I picked them up at the station because Ginger was getting ready for the show. They were standing there like a bundle, outwardly ragged but powerfully linked inside: the woman holding the boy close to her, the boy tensely looking down with his fist by his mouth, Velvet trying to pull his jacket down and pants up so his butt-crack didn’t show. The platform was crowded with people walking quickly past them, but the mother looked straight ahead as though she were alone.
When I got closer, I saw why. She looked exhausted, too tired to smile, though her eyes saw me with pleased relief. She took my outstretched hand, but when Velvet came to hug me, Mrs. Vargas snapped at her and pointed at the little boy’s feet; his shoe was untied and though he looked at least seven years old, Velvet knelt to tie it.
I took them straight to get dinner before the play. It was a big casual place with pictures of the owner’s pit bulls on the wall; as we waited to be seated, Mrs. Vargas stood with her arms across her chest and viewed it harshly with her brow pulled down like a cap. She and Velvet exchanged hard/entreating words. We were seated; Mrs. Vargas sat with an incredibly erect posture and snapped her napkin open on her lap. I conferred with the boy and decided we should both get burgers. Velvet got mac and cheese. Mrs. Vargas ordered the chicken by pointing at the menu imperiously.
The boy and I talked about the dogs on the wall; he wanted to know if maybe they’d come out and walk around. His voice was sweeter than I’d heard before. He said he liked fighting dogs. Velvet and her mother fought in a low furious mumble. Her mother glanced at me with a laughing string of words meant to link us as adults. Dante said, “This man’s dog where I live acted bad and the man made the dog scream.” I said that was wrong; the boy looked rebuked and confused.
When the chicken came, Mrs. Vargas took one bite and grimaced. “She says it’s disgusting,” said Velvet. Mrs. Vargas made them take it back and cook it some more, and even then, she cut it in two and put the bigger part on Velvet’s plate. Velvet said she was too full, but she made the girl eat it, all of it, hectoring her the whole time. When I took out my wallet to pay, she cut her eyes at my money, seeing just how much this lousy meal was.
We walked to the theater in silence. I thought I saw Mrs. Vargas looking approvingly at the Christmas lights. I saw she’d put lipstick on. The boy’s shoe came untied again and she made Velvet stop to tie it. I asked, “Don’t you know how to tie your shoes, young man?” He said, “She does it for me. I’m only seven.” I said, “A seven-year-old man needs to tie his own shoes, and before you go home, I’m going to teach you.”
The boy looked down. Mrs. Vargas gave me a sharp look, and I thought, She understands. But we were at the ticket booth by then, and there were people with their radiant children. Her sharpness deserted her; she put her hand on the boy’s shoulder. The boy frankly looked the other kids up and down; Velvet led the way upstairs; she looked back and smiled at me. There was a burst of happy voices and then children running up and down a hallway in half costume, rosy families getting out of their coats, a vibrant little girl handing out programs amid papier-mâché castles and trees with brown trunks and balls of green sitting atop them. A girl recognized Velvet and spoke to her. Mrs. Vargas sank back into herself.
“Hola! Bienvenidos!” Mrs. Vargas blinked and looked up. Bearing down on us through the crowd was Ginger wearing pajamas and a bonnet with a man in blue face-paint holding out his arms and gesturing at his heart like to long-lost friends.
Body and eyes, Mrs. Vargas rose to the welcome instinctively. And then she sagged back, bewildered. The blue-faced guy put his arm around her shoulders and began talking to her in Spanish. She talked back, but her body still sagged. Ginger was talking to somebody else in a bonnet. Dante was slowly wandering forward, looking with great interest at plastic knight’s armor, assorted masks and weaponry.