceremony."

"Impossible, my lad; I am dripping with dye from head to foot; I should cover missus's floor with green."

"So much the better. It will remind me of the fields I like so much."

"Without joking, Agricola, I must speak to you immediately."

"About the spy, eh? Oh, be easy; what's he to us?"

"No; I think he's gone; at any rate, the fog is so thick I can't see him. But that's not it—come, come quickly! It is very important," said the dyer, with a mysterious look; "and only concerns you."

"Me, only?" said Agricola, with surprise. "What can it be.

"Go and see, my child," said Frances.

"Yes, mother; but the deuce take me if I can make it out."

And the blacksmith left the room, leaving his mother with Mother Bunch.

CHAPTER XXX. THE RETURN.

In five minutes Agricola returned; his face was pale and agitated—his eyes glistened with tears, and his hands trembled; but his countenance expressed extraordinary happiness and emotion. He stood at the door for a moment, as if too much affected to accost his mother.

Frances's sight was so bad that she did not immediately perceive the change her son's countenance had undergone.

"Well, my child—what is it?" she inquired.

Before the blacksmith could reply, Mother Bunch, who had more discernment, exclaimed: "Goodness, Agricola—how pale you are! Whatever is the matter?"

"Mother," said the artisan, hastening to Frances, without replying to the sempstress,—"mother, expect news that will astonish you; but promise me you will be calm."

"What do you mean? How you tremble! Look at me! Mother Bunch was right—you are quite pale."

"My kind mother!" and Agricola, kneeling before Frances, took both her hands in his—"you must—you do not know,—but—"

The blacksmith could not go on. Tears of joy interrupted his speech.

"You weep, my dear child! Your tears alarm me. 'What is the matter?—you terrify me!"

"Oh, no, I would not terrify you; on the contrary," said Agricola, drying his eyes—"you will be so happy. But, again, you must try and command your feelings, for too much joy is as hurtful as too much grief."

"What?"

"Did I not say true, when I said he would come?"

"Father!" cried Frances. She rose from her seat; but her surprise and emotion were so great that she put one hand to her heart to still its beating, and then she felt her strength fail. Her son sustained her, and assisted her to sit down.

Mother Bunch, till now, had stood discreetly apart, witnessing from a distance the scene which completely engrossed Agricola and his mother. But she now drew near timidly, thinking she might be useful; for Frances changed color more and more.

"Come, courage, mother," said the blacksmith; "now the shock is over, you have only to enjoy the pleasure of seeing my father."

"My poor man! after eighteen years' absence. Oh, I cannot believe it," said Frances, bursting into tears. "Is it true? Is it, indeed, true?"

"So true, that if you will promise me to keep as calm as you can, I will tell you when you may see him."

"Soon—may I not?"

"Yes; soon."

"But when will he arrive?"

"He may arrive any minute—to-morrow—perhaps to-day."

"To-day!"

"Yes, mother! Well, I must tell you all—he has arrived."

"He—he is—" Frances could not articulate the word.

"He was downstairs just now. Before coming up, he sent the dyer to apprise me that I might prepare you; for my brave father feared the surprise might hurt you."

"Oh, heaven!"

"And now," cried the blacksmith, in an accent of indescribable joy—"he is there, waiting! Oh, mother! for the last ten minutes I have scarcely been able to contain myself—my heart is bursting with joy." And running to the door, he threw it open.

Dagobert, holding Rose and Blanche by the hand, stood on the threshold. Instead of rushing to her husband's arms, Frances fell on her knees in prayer. She thanked heaven with profound gratitude for hearing her prayers, and thus accepting her offerings. During a second, the actors of this scene stood silent and motionless. Agricola, by a sentiment of respect and delicacy, which struggled violently with his affection, did not dare to fall on his father's neck. He waited with constrained impatience till his mother had finished her prayer.

The soldier experienced the same feeling as the blacksmith; they understood each other. The first glance exchanged by father and son expressed their affection—their veneration for that excellent woman, who in the fulness of her religious fervor, forgot, perhaps, too much the creature for the Creator.

Rose and Blanche, confused and affected, looked with interest on the kneeling woman; while Mother Bunch, shedding in silence tears of joy at the thought of Agricola's happiness, withdrew into the most obscure corner of the room, feeling that she was a stranger, and necessarily out of place in that family meeting. Frances rose, and took a step towards her husband, who received her in his arms. There was a moment of solemn silence. Dagobert and Frances said not a word. Nothing could be heard but a few sighs, mingled with sighs of joy. And, when the aged couple looked up, their expression was calm, radiant, serene; for the full and complete enjoyment of simple and pure sentiments never leaves behind a feverish and violent agitation.

