B
IBLIOGRAPHY
Agha Shahid Ali, The Country without a Post Office, New York, 1977.
Angelus Silesius, The Cherubinic Wanderer, trans. Maria Schrady, New York, 1986.
Ibn Arabi, Journey to the Lord of Power, Vermont, 1989.
Philip Ball, Bright Earth: The Invention of Colour, London, 2001.
Hans Urs von Balthasar, The Glory of the Lord: A Theological Aesthetics: 1: Seeing The Form, Edinburgh, 1982.
Bill Beckley and David Shapiro (eds), Uncontrollable Beauty: Toward a New Aesthetics, New York, 1998.
John Berger, Harpers, March 2002.
St Bernard of Clairvaux, quoted in Eco, The Aesthetics.
Robert Bly, The Soul Is Here for Its Own Joy, Eco Press, 1995.
Dietrich Bonhoeffer, Letters and Papers from Prison, SCM Press, 1953.
Claude Bragdon, The Beautiful Necessity: Seven Essays on Theosophy an Architecture, Routledge, 1922.
Peg Zeglin Brand (ed.), Beauty Matters, Indiana University Press, 2000.
Hermann Broch, The Death of Virgil, trans. Jean Starr Untermeyer, Oxford University Press, 1983.
Jean Morrison Brown (ed.), The Vision of Modern Dance, London, 1979.
Anne Carson, Eros – the Bittersweet, Princeton University Press, 1986.
Henri Cartier-Bresson, Artsworld TV interview, 12 April 2003.
Constantine P. Cavafy, Before Time Could Change Them: The Complete Poems, trans. Theoharis C. Theoharis, New York, 2001.
Joan Chittister, Illuminated Life: Monastic Wisdom for Seekers of Light, Orbis Books, 2000.
Hélène Cixous and Mireille Calle Gruber, Rootprints, Memory and Life Writing, London, 1997.
Samuel Taylor Coleridge, Biographia Literaria, London, 1975.
Ned Crosby, Leaves on the River, Galway, 2001.
Catherine David, The Beauty of Gesture: The Invisible Keyboard of Piano and Tai Chi, Berkeley, 1996.
Dante, Inferno, trans. John D. Sinclair, Oxford University Press, 1961.
Dante, The New Life, trans. Dante Gabriel Rossetti, New York, 2002.
Arthur C. Danto, ‘Beauty for Ashes’, in Regarding Beauty: A View of the Twentieth Century by Neal Benezra and Olga M. Viso, Washington, 1999.
Peter Davison (ed.), Reviving the Muse: Essays on Music after Modernism, Brinkworth, Wilts, 2001.
John Donne, The Complete English Poems, New York, 1991.
Denis Donoghue, The Sovereign Ghost: Studies in Imagination, New York, 1976.
Maureen McCarthy Draper, The Nature of Music: Beauty, Sound and Healing, New York, 2001.
Hajo Düchting, Paul Klee: Painting Music, Munich/New York, 1997.
Isadora Duncan, excerpts from her writings, in The Vision of Modern Dance by Jean Morrison Brown, London, 1979.
Meister Eckhart, The Essential Sermons, Commentaries, Treatises and Defense, trans. Edmund Colledge, O.S.A., and Bernard McGinn, New York, 1981.
Umberto Eco, The Aesthetics of Thomas Aquinas, Harvard University Press, 1988.
Umberto Eco, Art and Beauty in the Middle Ages, Yale University Press, 1986.
Ralph Waldo Emerson, Selections, ed. Stephen E. Whicher, Boston, 1960.
Epictetus, The Art of Living: A New Interpretation by Sharon Lebell, San Francisco, 1994.
Marsilio Ficino, Meditations on the Soul, Vermont, 1996.
Victoria Finlay, Colour: Travels through the Paintbox, London, 2002.
Philip Fisher, Wonder: The Rainbow and the Aesthetics of Rare Experiences, Harvard, 1998.
