Last Orders

Ray

I reckon Vic's not going to tell us which are the names that matter, he's just going to look and keep quiet.

The obelisk is in the middle, it's for '14-'18, and there's a high white stone wall in a big half-circle with an iron gate in the centre where we've come in, and they're listed up on the wall on the inside of the curve in panel after panel, '39 onwards, like runners on a card. There's Captains and Lieutenants and Midshipmen and Petty Officers and Able and Ordinary Seamen, even some Boys. But there's also Stokers and Signalmen and Cooks and Telegraphists and Engine Room Artificers and Sick Berth Attendants, like there's a whole world on a ship.

And you can't tell nothing by looking at the lists because there aren't no odds quoted, there aren't no SPs. You can run your eyes down a card, when you're used to it, and work it out in your head that the bookies won't suffer, that the punter's going to lose. Like the insurance houses can do their sums and know they aren't going to come off worse in the long run, no matter what bad luck hits Joe Average Insured. There's always the gamble to make you think you're in with a chance and there's always the larger mathematics to make you think you should've saved your money and kept up your premiums. It depends on your underlying attitude.

But it's hard to have an attitude when there aren't no odds given and you can't see no larger mathematics. All you can tell by looking down the lists, and it don't matter that they're set in bronze on a white wall on top of a hill with an obelisk stuck in front an' all, is that a man is just a name. Which means something to him it attaches to, and to anyone who deals, same way, in the span of a human life, but it don't mean a monkey's beyond that. It don't mean a monkey's to things that live longer, like armies and navies and insurance houses and the Horserace Totalisator Board, it all goes on when you're gone and you don't make a blip. There's only one sensible attitude to take, looking at the lists, there's only one word of wisdom, like when Micky Dennis and Bill Kennedy copped it: 'It aint me, it wasn't me, it aint ever going to be me,' And there's only one lesson to be drawn, it's as cheery as it's not cheery, and that's that it aint living you're doing, they call it living, it's surviving.

But I reckon I could do it, I could still turn it into living again. I could forget the larger mathematics and take the gamble. Live a little, live again. See them grandchildren of mine, if there are any, the ones who'll survive me. In the surviving years of my life.

I could see the world. I could go to Bangkok.

I could say to Amy, 'About that shortfall.'

He stands there, looking, not telling. His face is all neat and straight, like a list itself. He's taken off his cap and shoved it in his pocket. The breeze lifts the hair on the top of his head. It's hard to picture Vie in a sailor suit, dancing a hornpipe, climbing the rigging, ship ahoy. Lenny's standing, stooped, just inside the gates, like he'll get round in a moment to seeing what's what, if he can just get his breath back first from coming up that hill. He shoots me a glance as though to say this is a place for sailor-boys but maybe us old soldiers should keep our end up. I reckon it's a toss-up, the sea, the desert. Vince has mooched off towards the obelisk. The sun's dazzling on the white stone. Either side of the gates there's a stone sailor, in duffel-coat and sea boots, at the ready, staring into space, so it looks like Lenny's shirking, it looks like he's a real sloucher. The gates are painted blue. Over the top it says, 'All These Were Honoured In Their Generations And Were The Glory Of Their Times.'