"My children," said the soldier, in tones of emotion, presenting the orphans to Frances, who, after her first agitation, had surveyed them with astonishment, "this is my good and worthy wife; she will be to the daughters of General Simon what I have been to them."

"Then, madame, you will treat us as your children," said Rose, approaching Frances with her sister.

"The daughters of General Simon!" cried Dagobert's wife, more and more astonished.

"Yes, my dear Frances; I have brought them from afar not without some difficulty; but I will tell you that by and by."

"Poor little things! One would take them for two angels, exactly alike!" said Frances, contemplating the orphans with as much interest as admiration.

"Now—for us," cried Dagobert, turning to his son.

"At last," rejoined the latter.

We must renounce all attempts to describe the wild joy of Dagobert and his son, and the crushing grip of their hands, which Dagobert interrupted only to look in Agricola's face; while he rested his hands on the young blacksmith's broad shoulders that he might see to more advantage his frank masculine countenance, and robust frame. Then he shook his hand again, exclaiming, "He's a fine fellow—well built—what a good-hearted look he has!"

From a corner of the room Mother Bunch enjoyed Agricola's happiness; but she feared that her presence, till then unheeded, would be an intrusion. She wished to withdraw unnoticed, but could not do so. Dagobert and his son were between her and the door; and she stood unable to take her eyes from the charming faces of Rose and Blanche. She had never seen anything so winsome; and the extraordinary resemblance of the sisters increased her surprise. Then, their humble mourning revealing that they were poor, Mother Bunch involuntarily felt more sympathy towards them.

"Dear children! They are cold; their little hands are frozen, and, unfortunately, the fire is out," said Frances, She tried to warm the orphans' hands in hers, while Dagobert and his son gave themselves up to the feelings of affection, so long restrained.

As soon as Frances said that the fire was out, Mother Bunch hastened to make herself useful, as an excuse for her presence; and, going to the cupboard, where the charcoal and wood were kept, she took some small pieces, and, kneeling before the stove, succeeded, by the aid of a few embers that remained, in relighting the fire, which soon began to draw and blaze. Filling a coffee-pot with water, she placed it on the stove, presuming that the orphans required some warm drink. The sempstress did all this with so much dexterity and so little noise—she was naturally so forgotten amidst the emotions of the scene—that Frances, entirely occupied with Rose and Blanche, only perceived the fire when she felt its warmth diffusing round, and heard the boiling water singing in the coffee-pot. This phenomenon—fire rekindling of itself—did not astonish Dagobert's wife then, so wholly was she taken up in devising how she could lodge the maidens; for Dagobert as we have seen, had not given her notice of their arrival.

Suddenly a loud bark was heard three or four times at the door.

"Hallo! there's Spoil-sport," said Dagobert, letting in his dog; "he wants to come in to brush acquaintance with the family too."

The dog came in with a bound, and in a second was quite at home. After having rubbed Dagobert's hand with his muzzle, he went in turns to greet Rose and Blanche, and also Frances and Agricola; but seeing that they took but little notice of him, he perceived Mother Bunch, who stood apart, in an obscure corner of the room, and carrying out the popular saying, "the friends of our friends are our friends," he went and licked the hands of the young workwoman, who was just then forgotten by all. By a singular impulse, this action affected the girl to tears; she patted her long, thin, white hand several times on the head of the intelligent dog. Then, finding that she could be no longer useful (for she had done all the little services she deemed in her power), she took the handsome flower Agricola had given her, opened the door gently, and went away so discreetly that no one noticed her departure. After this exchange of mutual affection, Dagobert, his wife, and son, began to think of the realities of life.

"Poor Frances," said the soldier, glancing at Rose and Blanche, "you did not expect such a pretty surprise!"

"I am only sorry, my friend," replied Frances, "that the daughters of General Simon will not have a better lodging than this poor room; for with Agricola's garret—"

"It composes our mansion," interrupted Dagobert; "there are handsomer, it must be confessed. But be at ease; these young ladies are drilled into not being hard to suit on that score. To-morrow, I and my boy will go arm and arm, and I'll answer for it he won't walk the more upright and straight of the two, and find out General Simon's father, at M. Hardy's factory, to talk about business."

"To-morrow," said Agricola to Dagobert, "you will not find at the factory either M. Hardy or Marshall Simon's father."

"What is that you say, my lad?" cried Dagobert, hastily, "the Marshal!"

"To be sure; since 1830, General Simon's friends have secured him the title and rank which the emperor gave him at the battle of Ligny."

