Afterword



God grant that the essential monotony of this miscellany (which time has compiled, not I, and into which have been bundled long-ago pieces that I've not had the courage to revise, for I wrote them out of a different concept of literature) be less obvious than the geographical and historical diversity of its subjects. Of all the books I have sent to press, none, I think, is as personal as this motley, disorganized anthology, precisely because it abounds in reflections and interpolations. Few things have happened to me, though many things I have read. Or rather, few things have happened to me more worthy of remembering than the philosophy of Schopenhauer or England's verbal music.

A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that that patient labyrinth of lines traces the lineaments of his own face.

J. L. B.

Buenos Aires, October 31,1960


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