1 18HISTORY OF THE CONVENT.

St. Sergius, where the attitude of the hero, ten years of age, disarmed the revolted soldiers.

All the Greek churches resemble each other. The paintings they contain are always Byzantine, that is to say, unnatural, without life and without variety. Sculpture is everywhere wanting; it is replaced by gilded carved work, rich, but not beautiful, and more insipid than magnificent.

All the names of note in Russian history have taken pleasure in enriching the convent, which overflows with gold, pearls, and diamonds. The universe has been placed under contribution to swell the pile of wealth that forms one of the miracles of the place, and which I contemplate with an astonishment more nearly approaching to stupefaction than to admiration. Czars, empresses, nobles, libertines, and true saints, have all vied with each other in enriching the treasury of Troïtza. Amid so many riches, the simple dress and the wooden cup of St. Sergius shine by their very rusticity.

The tomb of the saint in the cathedral of the Trinity blazes with magnificence. The convent would have furnished a rich booty to the French; it has not been taken since the fourteenth century. It contains nine churches. The slirine of the saint is of silver, gilt; it is protected by silver pillars and canopy, the gift of the Empress Anne. The image of Saint Sergius is esteemed miraculous. Peter the Great carried it with him in his Avars against Charles XII.

Not far from the slirine, under shelter of the virtues of the hermit, lies the body of the usurping assassin, Boris Godounoff, surrounded by many of


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