"Indeed!" cried Dagobert, with emotion, "but that ought not to surprise me; for, after all, it is just; and when the emperor said a thing, the least they can do is to let it abide. But it goes all the same to my heart; it makes me jump again."

Addressing the sisters, he said: "Do you hear that, my children? You arrive in Paris the daughters of a Duke and Marshal of France. One would hardly think it, indeed, to see you in this room, my poor little duchesses! But patience; all will go well. Ah, father Simon must have been very glad to hear that his son was restored to his rank! eh, my lad?"

"He told us he would renounce all kinds of ranks and titles to see his son again; for it was during the general's absence that his friends obtained this act of justice. But they expect Marshal Simon every moment, for the last letter from India announced his departure."

At these words Rose and Blanche looked at each other; and their eyes filled with tears.

"Heaven be praised! These children rely on his return; but why shall we not find M. Hardy and father Simon at the factory to-morrow?"

"Ten days ago, they went to examine and study an English mill established in the south; but we expect them back every day."

"The deuce! that's vexing; I relied on seeing the general's father, to talk over some important matters with him. At any rate, they know where to write to him. So to-morrow you will let him know, my lad, that his granddaughters are arrived. In the mean time, children," added the soldier, to Rose and Blanche, "my good wife will give you her bed and you must put up with the chances of war. Poor things! they will not be worse off here than they were on the journey."

"You know we shall always be well off with you and madame," said Rose.

"Besides, we only think of the pleasure of being at length in Paris, since here we are to find our father," added Blanche.

"That hope gives you patience, I know," said Dagobert, "but no matter! After all you have heard about it, you ought to be finely surprised, my children. As yet, you have not found it the golden city of your dreams, by any means. But, patience, patience; you'll find Paris not so bad as it looks."

"Besides," said Agricola, "I am sure the arrival of Marshal Simon in Paris will change it for you into a golden city."

"You are right, Agricola," said Rose, with a smile, "you have, indeed, guessed us."

"What! do you know my name?"

"Certainly, Agricola, we often talked about you with Dagobert; and latterly, too, with Gabriel," added Blanche.

"Gabriel!" cried Agricola and his mother, at the same time.

"Yes," replied Dagobert, making a sign of intelligence to the orphans, "we have lots to tell you for a fortnight to come; and among other things, how we chanced to meet with Gabriel. All I can now say is that, in his way, he is quite as good as my boy (I shall never be tired of saying 'my boy'); and they ought to love each other like brothers. Oh, my brave, brave wife!" said Dagobert, with emotion, "you did a good thing, poor as you were, taking the unfortunate child—and bringing him up with your own."

"Don't talk so much about it, my dear; it was such a simple thing."

"You are right; but I'll make you amends for it by and by. 'Tis down to your account; in the mean time, you will be sure to see him to-morrow morning."

"My dear brother arrived too!" cried the blacksmith; "who'll say, after this, that there are not days set apart for happiness? How came you to meet him, father?"

"I'll tell you all, by and by, about when and how we met Gabriel; for if you expect to sleep, you are mistaken. You'll give me half your room, and a fine chat we'll have. Spoil-sport will stay outside of this door; he is accustomed to sleep at the children's door."

"Dear me, love, I think of nothing. But, at such a moment, if you and the young ladies wish to sup, Agricola will fetch something from the cook-shop."

"What do you say, children?"

"No, thank you, Dagobert, we are not hungry; we are too happy."

"You will take a little wine and water, sweetened, nice and hot, to warm you a little, my dear young ladies," said Frances; "unfortunately, I have nothing else to offer you."

"You are right, Frances; the dear children are tired, and want to go to bed; while they do so, I'll go to my boy's room, and, before Rose and Blanche are awake, I will come down and converse with you, just to give Agricola a respite."

A knock was now heard at the door.

"It is good Mother Bunch come to see if we want her," said Agricola.

"But I think she was here when my husband came in," added Frances.

"Right, mother; and the good girl left lest she should be an intruder: she is so thoughtful. But no—no—it is not she who knocks so loud."

"Go and see who it is, then, Agricola."

Before the blacksmith could reach the door, a man decently dressed, with a respectable air, entered the room, and glanced rapidly round, looking for a moment at Rose and Blanche.

"Allow me to observe, sir," said Agricola, "that after knocking, you might have waited till the door was opened, before you entered. Pray, what is your business?"

"Pray excuse me, sir," said the man, very politely, and speaking slowly, perhaps to prolong his stay in the room: "I beg a thousand pardons—I regret my intrusion—I am ashamed—"

"Well, you ought to be, sir," said Agricola, with impatience, "what do you want?"

