Ancient civilizations-2

The southern coast

The beginning of the period is best determined by the evolution of the Paracas pottery style into that of the Nazca (Nasca) area on the southern coast; this is traditionally estimated to have occurred about 200 bc, but Rowe’s date of 400 bc is probably more reliable, since this is the area where his detailed succession was worked out. Nazca ware is marked by the introduction of slip painting applied before firing, which took the place of the resin painting applied afterward; but the style evolved continuously, and the polychrome tradition continued. The most common forms were bowls and beakers, all with rounded bases, but double-spout or head-and-spout jars were also characteristic. In contrast to the Moche area on the northern coast, figure modeling played a very minor role. Designs were painted in up to eight colours and fell into two main groups: one characterized by stylized but recognizable life forms, such as birds, fish, or fruits, with some humans; the other depicting mythical subjects such as complex demons. Between approximately middle and late Nazca, mythical figures became increasingly angular and elongated and developed a tangled mass of appendages. Trophy-head representations, which were modeled as complete vessels as well as painted in profile on simple vessels, increased greatly at the same time. Because Nazca art was less realistic than that of Moche, little can be learned of the appearance and life of the people.

In the time of the Nazca style what has been described as a small city was located in each of the south-coast valleys of Pisco, Ica, Nazca, and Acarí. At Cahuachi, in Nazca, this included a ceremonial centre consisting of six pyramids, which were terraced and adobe-faced natural hills associated with courts. Tambo Viejo in Acarí was fortified, which supports inferences drawn with some difficulty from late Nazca art that a concern with warfare developed at that time.