classmate Wilhelm Küchelbecker, as an illustration of his point that verse was the statement of shallow ideas in unnecessarily complex form: ‘If all this rhyming blether is paraphrased as simple and clear prose, then the following thin and pallid message remains: “You and I both used to scribble verses; I used to print mine, and you didn’t; and now I’m not going to print mine either.”’ A fair number of radically minded readers, particularly self-taught intellectuals from the working classes, shared Pisarev’s reservations. ‘Your Onegin and your Lensky [ . . . ] should have been sent to a factory to fit cylinders to a vice’, one memoirist recalled his workmates saying in the 1910s. For readers of this kind, Maxim Gorky’s propaganda novel The Mother (1906), about a simple woman brought to political enlightenment by the cruelty of the Tsarist authorities, was a great deal more moving than Evgeny Onegin.

These scruples had a powerful institutional weight during the first years after the Russian Revolution, when literary-historical scholarship was dominated by the official ideology of ‘class war’. For those committed to fighting that war, Pushkin was no more than a

supremely gifted member of a reactionary cultural elite. Most so-called ‘leftists’, too, were admirers of fiction (especially Realist fiction), not of ‘rhyming blether’. Significantly, the first writers whose biographies appeared in The Lives of Famous People, an uplifting series for the mass market that began publication at the instigation of Gorky in 1933, were Chekhov, Gogol, the eighteenth-century radical dissident Aleksandr Radishchev, and the satirist Saltykov-Shchedrin, scourge of the privileged classes, rather than Pushkin. Similarly, the keynote speeches at the 1934 Congress of Soviet Writers emphasized the pre-eminence, alongside the Realist fiction of Gorky and of Tolstoy, of ‘progressive’ critics such as Belinsky, Nikolay Chernyshevsky, and Nikolay Dobrolyubov. As late as 1949, a list of required reading for the Soviet masses put forward by the Party leader, Old Bolshevik, and former worker Mikhail Kalinin consisted of Lomonosov (as an example of the supreme auto-didact and

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