89

Before I start, I feel I ought to mention how sad it is that the Texan readers are no longer with us. As you know, the notoriously irresponsible Supreme Court has seen fit to tear down the safety barrier protecting society and thus Texas is now like a ghost state. Machinery lies idle; offices are silent; the streets of Dallas shimmer motionless in the summer sun. No one goes to work nor chats with friends nor watches television nor even browses the Internet. Because, whooping atavistically that the police are now powerless to stop them, the entire population of Texas has, since last week, been ceaselessly engaged in endless consensual homosexual sex in private so as to bring about the extinction of the vital institution of marriage.

Oh, and let me make it clear that I'm not just some dull-witted, homophobic idiot here by saying, «it's the children I'm concerned about».

But anyway — my girlfriend is always trying to take photos of me naked.

I don't mean that she walks around naked (though, God knows, that's true too), I mean that she keeps trying to take photos of me when I'm naked. Now, I'm sure that all the women reading this are thinking, 'Well, that's reasonable, Mil. You do, after all, have a languorous sex appeal that frightens and yet, somehow, still enthrals me — and your body would clearly have been immortalised in marble many times by now were this ancient Greece.' Also, quite possibly, a fair few of the men are quietly turning pictures of their wives face down on their desks, biting their lips and secretly wishing, 'Oh… if only Mil and I were in Texas…' But I have to tell you that you're mistaken. Incredible though it may seem, in the flesh I'm cadaverous to the extent of almost appearing to be on the point of actual disintegration — becoming sexually aroused by the sight of me naked is a form of paraphilia. So why does Margret, say, keep lunging into the room with a camera when I'm in the bath? The answer, of course — for those of you who apparently must have dropped into this page from nowhere about five sentences ago and have thus read not a single one of the previous entries — is that Margret is some kind of lunatic.


Cut to: The back garden of our house. It's one of the three days a year in England when it's not raining and thus a Super Soaker water fight has broken out between First Born/Second Born and me: a full-on and appallingly ruthless conflict which I'm ashamed to say I provoked. First Born — having five years more tactical experience than his brother — is organising their attacks in such a way as to turn Second Born into his shield. I, however, have the advantages both of height and of preparedness (having surreptitiously arranged a series of barricaded, defensible positions before strolling over to First Born, casually saying, 'Guess what?' and then immediately shooting him in the back on the head from eighteen inches away — a slightly ungentlemanly tactic that gave me an early advantage, but which means I now dare not allow them to take me alive). Anyway, in a turn of events that no one could have foreseen, thirty minutes later all three of us are utterly, utterly sodden. Squelching is a phase looked back on with misty affection; everything we have on is now so saturated it permanently streams water from every trailing edge. To avoid flooding the house, I hang the children's clothes over the line and then send them inside to find some fresh ones and think about the important lesson I've taught them this day. After that, I also strip off and (Poof! — like the shopkeeper in Mr Benn) Margret appears with a camera. Fortunately, I've still got my underpants on, but — unfortunately — they are soaked and clinging and are doing obscenely little to preserve my modesty. 'Standing in the back garden in nothing but dripping wet underpants' is never going to be a particularly good look, is it? But it doesn't affect Margret, who snaps away excitedly until I manage to escape her probing lens by running off into the house.

So far, then, pretty much an average run of events.


But, about two weeks later, I'm lying on the sofa and Margret glides into the room. She is grinning broadly, so I know that, whatever's going on, something has happened that's going to depress me.

She hands me a letter. It's from the company who develop her photographs and it apologises that, due to some internal mix-up, the pictures have accidentally been sent out to someone else: they are attempting to track them down.


While I try to make myself breathe, Margret sits down by me and argues the case for this being the funniest thing in the history of the world.

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