High upon a wall, quite near the ceiling, a large thing, colored a strangely glowing puce, abuts a frosty moon. Splinters descend, splinters of ice, falling on other things below; below, that is to say, the frosty moon’s “mirror image” (although this notion has long been subject to critical attack, mostly labile in nature), the thunder moon. The latter moon leans against a lavender thing. Other vaguely organic elements crowd about, in the best possible way. Piled in an attractive heap down by the entrance to the pongee grouping, flanked, as tradition demands, by metallic pillars crafted in homage to Catharina Duchesse, the old Caliph’s favorite filly, are variously sized, smoldering examples of perfectly designed representations of a grass moon, egg moon, planting moon, milk moon, rose moon, flower moon, strawberry moon, hay moon, green corn moon, grain moon, fruit moon, hunger’s moon, and a beaver moon, disguised as a spruce moon, in honor of the Yuletide season. Above this gleaming jumble of dazzling color and sparkling surface hangs the always reliable harvest moon, which shines on, shines on. In a revealing photograph of the old Hotel Astor, things appear to have got somewhat out of hand. The hotel band, Tab Jazzetti and His Melodists, seems to be trying to “swing,” or so it would seem from close observation of the musicians’ divers postures. Their music stands mysteriously bear the initials OO, said initials being intertwined and dusted with mica so as to glitter like the frosty moon. It’s best when the sun strikes the whole dance floor, so they say, with a kind of rousing BANG, although incandescent lighting will do in a pinch, that is, on a dark day. Fluorescent lights, however, really mess things up rather badly. “Might as well not be here at all with the moons looking like that,” some have been overheard to say from the polished floor. And many of them were quite respectably dressed, and, it is rumored, know all the best restaurants. Wherein, sad to say, the fucking morons always order the wrong things.