"Pray, sir, does not Miss Soliveau, a deformed needlewoman, live here?"

"No, sir; upstairs," said Agricola.

"Really, sir," cried the polite man, with low bows, "I am quite abroad at my blunder: I thought this was the room of that young person. I brought her proposals for work from a very respectable party."

"It is very late, sir," said Agricola, with surprise. "But that young person is as one of our family. Call to-morrow; you cannot see her to night; she is gone to bed."

"Then, sir, I again beg you to excuse—"

"Enough, sir," said Agricola, taking a step towards the door.

"I hope, madame and the young ladies, as well as this gent, will be assured that—"

"If you go on much longer making excuses, sir, you will have to excuse the length of your excuses; and it is time this came to an end!"

Rose and Blanche smiled at these words of Agricola; while Dagobert rubbed his moustache with pride.

"What wit the boy has!" said he aside to his wife. "But that does not astonish you—you are used to it."

During this speech, the ceremonious person withdrew, having again directed a long inquiring glance to the sisters, and to Agricola and Dagobert.

In a few minutes after, Frances having spread a mattress on the ground for herself, and put the whitest sheets on her bed for the orphans, assisted them to undress with maternal solicitude, Dagobert and Agricola having previously withdrawn to their garret. Just as the blacksmith, who preceded his father with a light, passed before the door of Mother Bunch's room, the latter, half concealed in the shade, said to him rapidly, in a low tone:

"Agricola, great danger threatens you: I must speak to you."

These words were uttered in so hasty and low a voice that Dagobert did not hear them; but as Agricola stopped suddenly, with a start, the old soldier said to him,

"Well, boy, what is it?"

"Nothing, father," said the blacksmith, turning round; "I feared I did not light you well."

"Oh, stand at ease about that; I have the legs and eyes of fifteen to night;" and the soldier, not noticing his son's surprise, went into the little room where they were both to pass the night.

On leaving the house, after his inquiries about Mother Bunch, the over polite Paul Pry slunk along to the end of Brise-Miche Street. He advanced towards a hackney-coach drawn up on the Cloitre Saint-Merry Square.

In this carriage lounged Rodin, wrapped in a cloak.

"Well?" said he, in an inquiring tone.

"The two girls and the man with gray moustache went directly to Frances Baudoin's; by listening at the door, I learnt that the sisters will sleep with her, in that room, to-night; the old man with gray moustache will share the young blacksmith's room."

"Very well," said Rodin.

"I did not dare insist on seeing the deformed workwoman this evening on the subject of the Bacchanal Queen; I intend returning to-morrow, to learn the effect of the letter she must have received this evening by the post about the young blacksmith."

"Do not fail! And now you will call, for me, on Frances Baudoin's confessor, late as it is; you will tell him that I am waiting for him at Rue du Milieu des Ursins—he must not lose a moment. Do you come with him. Should I not be returned, he will wait for me. You will tell him it is on a matter of great moment."

"All shall be faithfully executed," said the ceremonious man, cringing to Rodin, as the coach drove quickly away.

CHAPTER XXXI. AGRICOLA AND MOTHER BUNCH.

Within one hour after the different scenes which have just been described the most profound silence reigned in the soldier's humble dwelling. A flickering light, which played through two panes of glass in a door, betrayed that Mother Bunch had not yet gone to sleep; for her gloomy recess, without air or light, was impenetrable to the rays of day, except by this door, opening upon a narrow and obscure passage, connected with the roof. A sorry bed, a table, an old portmanteau, and a chair, so nearly filled this chilling abode, that two persons could not possibly be seated within it, unless one of them sat upon the side of the bed.

The magnificent and precious flower that Agricola had given to the girl was carefully stood up in a vessel of water, placed upon the table on a linen cloth, diffusing its sweet odor around, and expanding its purple calix in the very closet, whose plastered walls, gray and damp, were feebly lighted by the rays of an attenuated candle. The sempstress, who had taken off no part of her dress, was seated upon her bed—her looks were downcast, and her eyes full of tears. She supported herself with one hand resting on the bolster; and, inclining towards the door, listened with painful eagerness, every instant hoping to hear the footsteps of Agricola. The heart of the young sempstress beat violently; her face, usually very pale, was now partially flushed—so exciting was the emotion by which she was agitated. Sometimes she cast her eyes with terror upon a letter which she held in her hand, a letter that had been delivered by post in the course of the evening, and which had been placed by the housekeeper (the dyer) upon the table, while she was rendering some trivial domestic services during the recognitions of Dagobert and his family.

After some seconds, Mother Bunch heard a door, very near her own, softly opened.