Hans-Georg Gadamer, The Relevance of the Beautiful and Other Essays, Cambridge, 1986.
John Gage, Color and Meaning: Art, Science and Symbolism, University of Chicago Press, 1999.
William Gass, On Being Blue: A Philosophical Inquiry, Boston, 1976.
William H. Gass, ‘Goodness Knows Nothing of Beauty: On the Distance between Morality and Art’ in Harper’s Magazine, April, 1987.
Etienne Gilson, The Arts of the Beautiful, New York, 1965.
Louise Gluck, Proofs and Theories: Essays on Poetry, New York, 1994.
Goethes Werke, Zwölfter Band: Philosophische und naturwissenschaftliche Schriften, Berlin/Weimar, 1981.
W.S. Graham, Collected Poems, 1942–1977. London, 1979.
John Hadfield, A Book of Beauty, London, 1963.
Richard Harries, Art and the Beauty of God, London, 1993.
Daniel Harris, Cute, Quaint, Hungry and Romantic: The Aesthetics of Consumerism, New York, 2000.
Heraclitus, Fragments: The Collected Wisdom of Heraclitus, trans. Brooks Haxton, Penguin Press, 2001.
George Herbert, The Complete English Works, Alfred A. Knopf, 1995.
Patrick Heron, Painter as Critic: Selected Writings, ed. Mel Gooding, London, 1998.
Geoffrey Hill, Tenebrae, London, 1978.
James Hillman, ‘The Practice of Beauty’ in The Sphinx, 4, 1992.
William Hogarth, The Analysis of Beauty, Yale University Press, 1997.
Richard Holmes, Coleridge: Darker Reflections, London, 1998.
Gerard Manley Hopkins, Poems and Prose, sel. and ed. W.H. Gardner, Penguin Books, 1976.
Immram Curaig Máile Dúin, in Gerard Murphy (ed.), Early Irish Lyrics, Eighth to Twelfth Century, Clarendon Press, Oxford, 1977.
Derek Jarman, Chroma: A Book of Colour, London, 1995.
St John of the Cross, Poems, trans. Roy Campbell, London, 2000.
Wassily Kandinsky, Concerning the Spiritual in Art, Dover Publications, 1995.
John Keats, Selected Letters, ed. Robert Gittings, Oxford University Press, 2002.
Thomas Kinsella, Collected Poems, 1956–1994, Oxford University Press, 1996.
Susanne K. Langer, Feeling and Form: A Theory of Art, New York, 1953.
Walter Liedtke with Michael C. Plomp and Axel Rüger, Vermeer and the Delft School, Yale University Press, 2001.
Li-Young Lee, Book of My Nights, New York, 2001.
Li-Young Lee, Rose, New York, 1986.
Lucretius, De rerum natura, trans. William Ellery Leonard, New York, 1957.
James W. McAllister, Beauty and Revolution in Science, Cornell University Press, 1996.
Bryan Magee, The Tristan Chord: Wagner and Philosophy, New York, 2000.
Osip Mandelstam, The Collected Critical Prose and Letters, London, 1991.
James Alfred Martin, Jr, Beauty and Holiness: The Dialogue between Aesthetics and Religion, Princeton University Press, 1990.
Carlo-Maria Martini, Saving Beauty, London, 2000.
Rollo May, My Quest for Beauty, New York, 1985.
John Miller (ed.), Beauty: An Anthology, San Francisco, 1997.
Gabriela Mistral, Selected Prose and Prose Poems, ed. and trans. Stephen Tapscott, University Press of Texas, 2002.
Robert C. Morgan, ‘A Sign of Beauty’, in Bill Beckley and David Shapiro (eds), Uncontrollable Beauty, New York, 1998.
Francesca Aran Murphy, Christ: The Form of Beauty, Edinburgh, 1995.
Anne-Sophie Mutter, ‘The Soul of Mother Courage’, in BBC Music Magazine, January 1996.
