260THE SEE-SAW.

notes, which form a harmonious but by no means noisy accord. I have been surprised, however, to observe that almost all these melodies are deficient in simplicity.

On Sunday, in passing through populous villages, I observed rows of from four to eight young girls balancing themselves, by a scarcely perceptible movement of their bodies, on boards suspended by ropes, while, at a little distance beyond, an equal number of boys were fixed iu the same manner, in face of the females. Their mute game lasted a long time; I have never had patience to wait its conclusion. Such gentle balancing is only a kind of interlude, which serves as a relaxation in the intervals of the animated diversion of their real swing or see-saw. This is a very lively game ; it even renders the spectator nervous. Four cords hang from a lofty cross-beam, and, at about two feet from the earth, sustain a plank, on whose extremities two persons place themselves. This plank, and the four posts which support it, are placed in such a manner that the balancing may be performed either backwards and forwards or from side to side. The two performers, sometimes of the same, sometimes of the opposite sexes, place themselves, always standing, and with legs firmly planted, on the two extremities of the plank, where they preserve their balance by taking hold of the cords. In this attitude they are impelled through the air to a frightful height, for at every swing the machine reaches the point beyond which it would turn completely over, and its occupiers be dashed to the earth from a height of thirty or forty feet, for I have seen posts at least twenty feet high. The Russians, whose frames


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