"There he is at last!" she exclaimed, and Agricola immediately entered.

"I waited till my father went to sleep," said the blacksmith, in a low voice, his physiognomy evincing much more curiosity than uneasiness. "But what is the matter, my good sister? How your countenance is changed! You weep! What has happened? About what danger would you speak to me?"

"Hush! Read this!" said she, her voice trembling with emotion, while she hastily presented to him the open letter. Agricola held it towards the light, and read what follows:

"A person who has reasons for concealing himself, but who knows the sisterly interest you take in the welfare of Agricola Baudoin, warns you. That young and worthy workman will probably be arrested in the course of to-morrow."

"I!" exclaimed Agricola, looking at Mother Bunch with an air of stupefied amazement. "What is the meaning of all this?"

"Read on!" quickly replied the sempstress, clasping her hands.

Agricola resumed reading, scarcely believing the evidence of his eyes:-"The song, entitled 'Working-men Freed,' has been declared libellous. Numerous copies of it have been found among the papers of a secret society, the leaders of which are about to be incarcerated, as being concerned in the Rue des Prouvaires conspiracy."

"Alas!" said the girl, melting into tears, "now I see it all. The man who was lurking about below, this evening, who was observed by the dyer, was, doubtless, a spy, lying in wait for you coming home."

"Nonsense!" exclaimed Agricola. "This accusation is quite ridiculous! Do not torment yourself. I never trouble myself with politics. My verses breathe nothing but philanthropy. Am I to blame, if they have been found among the papers of a secret society?" Agricola disdainfully threw the letter upon the table.

"Read! pray read!" said the other; "read on."

"If you wish it," said Agricola, "I will; no time is lost."

He resumed the reading of the letter:

"A warrant is about to be issued against Agricola Baudoin. There is mo doubt of his innocence being sooner or later made clear; but it will be well if he screen himself for a time as much as possible from pursuit, in order that he may escape a confinement of two or three months previous to trial—an imprisonment which would be a terrible blow for his mother, whose sole support he is.

"A SINCERE FRIEND, who is compelled to remain unknown."

After a moment's silence, the blacksmith raised his head; his countenance resumed its serenity; and laughing, he said: "Reassure yourself, good Mother Bunch, these jokers have made a mistake by trying their games on me. It is plainly an attempt at making an April-fool of me before the time."

"Agricola, for the love of heaven!" said the girl, in a supplicating tone; "treat not the warning thus lightly. Believe in my forebodings, and listen to my advice."

"I tell you again, my good girl," replied Agricola, "that it is two months since my song was published. It is not in any way political; indeed, if it were, they would not have waited till now before coming down on me."

"But," said the other, "you forget that new events have arisen. It is scarcely two days since the conspiracy was discovered, in this very neighborhood, in the Rue des Prouvaires. And," continued she, "if the verses, though perhaps hitherto unnoticed, have now been found in the possession of the persons apprehended for this conspiracy, nothing more is necessary to compromise you in the plot."

"Compromise me!" said Agricola; "my verses! in which I only praise the love of labor and of goodness! To arrest me for that! If so, justice would be but a blind noodle. That she might grope her way, it would be necessary to furnish her with a dog and a pilgrim's staff to guide her steps."

"Agricola," resumed Mother Bunch; overwhelmed with anxiety and terror on hearing the blacksmith jest at such a moment, "I conjure you to listen to me! No doubt you uphold in the verses the sacred love of labor; but you do also grievously deplore and deprecate the unjust lot of the poor laborers, devoted as they are, without hope, to all the miseries of life; you recommend, indeed, only fraternity among men; but your good and noble heart vents its indignation, at the same time, against the selfish and the wicked. In fine, you fervently hasten on, with the ardor of your wishes, the emancipation of all the artisans who, less fortunate than you, have not generous M. Hardy for employer. Say, Agricola, in these times of trouble, is there anything more necessary to compromise you than that numerous copies of your song have been found in possession of the persons who have been apprehended?"

Agricola was moved by these affectionate and judicious expressions of an excellent creature, who reasoned from her heart; and he began to view with more seriousness the advice which she had given him.

Perceiving that she had shaken him, the sewing-girl went on to say: "And then, bear your fellow-workman, Remi, in recollection."

"Remi!" said Agricola, anxiously.

"Yes," resumed the sempstress; "a letter of his, a letter in itself quite insignificant, was found in the house of a person arrested last year for conspiracy; and Remi, in consequence, remained a month in prison."

"That is true, but the injustice of his implication was easily shown, and he was set at liberty."

