MODE OF DRIVING.255

of getting over the ground would greatly divert me if my carriage were of more solid construction, but at each turn of the wheels I expect it to fall to pieces; and we break down so often that my apprehensions are only too well justified. "Without my Italian valet, who officiates also as wheelwright and smith, we should already have come to a stand-still. I cannot cease from admiring the air of nonchalance with which the coachmen take their seats: there is a grace about it far preferable to the studied elegance of civilised drivers. In descending the hills, they rise on their feet, and drive standing, the body slightly bent, the arms stretched forward, and the eight reins drawn well up. In this attitude, which may be seen in ancient bas-reliefs, they might be taken for charioteers of the circus. When thus driving, we rush through the air amid clouds of dust, and seem scarcely to touch the earth. The English springs cause the body of the coach to sway like a vessel in a heavy gale, and there appears then to be established between the will of man and the instinct of the animals, a relation which I cannot understand. It is not by a mechanical impulse that the equipage is guided ! — there seems to be an interchange of thoughts and sentiments, an animal magic, a real magnetic influence. The coachman is miraculously obeyed: he guides his four steeds abreast as if they were but one horse. Sometimes he draws them together into scarcely more space than is commonly occupied by two wheelers; sometimes he so spreads them out that they cover the half of the high road. In point of civilisation, every thing is incomplete in Russia, because every thing is modern. On the finest road


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