Acknowledgements

There are so many people in `˜Team Fawley' who have helped make this book what it is.

First, my team at Penguin, starting with my brilliant editor, Katy Loftus. A special thank-you to her this time, for pushing me into doing two final rounds of edits when I was very tired and really didn't want to have yet another go. But she was right, and it's a far better book as a result (it won't happen next time, I promise!). Also to editorial assistant Rosanna Forte, and my fabulous marketing and PR team Jane Gentle, Olivia Mead, Ellie Hudson and Lindsay Terrell, the mastermind behind the Cara Hunter newsletter (there are details on how to sign up for this on p. i.)

I am also indebted to Karen Whitlock for her outstanding work as my copy-editor, and to Emma Brown and the Penguin production team `“ I'm always giving them new challenges in my typescripts, from transcripts to Twitter feeds to the maps in this book, but they never fail to rise to them! Thank you likewise to the late, great John Hamilton and the design team who've developed such a striking and eye-catching look for the book jackets, to the Dead Good team, and to James Keyte and everyone involved on the audio side, particularly Emma Cunniffe and Lee Ingleby, who bring the books to life so brilliantly well.

Thank you also to my agent Anna Power, of Johnson Alcock, for her support, insight and her patience! And also to HГ©lène Butler `“ it's thanks to her that the Fawley books are now being published in over twenty countries across the world.

My team of professional advisers have given me invaluable advice on the technical and procedural aspects of All the Rage, as they have with the other books: Detective Inspector Andy Thompson, Joey Giddings, Nicholas Syfret QC and Ann Robinson. Any mistakes that might remain are entirely down to me.

Closer to home, I want to thank my husband, Simon, and the kind friends on my `˜early reader' panel `“ Sarah, Peter, Elizabeth, Stephen, Andy, Richard, Neera and Deborah.

Thanks also to KUCHENGA for providing such a brilliant read.

And finally I want to thank you `“ my readers. Penguin told me that someone buys a Cara Hunter book every fifty seconds (unbelievable!), and people get in touch on Twitter or Instagram every day to tell me they've enjoyed the books. I can't tell you how nice that is: being a writer is a wonderful life, but nothing beats that. I'm so grateful to everyone who's bought, borrowed or recommended the series in the last two years, and especially those who've taken the time to put a review on Netgalley or Amazon, and the bloggers who've given the books so much support.

A few last words on the book itself. As before, while there are some real Oxford places and roads in the novel, I have taken a few liberties with actual geography here and there, and some places are my own invention. For example, there is no `˜Summertown High', `˜Windermere Avenue' or `˜Rydal Way'. The news items are also entirely fictional; none of the people represented is based on a real person and any similarity between online usernames in the book and those of real people is entirely coincidental.

And for the eagle-eyed among you, 1 April 2018 was actually a Sunday, but I had to shift it to a Monday for the purposes of the plot. But well done anyone who spotted it!

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