"Yes, Agricola: but not till he had lain a month in prison; and that has furnished the motive of the person who advised you to conceal yourself! A month in prison! Good heavens! Agricola, think of that! and your mother."

These words made a powerful impression upon Agricola. He took up the letter and again read it attentively.

"And the man who has been lurking all this evening about the house?" proceeded she. "I constantly recall that circumstance, which cannot be naturally accounted for. Alas! what a blow it would be for your father, and poor mother, who is incapable of earning anything. Are you not now their only resource? Oh! consider, then, what would become of them without you—without your labor!"

"It would indeed be terrible," said Agricola, impatiently casting the letter upon the table. "What you have said concerning Remi is too true. He was as innocent as I am: yet an error of justice, an involuntary error though it be, is not the less cruel. But they don't commit a man without hearing him."

"But they arrest him first, and hear him afterwards," said Mother Bunch, bitterly; "and then, after a month or two, they restore him his liberty. And if he have a wife and children, whose only means of living is his daily labor, what becomes of them while their only supporter is in prison? They suffer hunger, they endure cold, and they weep!"

At these simple and pathetic words, Agricola trembled.

"A month without work," he said, with a sad and thoughtful air. "And my mother, and father, and the two young ladies who make part of our family until the arrival in Paris of their father, Marshal Simon. Oh! you are right. That thought, in spite of myself, affrights me!"

"Agricola!" exclaimed the girl impetuously; "suppose you apply to M. Hardy; he is so good, and his character is so much esteemed and honored, that, if he offered bail for you, perhaps they would give up their persecution?"

"Unfortunately," replied Agricola, "M. Hardy is absent; he is on a journey with Marshal Simon."

After a silence of some time, Agricola, striving to surmount his fear, added: "But no! I cannot give credence to this letter. After all, I had rather await what may come. I'll at least have the chance of proving my innocence on my first examination: for indeed, my good sister, whether it be that I am in prison or that I fly to conceal myself, my working for my family will be equally prevented."

"Alas! that is true," said the poor girl; "what is to be done! Oh, what is to be done?"

"My brave father," said Agricola to himself, "if this misfortune happen to-morrow, what an awakening it will be for him, who came here to sleep so joyously!" The blacksmith buried his face in his hands.

Unhappily Mother Bunch's fears were too well-founded, for it will be recollected that at that epoch of the year 1832, before and after the Rue des Prouvaires conspiracy, a very great number of arrests had been made among the working classes, in consequence of a violent reaction against democratical ideas.

Suddenly, the girl broke the silence which had been maintained for some seconds. A blush colored her features, which bore the impressions of an indefinable expression of constraint, grief, and hope.

"Agricola, you are saved!"

"What say you?" he asked.

"The young lady, so beautiful, so good, who gave you this flower" (she showed it to the blacksmith) "who has known how to make reparation with so much delicacy for having made a painful offer, cannot but have a generous heart. You must apply to her—"

With these words which seemed to be wrung from her by a violent effort over herself, great tears rolled down her cheeks. For the first time in her life she experienced a feeling of grievous jealousy. Another woman was so happy as to have the power of coming to the relief of him whom she idolized; while she herself, poor creature, was powerless and wretched.

"Do you think so?" exclaimed Agricola surprised. "But what could be done with this young lady?"

"Did she not say to you," answered Mother Bunch, "'Remember my name; and in all circumstances address yourself to me?'"

"She did indeed!" replied Agricola.

"This young lady, in her exalted position, ought to have powerful connections who will be able to protect and defend you. Go to her to morrow morning; tell her frankly what has happened, and request her support."

"But tell me, my good sister, what it is you wish me to do?"

"Listen. I remember that, in former times, my father told us that he had saved one of his friends from being put in prison, by becoming surety for him. It will be easy for you so to convince this young lady of your innocence, that she will be induced to become surety; and after that, you will have nothing more to fear."

"My poor child!" said Agricola, "to ask so great a service from a person to whom one is almost unknown is hard."

"Believe me, Agricola," said the other sadly, "I would never counsel what could possibly lower you in the eyes of any one, and above all—do you understand?—above all, in the eyes of this young lady. I do not propose that you should ask money from her; but only that she should give surety for you, in order that you may have the liberty of continuing at your employment, so that the family may not be without resources. Believe me, Agricola, that such a request is in no respect inconsistent with what is noble and becoming upon your part. The heart of the young lady is generous. She will comprehend your position. The required surety will be as nothing to her; while to you it will be everything, and will even be the very life to those who depend upon you."

