? rfeo and Euridice - Gluck. La Favola d'Orfeo - Monteverdi.
Orphee aux Enfers - Offenbach. Even Orpheus and Eurydyke -Krenek. It's amazing to see how this story has been constantly recycled. As an opera libretto, it has been used more frequendy than any other and, on at least two occasions, was right there at the forefront of innovation in music. Unsurprising, then, to hear that the story is, of course, all about the 'inventor of music', Orpheus, who recovers his beloved Eurydice from Hades, only to lose her again in the moment fi Hence the now famous tenor love song cIt could be you!3 of reunion. Gluck, interestingly, gave it a happy ending - Amor appears and restores Eurydice to life - in sharp contrast to Monteverdi's tragic denouement, where Orpheus loses Eurydice but, by way of recompense, is transferred to the stars by Apollo. A classic story, making at least three classic operas, in their own ways. In fact, as we're talking about the inventor of music, let's just sit back and take stock a moment.