БИБЛИОГРАФИЯ


ИЗДАНИЯ ДОСТУПНЫЕ НА РУССКОМ ЯЗЫКЕ

Андерсон, Крис, «Длинный хвост. Эффективная модель бизнеса в интернете» (Манн, Иванов и Фервер, 2012)

Дик, Филип Киндред, «Человек в высоком замке» («Лениздат»,

1992)

Карр, Николас, «Пустышка. Что интернет делает с нашими мозгами» (BestBusinessBook, 2012 )

Фукуяма, Фрэнсис, «Конец истории и последний человек» (ACT, 2005) Гибсон, Уильям, «Сожжение хром» (ACT, 2003)

— «Распознавание образов» (ACT: 2004)

Ланир, Джарон, «Вы не гаджет. Манифест» (Corpus, 2011)

Макнил, Легс, Маккейн, Джиллиан, «Прошу, убей меня! Подлинная история панк-рока» (Альпина нон-фикшн, 2012)

Шпенглер, Освальд, «Закат Западного мира» (Альфа-книга, 2010)

ИЗДАНИЯ, ДОСТУПНЫЕ НА АНГЛИЙСКОМ ЯЗЫКЕ

Anderson, Chris, ‘The Long Tail’, Wired, October 2004, issue 12.10 Anderson, Perry, The Origins of Postmodernity (London: Verso, 1998) Arns, Inke, ‘History Will Repeat Itself: Strategies of Re-enactment in Contemporary (Media) Art and Performance’ (текст куратора для выставки в KW Institute for Contemporary Art в Берлине,

18.11.2007-13.01.2008) Онлайн-версия: http://wwtu.agora8.org/reader/ Arns_History_Will_Repeat. html

Attali, Jacques, Noise: The Political Economy of Music. Originally published in French in 1977, trans. Brian Massumi (Manchester: Manchester University Press, 1985)

РЕТРОМАНИЯ

Auslander, Philip, ‘Looking at Records’, in TDR: The Drama Review, Vol. 45, No. 1 (T169), Spring 2001.

Ballard, J. G., ‘Myths of the Near Future’ and ‘The Dead Astronaut’, in Memories of the Space Age (Sauk City, Wisconsin: Arkham House, 1988) And also in The Complete Stories of J. G. Ballard (New York: W. W. Norton & Co., 2009)

— Quotes, selected by V Vale and Mike Ryan (San Francisco: RE/Search Publications, 2004)

Bangs, Lester, Psychotic Reactions and Carburetor Dung (New York: Alfred A. Knopf 1987)

— ‘Rages to Come: Creem’s Predictions of Rock’s Future’, in Rock

Revolution: From Elvis to Elton — The Story of Rock and Roll (New

York: Popular Library, 1976)

Barnes, Ken, ‘Democratic Radio’, in Dave Marsh (Ed.), The First Rock & Roll Confidential Report (New York: Pantheon, 1985)

Barthes, Roland, The Fashion System, first published 1967, trans.

Matthew Ward and Richard Howard (Berkeley and Los Angeles: University of California Press, 1990)

— Camera Lucida: Reflections on Photography, trans. Richard Howard (New York: Hill and Wang, 1981)

— Empire of Signs, trans. Richard Howard ("New York: Hill and Wang, 1982;

Baudrillard, Jean, ‘The System of Collecting’, in The Cultures of Collecting (Critical Views) (London : Reaktion Books, March 1994)

— ‘The Ecstasy of Communication’, in Hal Foster (Ed.), Postmodern Culture (London: Pluto Press, 1985)

Beadle, Jeremy J., Will Pop Eat Itself? Pop Music in the Soundbite Era ("London: Faber and Faber, 1993;

Beezer, Wild Dayz: Photos by Beezer (Bristol: Tangent Books, 2009)

Belz, Carl, ‘Rock and Fine Art’ (The Beatles’ White Album) Originally from Belz, Carl, The Story of Rock (1969) Reprinted in Mike Evans (Ed.), The Beatles: Literary Anthology (London: Plexus, 2004)

Benjamin, Walter, ‘The Work of Art in the Age of Mechanical Reproduction’, ‘Unpacking My Library: A Talk About Book

