terminate in a little wavering line drawn between the sky and the sea; this line is Russia. It presents the appearance of a wet lowland, with here and there a few birch trees thinly scattered. The landscape is void of objects, and colours ; has no bounds, and yet no sublimity. It has just light enough to be visible; the grey mossy earth well accords with the pale sun which illumines it, not from overhead, but from near the horizon, or almost indeed from below, — so acute is the angle which the oblique rays form with the surface of this unfavoured soil. In Russia the finest days have a blueish dimness. If the nights are marked by a clearness which surprises, the days are clothed with an obscurity which saddens.

Kronstadt, with its forest of masts, its substructures, and its ramparts of granite, finely breaks the monotonous reverie of the pilgrim, who is, like me, seeking for imagery in this dreary land. I have never seen, in the approaches to any other great city, a landscape so melancholy as the banks of the Neva. The campagna of Rome is a desert, but what picturesque objects, what past associations, what light, what fire, what poetry, if I might be allowed the expression, I would say, what passion animates this religious land. To reach St. Petersburg, you must pass a desert of water framed in a desert of peat earth ; sea, shore, and sky, are all blended into one mirror, but so dull, so tarnished, that it reflects nothing.

The thought of the noble vessels of the Russian navy, destined to perish without having ever been in action, pursues me like a dream.

The English, in their idiom, which is so poetical when it relates to maritime subjects, call a vessel of


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