The Maker*
He had never lingered among the pleasures of memory. Impressions, momentary and vivid, would wash over him: a potter's vermilion glaze; the sky-vault filled with stars that were also gods; the moon, from which a lion had fallen; the smoothness of marble under his sensitive, slow fingertips; the taste of wild boar meat, which he liked to tear at with brusque, white bites; a Phoenician word; the black shadow cast by a spear on the yellow sand; the nearness of the sea or women; heavy wine, its harsh edge tempered by honey—these things could flood the entire circuit of his soul. He had known terror, but he had known wrath and courage as well, and once he had been the first to scale an enemy wall. Keen, curious, inadvertent, with no law but satisfaction and immediate indifference, he had wandered the various world and on now this, now that seashore, he had gazed upon the cities of men and their palaces. In teeming marketplaces or at the foot of a mountain upon whose uncertain peak there might be satyrs, he had listened to complex stories, which he took in as he took in reality—without asking whether they were true or false.
Gradually, the splendid universe began drawing away from him; a stubborn fog blurred the lines of his hand; the night lost its peopling stars, the earth became uncertain under his feet. Everything grew distant, and indistinct. When he learned that he was going blind, he cried out. ("Stoicism" had not yet been invented, and Hector could flee without self-diminution.) Now (he felt) I will not be able to see the sky filled with mythological dread or this face that the years will transfigure. Days and nights passed over this despair of his flesh, but one morning he awoke, looked (with calm now) at the blurred things that lay about him, and felt, inexplicably, the way one might feel upon recognizing a melody or a voice, that all this had happened to him before and that he had faced it with fear but also with joy and hopefulness and curiosity. Then he descended into his memory, which seemed to him endless, and managed to draw up from that vertigo the lost remembrance that gleamed like a coin in the rain—perhaps because he had never really looked at it except (perhaps) in a dream.
The memory was this: Another boy had insulted him, and he had run to his father and told him the story.
As though he weren't paying attention, or didn't understand, his father let him talk, but then he took a bronze knife down from the wall—a beautiful knife, charged with power, that the boy had furtively coveted. Now he held it in his hands, and the surprise of possession wiped away the insult that he had suffered, but his father's voice was speaking: Let it be known that you are a man, and there was a command in the voice. Night's blindness was upon the paths; clutching to himself the knife in which he sensed a magical power, the boy descended the steep rough hillside that his house stood on and ran to the seashore, dreaming that he was Ajax and Perseus and peopling the dark salt air with wounds and battles. It was the precise flavor of that moment that he sought for now; the rest didn't matter—the insulting words of his challenge, the clumsy combat, the return with the bloodied blade.
Another memory, in which there was also a night and the foretaste of adventure, sprouted from that first one. A woman, the first woman the gods had given him, had awaited him in the darkness of a subterranean crypt, and he searched for her through galleries that were like labyrinths of stone and down slopes that descended into darkness. Why had those memories come to him, and why did they come without bitterness, like some mere foreshadowing of the present?
With grave wonder, he understood. In this night of his mortal eyes into which he was descending, love and adventure were also awaiting him. Ares and Aphrodite—because now he began to sense (because now he began to be surrounded by) a rumor of glory and hexameters, a rumor of men who defend a temple that the gods will not save, a rumor of black ships that set sail in search of a beloved isle, the rumor of the Odysseys and Iliads that it was his fate to sing and to leave echoing in the cupped hands of human memory. These things we know, but not those that he felt as he descended into his last darkness.