Collecting’, ‘Theses on the Philosophy of History’, in Illuminations: Essays and Refl ections, trans. Harry Zohn, edited and with an introduction by Hannah Arendt (New York: Harcourt Brace Jovanovich, Inc. 1968)

БИБЛИОГРАФИЯ

Berman, Deborah Baiano, ‘Deadheads as a Moral Community’, диссертация, 2002, Department of Sociology and Anthropology, Northeastern University

Berman, Judith, ‘Science Fiction without the Future’, первая публикация в New York Review of Science Fiction, May 2001. Перепечатано James Gunn, and Matthew Candelaria, Speculations on Speculation: Theories of Science Fiction (Lanham, Maryland: 2005)

Blackson, Robert, ‘One More .. . With Feeling: Reenactment in Contemporary Art and Culture, Art Journal, Spring 2007 Blanning, Lisa, Madlib profile, The Wire, issue no. 306, August 2009 Blom, Philipp, To Have and to Hold: An Intimate History of Collectors and Collecting (New York: The Overlook Press, 2003) Bloom, Harold, The Anxiety of Influence: A Theory of Poetry (New York: Oxford University Press, 1973)

— A Map of Misreading (New York: Oxford University Press, 1975) Booker, Christopher, The Neophiliacs: A Study of the Revolution

in English Life in the Fifties and Sixties (London: Wm. Collins, 1969) Bourriaud, Nicolas, Postproduction: Culture As Screenplay: How Art Reprograms the World (second edn) (New York: Lucas & Sternberg, 2005)

— Interview by Bennett Simpson, ArtForum, April 2001.

Boym, Svetlana, The Future of Nostalgia (New York: Basic Books, 2002) Bracewell, Michael, ‘Road to Nowhere’, Frieze, issue 54, September—-October 2000

Bromberg, Craig, The Wicked Ways of Malcolm McLaren (New York: Harper & Row, 1989)

Brooks, David, ‘The Nation of Futurity’, New York Times, 16 November 2009

Brown, Stephen, Marketing — The Retro Revolution (Thousand Oaks, CA: Sage Publications, 2001)

— and John F. Sherryjr (Eds), Time, Space and the Market: Retroscapes Rising (Armonk, New York: M. E. Sharpe, Inc., 2003)

Burchill, Julie, ‘Rock’s Rich Tapestry’, singles reviews column, New Musical Express, 25 October 1980

Burton, Johanna, ‘Repeat Performance: Marina Abramovic’s Seven Easy Pieces’, ArtForum, January 2006 Cohn, Nik, Awopbopaloobop Alopbamboom: Pop from the Beginning (London: Weidenfeld & Nicolson Ltd., 1969)

РЕТРОМАНИЯ

Cope, Julian, Krautrocksampler: One Head’s Guide to the Great Kosmische Musik— 1968 Onwards (London: Head Heritage, 1995)

—Japrocksampler: How the Post-War Japanese Blew Their Minds on Rock’n’ Roll (London: Bloomsbury, 2007)

Crowley, David, and Jane Pavitt (Eds), Cold War Modern: Design 1945-1970 (London: V&A Publishing, 2008)

Davis, Fred, Yearning for Yesterday: A Sociology of Nostalgia (New York: Free Press, 1979)

Derrida, Jacques, Specters of Marx: The State of the Debt, the Work of Mourning, and the New International (New York: Routledge, 1994)

— Archive Fever: A Freudian Impression, trans. Eric Prenowitz (Chicago: The University of Chicago Press, 1995)

Dettmar, Kevin J. H., Is Rock Dead? (New York: Routledge, 2005)

De Walley, Chas, ‘Power Pop Part 1: Suddenly, Everything Is Power Pop!’ Sounds, 11 February 1978

Dibbell, Julian, ‘Unpacking Our Hard Drives: Discophilia in the Age of Digital Reproduction’, in Eric Weisbard (Ed.), This Is Pop:

In Search of the Elusive at Experience Music Project (Cambridge,

MA: Harvard University Press, 2004)

Drummond, Bill, ‘Silence Is Golden — Or for at Least One Day of the Tear It Is’/No Music Day manifesto, Observer, 15 October 2006 Eisenberg, Evan, The Recording Angel: Music, Records and Culture from Aristotle to Zappa, originally published in 1987 (second edn: New Haven: Yale University Press, 2005)

