SEA OF TRANQUILLITY

Three clarinets, attached bell to mouthpiece, bell to mouthpiece, bell to mouthpiece, make what might be thought of as a fairly long “tube,” glistening black, decorated with what the catalogue is pleased to call, incorrectly, “silver filigree.” The tube leans against an off-white wall. Title: “These Silvery Things Are Valves Like.” Nothing else appears to be in the gallery, save for an attentive guard, in an (but of course!) “ill-fitting” uniform that could “use the services” (but of course!) of a dry cleaner. We say: “He’s his usual gracious self!” We say: “He didn’t even bother to come to his own farewell party!” We say: “How we gonna give ‘im his gift?” The guard examines the clarinets/tube and it becomes clear that he is, or may be, an integral part of the exhibit, like he’s art. We say: “He’s probly part of the exhibit, like, art!” We say: “As far as I’m concerned, he can go piss up a rope! Look at that ill-fitting uniform on him, Jesus.” The catalogue suggests that the artist who created this majestic piece rarely interacts with his colleagues, but is aloof, disturbingly private, and, in matters aesthetic, his usual gracious self. He is a practicing poet, and also the reluctant spokesman for those who love life, laugh over a bottle of good Cabernet, feel that nature is extremely important to all human intercourse as long as it stays out of the driveway, and attend their own farewell parties. Alternative titles for the piece, culled from the visitors’ book that rests on a lectern at the gallery entrance, are: “Breaking Up of Our Summer Concert,” “Orchestra en Plein Vent,” “A New Year Contraband Ball at Vicksburg,” “Dos a Dos or Rumpti Iddity Ido,” and “Sporting a Toe.” “And they ask why,” a woman, rumored to be the department chairman — and who looks like a bag of rags tied in the middle — says, “he makes the big monkey!” A quick check of the monthly-meeting minutes notes that she may have actually said, “the big money,” although there are some who argue for the fey, “the bug money.” The clamor increases as the academics and their guests await the free box lunches and the mineral water, but the clarinet installation restores silence. For once.

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