"You are right, my good sister," said Agricola, with sadness and dejection. "It is perhaps worth while to risk taking this step. If the young lady consent to render me this service, and if giving surety will indeed preserve me from prison, I shall be prepared for every event. But no, no!" added he, rising, "I'd never dare to make the request to her! What right have I to do so? What is the insignificant service that I rendered her, when compared with that which I should solicit from her?"

"Do you imagine then, Agricola, that a generous spirit measures the services which ought to be rendered, by those previously received? Trust to me respecting a matter which is an affair of the heart. I am, it is true, but a lowly creature, and ought not to compare myself with any other person. I am nothing, and I can do nothing. Nevertheless, I am sure—yes, Agricola, I am sure—that this young lady, who is so very far above me, will experience the same feelings that I do in this affair; yes, like me, she will at once comprehend that your position is a cruel one; and she will do with joy, with happiness, with thankfulness, that which I would do, if, alas! I could do anything more than uselessly consume myself with regrets."

In spite of herself, she pronounced the last words with an expression so heart-breaking—there was something so moving in the comparison which this unfortunate creature, obscure and disdained, infirm and miserable, made of herself with Adrienne de Cardoville, the very type of resplendent youth, beauty, and opulence—that Agricola was moved even to tears; and, holding out one of his hands to the speaker, he said to her, tenderly, "How very good you are; how full of nobleness, good feeling, and delicacy!"

"Unhappily," said the weeping girl, "I can do nothing more than advise."

"And your counsels shall be followed out, my sister dear. They are those of a soul the most elevated I have ever known. Yes, you have won me over into making this experiment, by persuading me that the heart of Miss de Cardoville is perhaps equal in value to your own!"

At this charming and sincere assimilation of herself to Miss Adrienne, the sempstress forgot almost everything she had suffered, so exquisitely sweet and consoling were her emotions. If some poor creatures, fatally devoted to sufferings, experience griefs of which the world knows naught, they sometimes, too, are cheered by humble and timid joys, of which the world is equally ignorant. The least word of true tenderness and affection, which elevates them in their own estimation, is ineffably blissful for these unfortunate beings, habitually consigned, not only to hardships and to disdain, but even to desolating doubts, and distrust of themselves.

"Then it is agreed that you will go, to-morrow morning to this young lady's house?" exclaimed Mother Bunch, trembling with a new-born hope. "And," she quickly added, "at break of day I'll go down to watch at the street-door, to see if there be anything suspicious, and to apprise you of what I perceive."

"Good, excellent girl!" exclaimed Agricola, with increasing emotion.

"It will be necessary to endeavor to set off before the wakening of your father," said the hunchback. "The quarter in which the young lady dwells, is so deserted, that the mere going there will almost serve for your present concealment."

"I think I hear the voice of my father," said Agricola suddenly.

In truth, the little apartment was so near Agricola's garret, that he and the sempstress, listening, heard Dagobert say in the dark:

"Agricola, is it thus that you sleep, my boy? Why, my first sleep is over; and my tongue itches deucedly."

"Go quick, Agricola!" said Mother Bunch; "your absence would disquiet him. On no account go out to-morrow morning, before I inform you whether or not I shall have seen anything suspicious."

"Why, Agricola, you are not here?" resumed Dagobert, in a louder voice.

"Here I am, father," said the smith, while going out of the sempstress's apartment, and entering the garret, to his father.

"I have been to fasten the shutter of a loft that the wind agitated, lest its noise should disturb you."

"Thanks, my boy; but it is not noise that wakes me," said Dagobert, gayly; "it is an appetite, quite furious, for a chat with you. Oh, my dear boy, it is the hungering of a proud old man of a father, who has not seen his son for eighteen years."

"Shall I light a candle, father?"

"No, no; that would be luxurious; let us chat in the dark. It will be a new pleasure for me to see you to-morrow morning at daybreak. It will be like seeing you for the first time twice." The door of Agricola's garret being now closed, Mother Bunch heard nothing more.

The poor girl, without undressing, threw herself upon the bed, and closed not an eye during the night, painfully awaiting the appearance of day, in order that she might watch over the safety of Agricola. However, in spite of her vivid anxieties for the morrow, she sometimes allowed herself to sink into the reveries of a bitter melancholy. She compared the conversation she had just had in the silence of night, with the man whom she secretly adored, with what that conversation might have been, had she possessed some share of charms and beauty—had she been loved as she loved, with a chaste and devoted flame! But soon sinking into belief that she should never know the ravishing sweets of a mutual passion, she found consolation in the hope of being useful to Agricola. At the dawn of day, she rose softly, and descended the staircase with little noise, in order to see if anything menaced Agricola from without.

CHAPTER XXXII. THE AWAKENING.