Eklund, Douglas, The Pictures Generation, 1974-1984 (New York: Metropolitan Museum of Art, 2009)

Eisner, John, and Roger Cardinal (Eds), The Cultures of Collecting (Critical Views) (London: Reaktion Books, March 1994)

Eno, Brian, Review of Jay David Bolter’s Writing Space, Artforum International, Vol. 30, November 1991

— Interviewed by Kevin Kelly, Wired 3.05, May 1995

Evans, David, Appropriation (Cambridge, MA: MIT Press, 2009) Fellows, Will, A Passion to Preserve: Gay Men as Keepers of Culture

(Madison, WI: University of Wisconsin Press, 2004)

БИБЛИОГРАФИЯ

Finney, Tim, Review of Kompakt compilation Total 7, Pitchfork,

15 September 2006

Fisher, Mark, Capitalist Realism: Is There No Alternative? (Winchester: 0 Books, 2009)

— (writing as K-punk), Belbury Poly/Jim Jupp interview.

FACT magazine, 4 February 2009. Онлайн: http://wwwfactmag. сот/2009/02/04/interview-belbury-poly/

Foreman, Richard, ‘The Pancake People, или «‘The Gods Are Pounding My Head»’, 3 August 2005 онлайн: http://www.edge.org/3rd_ culture

Gibson, William, Book Expo America Luncheon talk. Онлайн: http:// blog.williamgibsonbooks.com/2010/05/31/book-expo-american-luncheon-talk.

— Интервью BBC News. 12 October 2010. Онлайн: http://www.bbc. co.uk/news/technology-11502715

Goldman, Vivien, ‘The Road to Wigan Casino: Northern Soul’, New Musical Express, 11 October 1975. Reprinted in The Sound and the Fury: 40 Years of Classic Rock Journalism (Ed. Barney Hoskyns) (London: Bloomsbury, 2003)

Greene, Jo-Anne, ‘Long-Lost Punk and Folk Resurface’, Goldmine,

21 September 2008

Gregson, Nicky, Kate Brooks and Louise Crewe, ‘Bjorn Again? Rethinking 70s Revivalism Through the Reappropriation of 70s Clothing’, in Fashion Theory: The Journal of Dress, Body & Culture,

Vol. 5, No. 1, February 2001, pp. 3-27 (25)

Guffey, Elizabeth, Retro: The Culture of Revival (London: Reaktion Books, 2006)

Hatherley, Owen, Militant Modernism (Winchester: 0 Books, 2008)

Heiser, Jorg, ‘Pick & Mix: What Is «super-hybridity»?’ Frieze magazine, September 2010

— with Ronald Jones, Nina Powers, Seth Price, Sukhdev Sandhu and Flito Steyerl, ‘Analyze This’ (круглый стол no проблеме сверхгибридно-emu), Frieze magazine, September 2010

Hilderbrand, Lucas, Inherent Vice: Bootleg Histories of Videotape and Copyright (Durham, NC: Duke University Press, 2009)

Hobsbawm, Eric, and Terence Ranger (Eds), The Invention of

Tradition (Cambridge: Cambridge University Press, 1992)

РЕТРОМАНИЯ

Hogan, Marc, ‘This Is Not a Mixtape’ (статья о возрождении аудиокассет), Pitchfork, 22 February 2010

Hughes, Robert, The Shock of the New (New York: Alfred A. Knopf 1982) Huyssen, Andreas, ‘Present Pasts: Media, Politics, Amnesia’, in Public Culture, Vbl. 12, No. 1, winter 2000

— ‘Monumental Seduction’, in Mieke Bal, Jonathan Crewe and Leo Spitzer (Eds), Acts of Memory: Cultural Recall in the Present

(Darmouth: Dartmouth College Press, 1998)

Jameson, Fredric, Postmodernism, or, The Cultur al Logic of Late Capitalism (London: Verso, 1991)

—‘Culture and Finance Capital’, in The Cultural Turn: Selected Writings on the Postmodern, 1983-1998 (London: Verso, 1998)

—A Singular Modernity: Essay on the Ontology of the Present (London: Verso, 2002)

—Archaeologies of the Future: The Desire Called Utopian and Other Science Fictions (London: Verso, 2005)

