Pushkin occasionally began to represent himself as Poet rather than poet – as the priest chosen by Apollo in a famous poem of 1827, for example. But his view of himself was always ambivalent (as suggested by a doodle in the margin of a draft of his Oriental poem Tazit (1830): a self-portrait bust with a laurel wreath has been fiercely scored out in thick black ink). It was other commentators who, especially after Pushkin’s tragic death in 1837, were with growing confidence to claim for him the greatness to which he had tentatively aspired. A signal moment was when the prolific and influential critic Vissarion Belinsky declared in 1838, ‘Every educated Russian must have a complete Pushkin, otherwise he has no right to be considered either educated or Russian’.

Interpretations of this kind naturally came to the forefront at the various Pushkin jubilees. The speeches made by writers at the raising



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