The weather, damp and foggy during a portion of the night, became clear and cold towards morning. Through the glazed skylight of Agricola's garret, where he lay with his father, a corner of the blue sky could be seen.

The apartment of the young blacksmith had an aspect as poor as the sewing-girl's. For its sole ornament, over the deal table upon which Agricola wrote his poetical inspirations, there hung suspended from a nail in the wall a portrait of Beranger—that immortal poet whom the people revere and cherish, because his rare and transcendent genius has delighted to enlighten the people, and to sing their glories and their reverses.

Although the day had only begun to dawn, Dagobert and Agricola had already risen. The latter had sufficient self command to conceal his inquietude, for renewed reflection had again increased his fears.

The recent outbreak in the Rue des Prouvaires had caused a great number of precautionary arrests; and the discovery of numerous copies of Agricola's song, in the possession of one of the chiefs of the disconcerted plot, was, in truth, calculated slightly to compromise the young blacksmith. His father, however, as we have already mentioned, suspected not his secret anguish. Seated by the side of his son, upon the edge of their mean little bed, the old soldier, by break of day, had dressed and shaved with military care; he now held between his hands both those of Agricola, his countenance radiant with joy, and unable to discontinue the contemplation of his boy.

"You will laugh at me, my dear boy," said Dagobert to his son; "but I wished the night to the devil, in order that I might gaze upon you in full day, as I now see you. But all in good time; I have lost nothing. Here is another silliness of mine; it delights me to see you wear moustaches. What a splendid horse-grenadier you would have made! Tell me; have you never had a wish to be a soldier?"

"I thought of mother!"

"That's right," said Dagobert: "and besides, I believe, after all, look ye, that the time of the sword has gone by. We old fellows are now good for nothing, but to be put in a corner of the chimney. Like rusty old carbines, we have had our day."

"Yes; your days of heroism and of glory," said Agricola with excitement; and then he added, with a voice profoundly softened and agitated, "it is something good and cheering to be your son!"

"As to the good, I know nothing of that," replied Dagobert; "but as for the cheering, it ought to be so; for I love you proudly. And I think this is but the beginning! What say you, Agricola? I am like the famished wretches who have been some days without food. It is but by little and little that they recover themselves, and can eat. Now, you may expect to be tasted, my boy, morning and evening, and devoured during the day. No, I wish not to think that—not all the day—no, that thought dazzles and perplexes me; and I am no longer myself."

These words of Dagobert caused a painful feeling to Agricola. He believed that they sprang from a presentiment of the separation with which he was menaced.

"Well," continued Dagobert; "you are quite happy; M. Hardy is always good to you."

"Oh!" replied Agricola: "there is none in the world better, or more equitable and generous! If you knew what wonders he has brought about in his factory! Compared to all others, it is a paradise beside the stithies of Lucifer!"

"Indeed!" said Dagobert.

"You shall see," resumed Agricola, "what welfare, what joy, what affection, are displayed upon the countenances of all whom he employs; who work with an ardent pleasure.

"This M. Hardy of yours must be an out-and-out magician," said Dagobert.

"He is, father, a very great magician. He has known how to render labor pleasant and attractive. As for the pleasure, over and above good wages, he accords to us a portion of his profits according to our deserts; whence you may judge of the eagerness with which we go to work. And that is not all: he has caused large, handsome buildings to be erected, in which all his workpeople find, at less expense than elsewhere, cheerful and salubrious lodgings, in which they enjoy all the advantages of an association. But you shall see—I repeat—you shall see!"

"They have good reason to say, that Paris is the region of wonders," observed Dagobert.

"Well, behold me here again at last, never more to quit you, nor good mother!"

"No, father, we will never separate again," said Agricola, stifling a sigh. "My mother and I will both try to make you forget all that you have suffered."

"Suffered!" exclaimed Dagobert, "who the deuce has suffered? Look me well in the face; and see if I have a look of suffering! Bombs and bayonets! Since I have put my foot here, I feel myself quite a young man again! You shall see me march soon: I bet that I tire you out! You must rig yourself up something extra! Lord, how they will stare at us! I wager that in beholding your black moustache and my gray one, folks will say, behold father and son! But let us settle what we are to do with the day. You will write to the father of Marshal Simon, informing him the his grand-daughters have arrived, and that it is necessary that he should hasten his return to Paris; for he has charged himself with matters which are of great importance for them. While you are writing, I will go down to say good-morning to my wife, and to the dear little ones. We will then eat a morsel. Your mother will go to mass; for I perceive that she likes to be regular at that: the good soul! no great harm, if it amuse her! and during her absence, we will make a raid together."