—‘Periodizing the 60s’, in The 60s Without Apology (Eds Sonya Sayres, Anders Stephenson, Stanley Aronowitz and Frcdric Jameson), pp. 208-9 (Minneapolis, MN: University of Minnesota Press, 1984)

Jamieson, Mark, ‘The Place of Counterfeits in Regimes ofValue: An Anthropological Approach’ (Northern Soul and rock’n'roll revivalism), in Journal of the Royal Anthropological Institute, Vol. 5, 1999 Jenss, Heike, ‘Dressed in History: Retro Styles and the Construction of Authenticity in Youth Culture’, in Fashion Theory: The Journal of Dress, Body & Culture, Vol. 8, No. 4, December 2004, pp. 387-403 (17)

Jones, Dylan, iPod, Therefore I Am (New York: Bloomsbury USA, 2005) Jones, Max, ‘A New Jazz Age’, Picture Post, 12 November 1949. Reprinted in The Faber Book of Pop (Eds Jon Savage and Hanif Kureishi) (London: Faber & Faber, 1995)

Keenan, David, ‘Hypnagogic Pop’, The Wire, issue no. 306, August 2009 Kelly, Kevin, ‘Scan This Book!’, New York Times Magazine, 14 May 2006 Kent, Nick, Apathy for the Devil: A ’70s Memoir (London: Faber and Faber, 2010)

— ‘The Cramps and Rockabilly’, Neiv Musical Express, 23 June 1979 Kirby, Alan, Digimodernism: How New Technologies Dismantle the Postmodern and Reconfigure Our Culture (London and New York:

Continuum, 2009)

БИБЛИОГРАФИЯ

— ‘The Death of Postmodernism, and Beyond’, in Philosophy Now,

N о vem ber/Decern her 2006. Available online at http://www. philosophy now.

orglissue58l58kirby.htm.

Kugelberg, Johan, Vintage Rock T-Shirts, (New York: Universe/Pizzoli International Publications, 2007)

— ‘Interview with Johan Kugelberg’ (by Sean Bidder), in Various, Old Rare New: The Independent Record Shop (London: Black Dog Publishing,

2008)

Landau, Jon, ‘I Saw Rock & Roll Future and Its Name Is Bruce Springsteen’, in The Real Paper, May 1974. Reprinted in Clinton Heylin (Ed.), The Penguin Book of Rock & Roll Writing (New York: Viking, 1992)

Levine, Sherrie, ‘First Statement’, 1981. Онлайн: http://www. ajterwalkerevans.com/. Also reprinted in David Evans. Appropriation (Cambridge, MA: MIT Press, 2009)

Levy, Steven, The Perfect Thing: Flow the iPod Shuffles Commerce, Culture and Coolness (New York: Simon & Schuster, 2006) Lewandowski, Joseph D., ‘Unpacking: Walter Benjamin and his Library’, Libraries & Culture, 34.2 (1999), pp. 151-7..

Livingston, Tamara E., ‘Music Revivals: Towards a General Theory’, in Ethnomusicology, Vol. 43, No. 1 (winter 1999)

Lowenthal, David, The Past Is a Foreign Country (Cambridge: Cambridge University Press, 1985)

MacDonald, Ian, Revolution in the Flead: The Beatles’ Records and the Sixties (London: Fourth Estate, 1994)

—‘The Band Music from Big Pink’, in The People’s Music (London: Pimlico, 2003)

McDowell, Colin, Fashion Today (London: Phaidon Press Ltd., 2003) McEwan, Ian, ‘Solid Geometry’, first published 1975, collected in First Love, Last Rites (New York: Vintage, 1998)

McKay, George, ‘«Unsafe Things Like Youth and Jazz»: Beaulieu Jazz Festivals (1956-61), and the Origins of Pop Festival Culture in Britain’, in Andy Bennett (Ed.), Remembering Woodstock (Aldershot and Burlington: Ashgate, 2004)

McLaren, Malcolm, ‘Dirty Pretty Things’ (New York Dolls), Guardian, Friday 28 May 2004

McRobbie, Angela, ‘Secondhand Dresses and the Role of the Ragmarkef, in Angela McRobbie (Ed.), Zoot Suits and Second-Hand Dresses: An Anthology of Fashion and Music (London: Macmillan, 1989)

РЕТРОМАНИЯ

Marcus, Greil, ‘The Band: Pilgrim’s Progress’, in Mystery Train:

