Г01ХТЗ OF DISPUTE IN ТПЕ GREEK СНШ1СП. 143
quering spirit of the Roman church — have perceived and pursued the grand and the beautiful, and have produced all that the world has seen of most sublime in every branch of art; during which time the Greeks of the Lower Empire, and the Russians after them, have continued faithfully to chalk their Virgins of the eighth century.
The Eastern Church has never been favourable to the arts. Since schism was declared, she has done nothing but benumb all minds with the subtleties of theology. In the present day, the true believers in Russia dispute seriously among themselves as to whether it is permitted to give the natural flesh-colour to the heads of the Virgin, or if it is necessary to continue to colour them, like the pretended madonnas of St. Luke, with that tint of bistre which is so unnatural. There is also much dispute among them as to the manner of representing the rest of the person : it is uncertain whether the body ought to be painted, or imitated in metal and enclosed in a kind of cuirass, which leaves the face alone visible, or sometimes the eyes only. The reader must explain to himself, as he best can, why a metallic body appears more decent in the eyes of the Greek priests than canvas painted as a woman's robe.
"We are not yet at the end of the great points of dispute in the Greek church. Certain doctors, whose number is large enough to form a sect, have conscientiously separated themselves from the mother-church because she now shields .within her bosom impious innovators, who permit the priests to give the sacerdotal benediction with three fingers of the hand, whereas the true tradition wills that the fore and