The garden exhibition that opened at the T. C. Andrews galleries on Saturday arrives here from Los Angeles and Houston, and it is well worth waiting for. Occupying the South Patio and Mower Gardens of the ground-floor gallery, it is a delight to the eye. Glossy-black Orient dew, surrounded by a pale-golden halo of rare, Sacred dew, suggests the moon’s bosom, bared, all unashamedly, to avid blowing roses of variegated colors and lush, foreign-bred, purple flowers. Sweet leaves and green blossoms inform a grassy slope, brilliant under lights especially designed for this exhibition by Garden Glows of London and Manchester. It is as if the gallery has been given over to an eternal spring, one which enamels all its contiguous elements, one which, in effect, “enamels everything,” as someone, with a gesture toward elegant panache, once remarked. There are also in attendance, so to speak, bright oranges in at least a dozen varieties, gleaming like so many golden lamps in the subtle yet spectacular lighting, a magical illumination that, in this breathtaking corner of the garden, creates what seems an uncanny green night. Figs, real or made of the most exquisitely fragile Baccarat crystal, seem to be at our mouths everywhere, as we move through the gorgeous displays; and melons — golden, orange, mauve, cerise, azure, brilliant yellow — crowd together at our feet in profligate and splendid profusion. Apples, cedars, the huge pomegranates called “Chinese honeymoons,” each bursting with jewels, awaken a kind of vegetable love in the viewer, and cool fountains contrast their silvery sprays with deep green shadows. There is Venus, in her pearly boat, redolent of strange perfumes, beautiful and regal as the Marvel of Peru, the legendary tulip (one of which was valued at the cost of a thousand prize sheep and a famed actor); and dazzling daffodils, arranged in careless garlands of repose, charm and soothe the eye. And at the far wall is a lavish collage — the curious peach, by the hundreds, amid its delicate and delicious aroma, strewn amid the shadows of countless roses and indigo violets. Every element — form, color, arrangement, scent — of this marvelous exhibition takes its place in an equally marvelous prospect of fruits, of grasses, and of flowers.