Ancient civilizations-2

The pottery of Chavín and Paracas

Chavín pottery is best known from the decorated types found in the galleries in the temple at Chavín and in graves on the northern coast, where it is called Cupisnique. Until the end of the period, the ware was monochrome—dull red, brown, or gray—and hard and stonelike. Vessels were massive and heavy, especially in the early part of the period. The main forms are open bowls with vertical or slightly expanding sides and flat or gently rounded bases, flasks, and stirrup-spouted bottles. The surface may be modeled in relief or decorated by incision, stamping, brushing, rouletting, or dentate rocker-stamping, all of which may be applied to particular zones in contrast with other smooth ones. Some bowls have deeply incised designs on both the inside and outside faces. Many of the forms and decorative features, apart from specifically Chavinoid designs (particularly feline fangs), were already present at Kotosh in the previous phase.

Considerable time changes are represented in Chavín pottery; for example, the earliest stirrup spouts were relatively small and very thick and heavy, and the spout had a thick flange. As time went on, the stirrups became lighter and the spouts longer; the flange was reduced and finally disappeared. The necks of the flasks underwent similar changes. The decoration on some of these is extremely striking; one has incised flower designs, and another has a roughened surface in which there are a number of concave circular depressions with a notably high polish. The Cupisnique stirrup-spouted vessels, some of which were modeled in the form of human beings, animals, or fruits, were the beginning of a north-coast tradition of naturalistic modeling, which persisted throughout its history. Toward the end of the period, a bichrome (dark red on cream) pottery came into use.

There is a considerable area on the south Peruvian coast with its focus in the Ica Valley, where strong influences from Chavín have been found in the Paracas pottery style, and two painted textiles in pure Chavín style have survived from the same valley. Paracas pottery was very different from that of Chavín, but various motifs have enabled the two to be correlated closely. Paracas began at practically the same time as Chavín, about 1000 bc, and lasted throughout its span and beyond it, perhaps to about 200 bc. The most characteristic form of Paracas pottery was a closed globular vessel with a somewhat flattened base, which had two narrow spouts connected by a flat bridge, or more frequently, with one spout replaced by a human or bird head. Simple round-based bowls were very common. The ware was most commonly black or very dark brownish, and much of the surface was covered with decoration outlined by incision and painted in polychrome with hard, shiny, resinous colours after firing. A panel bearing a feline face on one end of a spout-and-bridge vessel was one of the most frequent forms of decoration. Paracas is also distinguished for its gorgeous embroidered textiles, generally found in the mummy bundles of the important dead. Embroidery had a popularity at this time that it afterward lost, but a surprisingly wide range of weaving techniques were also used in various parts of the coast.