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Now Lila is barricaded in Rinuccio’s room, thinking what to do. She’ll never go back to her mother and father’s house: the weight of her life belongs to her, she doesn’t want to become a child again. She can’t count on her brother: Rino is beside himself, he’s angry with Pinuccia in order to get revenge on Stefano, and has begun to quarrel also with his mother-in-law, Maria, because he’s desperate, he has no money and a lot of debts. She can count only on Enzo: she trusted and trusts him, even though he never showed up and in fact he seems to have disappeared from the neighborhood. She thinks: he promised that he’ll get me out of here. But sometimes she hopes he won’t keep his promise, she’s afraid of making trouble for him. She’s not worried about a possible fight with Stefano, her husband has now given her up, and then he’s a coward, even if he has the strength of a wild beast. But she is afraid of Michele Solara. Not today, not tomorrow, but when I’m not even thinking about it anymore he’ll appear and if I don’t submit he’ll make me pay, and he’ll make anyone who’s helped me pay. So it’s better for me to go away without involving anyone. I have to find a job, anything, enough to earn what I need to feed him and give him a roof.

Just thinking of her son saps her strength. What ended up in Rinuccio’s head: images, words. She worries about the voices that reach him, unmonitored. I wonder if he heard mine, while I carried him in my womb. I wonder how it was imprinted in his nervous system. If he felt loved, if he felt rejected, was he aware of my agitation. How does one protect a child. Nourishing him. Loving him. Teaching him things. Acting as a filter for every sensation that might cripple him forever. I’ve lost his real father, who doesn’t know anything about him and will never love him. Stefano, who isn’t his father and yet loved him a little, sold us for love of another woman and a more genuine son. What will happen to this child. Now Rinuccio knows that when I go into another room he won’t lose me, I am still there. He maneuvers with objects and fantasies of objects, the outside and the inside. He knows how to eat with a fork and spoon. He handles things and forms them, transforms them. From words he has moved on to sentences. In Italian. He no longer says “he,” he says “I.” He recognizes the letters of the alphabet. He puts them together so as to write his name. He loves colors. He’s happy. But all this rage. He has seen me insulted and beaten. He’s seen me break things and shout insults. In dialect. I can’t stay here any longer.

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