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Joona can see the short man starting to take aim at him. He tracks the man’s arm motion as he steps toward him and knocks his pistol upward as he grabs his wrist. He slams the man’s hand over his head against a pig carcass and drives the knife through the palm. The blade plunges deep between two ribs. The man screams.

Joona lets go of the knife and moves away.

The short man fumbles his lifeless prosthetic fingers over the knife handle, then gives up. He’s caught. He can’t move or the pain will increase. Blood runs from his palm and down his shirtsleeve.

Joona picks up the pistol and leaves the refrigerated room without looking at the man.

The air in the large machine hall feels warm. He races along one of the walls in the direction Tobias disappeared with Dante. He stops at a green metal door and checks the pistol. There is at least one bullet in the chamber. There could be more in the magazine. He opens the door and steps into a warehouse area. Goods are stacked on pallets and there are forklifts standing still.

He can hear a rustling, moaning sound.

Joona determines the direction and runs over to a large garbage container. Blue light is dancing through a window and over the floor. He raises the pistol and creeps around the container. The fat man in the leather vest is on his knees with his back to Joona. He’s breathing heavily as he bangs Vicky’s head on the floor. Dante is lying a few feet away, curled into a ball and crying as if he’s been completely abandoned.

Joona reaches the fat man before he can get up. He grabs him around his throat with his arm and pulls him up and away from Vicky. He cracks him on the collarbone with his pistol, heaves him backward, and then lets go of the man’s throat and kicks him in the chest so hard that he flies through the glass door. The fat man lands on his back among the splinters of glass and the blue lights revolve over him.

Three uniformed policemen run up with drawn weapons. They aim at the man on the ground, who is trying to sit up.

One of the policemen looks up. “Joona Linna?”

The policemen stare at the tall detective standing in the broken door. Glass is still falling from the frame.

“I’m just an observer,” Joona says.

He throws the Glock on the ground and heads back to Vicky. He kneels on the ground. She is on her back and her breathing is irregular. Her arm is at an odd angle. Dante has stopped crying and looks at Joona in surprise. Joona rolls Vicky onto her side into the recovery position then squats beside her. He strokes her cheek and whispers that everything is all right now. An even stream of blood starts flowing from her nose. She does not open her eyes or respond to his words, but her feet are twitching.

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