Images of America in Rock ’n’ Roll Music (London: Penguin, 1975) Marinetti, F. T, Critical Writings, trans. Doug Thompson, edited by Gunter Berghaus (New York: Farrar, Straus and Giroux, 2006) Melly, George, Revolt into Style: The Pop Arts (London: Allen Lane/ Penguin, 1970)

Merewether, Charles (Ed.), The Archive (Cambridge, MA: MIT Press, 2006)

Moore, Hilary, Inside British Jazz: Crossing Borders of Race, Nation and Class (Farnham, Surrey: Ashgate, 2007)

Morley, Paul, Words and Music: A History of Pop in the Shape of a City (London: Bloomsbury, 2003)

O’Neill, Alistair, London — After a Fashion (London: Reaktion Books, 2007)

Orlean, Susan, ‘Orchid Fever’, The New Yorker, 23 January 1995 O’Rourke, P J., ‘Future Schlock’, The Atlantic, December 2008 Parr, Martin, Boring Postcards (London: Phaidon Press, 1999)

Pessoa, Fernando, The Book of Disquiet (originally published 1982; London: Penguin Classics, 2002)

Petrusich, Amanda, It Still Moves; Lost Songs, Lost Highways, and the Search for the Next American Music (New York: Faber and Faber, 2008)

Powell, Mike, ‘Through the Cracks #5: Ghost Box’, Pitchfork, 20 May 2008

Reel, Penny, Mod reminiscence, in special Mod issue of New Musical Express, 14 April 1979

Rockwell, John, ‘Electronic & Computer Music & the Humanist Reaction’, in All American Music: Composition in the Late Twentieth Century (New York: Vintage, 1984)

Rombes, Nicholas, A Cultural Dictionary of Punk 1974-1982 (New York: Continuum, 2009)

Rorem, Ned, ‘Is New Music New?’, in Music from Inside Out (New York: George Braziller, Inc., 1967)

—Critical Affairs: A Composer’s Journal (New York: George Braziller, 1970)

Rothenbuhler, Eric W, and John Durham Peters, ‘Defining Phonography: An Experiment in Theory’, Musical Quarterly 81.2 (1997)

Rushton, Neil, ‘Out on the Floor: A Northern Soul Primer’, in The Face, September 1982. Reprinted in Night Fever: Club Writing in the Face 1980-1997 (London: Boxtree, 1997)

Salzman, Marian, and Ira Matathia, Next Now: Trends for the Future (New York: Palgrave Macmillan, 2007)

Samuel, Raphael, Theatres of Memory: Past and Present in Contemporary Culture (London: Verso, 1994)

Shaw, Suzy, and Mick Farren, Bomp!: Saving the World One Record at a Time (Los Angeles: Ammo Books, 2007)

Showalter, Elaine, ‘Fade to Greige’ (review of multiple fashion books), London Review of Books, Vol. 23, No. 1, 4 January 2001 Spengler, Oswald, The Decline of the West (Ne w York: Alfred A. Knopf, 1926/ One Volume Edition, 1932)

—Man & Technics — A Contribution to a Philosophy of Life (New York: Alfred A. Knopf 1932)

Sprinker, Michael (Ed.), Ghostly Demarcations: A Symposium on Jacques Derrida’s Specters of Marx (New York: Verso, 1999)

Starr, Karla, ‘When Every Song Ever Recorded Fits on Your MP3 Player, Will You Listen to Any of Them?’, Phoenix New Times,

5June 2008

Sterling, Bruce, ‘Memories of the Space Age’, ‘Catscan’ колонка в журнале Science Fiction Eye, дата неизвестна. Онлайн: http:// w2.ff.org/Misc/PublicoJions/Bruce_Sterling/Catscan_columns/

Sterne, J onathan, The Audible Past: Cultural Origins of Sound Reproduction (Durham, NC: Duke University Press, 2003)

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Stewart, Susan, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (Durham, NC: Duke University Press, 1993) Stone, Linda, ‘Beyond Simple Multi-Tasking: Continuous Partial Attention’, http://lindastone.net/2009/ll/30/beyond-simple-multi~tasking-continuous-partial-attention/

Straw, Will, 'Sizing up Record Collections; Gender and Connoiseurship

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РЕТРОМАНИЯ

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22 December 2008

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