Vladimir Nabokov, Speak, Memory, London, 1999.
John Nash, Vermeer, Amsterdam, 1999.
John Navone, Enjoying God’s Beauty, Minnesota, 1999.
Pablo Neruda, Selected Poems, Penguin, 1977.
Friedrich Nietzsche, The Birth of Tragedy, Penguin, 1993.
Isamu Noguchi, Essays and Conversations, ed. Diane Apostolos-Cappadona and Bruce Altshuler, New York, 1994.
Isamu Noguchi, The Isamu Noguchi Garden Museum, New York, 1987.
John O’Donohue, ‘The Absent Threshold: The Paradox of Divine Knowing in Meister Eckhart’ in The Eckhart Review, Summer 2003.
Rudolph Otto, On the Idea of the Holy, Oxford, 1928.
Michel Pastoureau, Blue: The History of a Colour, Princeton University Press, 2001.
The Confession of St Patrick, trans. John Skinner, Foreword by John O’Donohue, Doubleday, 1998.
Don Patterson, ‘Aphorisms’, in Oxford Poetry, XI.2, Summer 2001.
Plato, The Symposium, trans. Suzy Q. Groden, University of Massachusetts Press, 1970.
Plotinus, The Enneads, trans. Stephen Mackenna, Penguin, 1991.
Marguerite Porete, The Mirror of Simple Souls, trans. Ellen L. Balinsky, New York, 1993.
Pseudo-Dionysius: The Complete Works, trans. Colm Luibheid, New York, 1987.
Kathleen Raine, ‘The Use of the Beautiful’, in Defending Ancient Springs, Golgonooza Press, 1985.
Howard Rheingold, They Have a Word for It, Putnam, 1988.
Rainer Maria Rilke, Werke, Insel Verlag, 1965.
Louis Roberts, The Theological Aesthetics of Hans Urs von Balthasar, Washington, 1987.
Stephen David Ross, The Gift of Beauty, The Good as Art, New York, 1996.
Ralph Rugoff and Susan Stewart, At the Threshold of the Visible, New York, 1997.
The Essential Rumi, trans. Coleman Barks with John Moyne, Castle Books, N.J., 1995.
Edward W. Said, Musical Elaborations, Columbia University Press, 1991.
George Santayana, The Sense of Beauty, New York, 1955.
Elaine Scarry, On Beauty and Being Just, Princeton University Press, 1999.
Ethel Schwabacher, Hungry for Light, Indiana University Press, 1993.
Shelley, sel. Kathleen Raine, Penguin, 1974.
William Stafford, Crossing Unmarked Snow, ed. Paul Merchant and Vincent Wixon, Ann Arbor, 1998.
Wallace Stevens, Collected Poems, New York, 1967.
Karlheinz Stockhausen, Stockhausen on Music, London, 2000.
J.W.N. Sullivan, Beethoven: His Spiritual Development, London, 1979.
Christopher Sweet, The Essential Johannes Vermeer, New York, 1999.
John Tavener, The Music of Silence: A Composer’s Testament, Faber, 1999.
Frederick Turner, Beauty: The Value of Values, University of Virginia, 1991.
Alexander Tzonis, Santiago Calatrava: The Poetics of Movement, New York, 1999.
Paul Valéry, Dialogues, trans. W. McCausland Stewart, Bollingen Series XLV-4, 1956.
Richard Wagner, Selected Letters, trans. and ed. Stewart Spencer and Barry Millington, London, 1987.
Simone Weil, Gravity and Grace, London, 1963.
Ludwig Wittgenstein, Remarks on Colour, University of California Press, 1978.
Naomi Wolf, ‘The Beauty Myth’, in Beauty, ed. John Miller, San Francisco, 1997.
William Wordsworth, Selected Poems, London, 1996.
W.B. Yeats, Poems, ed. A. Norman Jeffares, Dublin, 1989.