In the office that morning I couldn’t concentrate. The cleaning woman must have used an excess of some perfumed cleaning fluid because there was an intense odor of soap and cherries made acidic by the hot radiators. I worked on some German correspondence for hours, but I had no fluency, I was continually consulting the dictionary. Suddenly I heard a male voice coming from the room where clients were received. The voice arrived with perfect clarity, a voice that was coldly acrimonious because certain services, which were costly, had, once the client was abroad, turned out to be inadequate. Yet I heard it from far away, as if it were coming not from a distance of a few feet but from a place in my brain. It was Mario’s voice.
I half-opened the door of my room, I looked out. I saw him sitting in front of a desk, in the background a bright-colored poster advertising Barcelona. Carla was with him, sitting beside him, she seemed more graceful, more adult, just slightly plumper, not beautiful. Both appeared to me as if on a television screen, well known actors who were acting out a piece of my life in some soap opera. Mario especially seemed a stranger who by chance had the transient features of a person who had been very familiar to me. He had combed his hair in a way that revealed his broad forehead, framed by thick hair and eyebrows. His face had become thinner, and the prominent lines of the nose, the mouth, the cheekbones formed a design more pleasing than I remembered. He looked ten years younger, the heaviness of his hips, of his chest, of his stomach had disappeared, he even seemed taller.
I felt a sort of light but decisive tap in the middle of my forehead and my hands grew sweaty. But the emotion was surprisingly pleasant, as when a book or a film makes us suffer, not life. I said calmly to the woman behind the desk, who was a friend:
“Is there some trouble?”
Both Carla and Mario turned instantly. Carla leaped to her feet, visibly frightened. Mario stayed seated but he rubbed his nose with thumb and index finger for a few seconds, as he always did when something disturbed him. I said with exaggerated cheerfulness:
“I’m happy to see you.”
I moved toward him, and Carla mechanically reached out a hand to pull him close to her, protect him. My husband rose uncertainly, it was clear that he didn’t know what to expect. I offered him my hand, we kissed on the cheeks.
“You both seem well,” I continued, and shook Carla’s hand, too, though she didn’t return the clasp, but gave me fingers and palm that felt wet, like meat that has just been defrosted.
“You seem well, too,” said Mario, in a tone of perplexity.
“Yes,” I answered proudly. “I’m not upset anymore.”
“I wanted to call you to talk about the children.”
“The number hasn’t changed.”
“We also have to discuss the separation.”
“When you like.”
Not knowing what else to say, he stuck his hands nervously in the pockets of his coat and asked in a casual way if anything was new. I answered:
“Not really. The children must have told you: I was sick, Otto died.”
“Died?” He was startled.
How mysterious children are. They had been silent about it, perhaps in order not to give displeasure, perhaps in the conviction that nothing that belonged to the old life could interest him.
“Poisoned,” I said, and he asked angrily:
“Who did it?”
“You,” I said calmly.
“Me?”
“Yes. I discovered that you’re a rude man. People respond to rudeness with spite.”
He looked at me to see if the friendly atmosphere was about to change, if I intended to start making scenes again. I tried to reassure him, with a tone of detachment:
“Or maybe there was only the need for a scapegoat. And since I wasn’t going to be, it was up to Otto.”
At that point, in a reflexive gesture, I brushed some scales of dandruff from his jacket, it was a habit of years. He drew back, almost jumped, I said sorry, Carla intervened, to complete with greater care the work that I had immediately suspended.
We said goodbye after he assured me that he would call to make a date.
“If you want you can come, too,” I proposed to Carla.
Mario said curtly, without even giving her a glance:
“No.”