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Over the course of all the mortgage applications to the bank, Zan has made countless phone calls, copied countless documents, made personal appearances at the lender’s local branch to plead the case. He has consulted three government agencies and eight lawyers, several of whom he’s paid hundreds of dollars for expertise that proved something less than Zan’s. Those not crooked enough to provide useless advice confessed they were too confused to provide any advice at all.

In the ten years since they bought it, Zan and Viv came to love the house more than either might have imagined, particularly after virtually rebuilding it from the ground up. Looking out on a canyon vista, the house is an ark of CDs and books, Viv’s photos and butterfly collection and her art that’s become a nexus of the two, all ready to float away on the tsunami that their twelve-year-old son expects to see advancing through the canyon from the sea.

Zan admonishes himself that pending displacement is the inevitable fate of those who invest in any place too much. He knows that one day soon the house will reappear on the bank’s radar, a new Notice of Sale giving Zan, Viv, Parker and Sheba three weeks before they’re homeless. The parents try to keep it from the children but Zan is certain that Parker, not only a smart but intuitive kid, knows something is wrong. “Promise me,” the boy says one day in the car, “that we’re not going to move,” and Zan chokes, “I promise,” and ponders the expiration date of lies to children.

Finances weigh down everything. At least twice a day Zan goes online with a knot in his gut to check evaporating bank balances and a loan-processing website that lists which houses have had new foreclosure dates posted.

He believes it’s killing him. It coincides with the hackneyed gloom of autumnal years, the astonished pall at the great approaching wind-down; it never occurred to him that life would get harder rather than easier. He travels in a movable depression with headaches that never end, locating themselves around one eye like a vise when he wakes in the morning and goes to bed at the end of the day and wakes again the next morning. Gobbling imitrex nightly for the migraines and diovan daily for blood pressure, he believes that if by some miracle he and Viv should extricate themselves from these circumstances, within months, weeks, maybe days or moments some fatal illness will manifest itself — because at the same time he believes that their money crisis is killing him, he’s also convinced that fate is a trickster. At the same time that it’s killing him, the constant war for economic survival also is the thing keeping some other doom at bay. Fate waits for the most delicious moment to play its ultimate trick, in some unlikely future when everything finally is all right.


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