This book was art directed by Chad W. Beckerman. The chapter openers were designed by Meagan Bennett, and the character illustrations were illustrated by Brian Levy. The text is set in 10.75-point Adobe Garamond, a typeface based on those created in the sixteenth century by Claude Garamond. Garamond modeled his typefaces on ones created by Venetian printers at the end of the fifteenth century. The modern version used in this book was designed by Robert Slimbach, who studied Garamond’s historic typefaces at the Plantin-Moretus Museum in Antwerp, Belgium.