APPEARANCE OF THE CITY.139

my youth, I inhaled enthusiasm at the feet of the mountainous coasts of Calabria, before landscapes all of whose lines, excepting those of the sea, were vertical. Here, on the contrary, I see only one plane surface terminated by a perfectly horizontal line drawn betwixt the sky and the water. The mansions, palaces, and colleges which line the Neva, seem scarcely to rise above the soil, or rather the sea : some have only one story, the loftiest not more than three, and all appear dilapidated. The masts of the vessel overshoot the roofs of the houses. These roofs are of painted iron; they are light and elegant, but very flat, like those of Italy, whereas pointed roofs are alone proper in countries where snow abounds. In Russia, we are shocked at every step by the results of imitation without reflection.

Between the square blocks of an architecture which pretends to be Italian, run wide, straight, and empty vistas, which they call streets, and which, notwithstanding their projecting colonnades, are anything but classical. The scarcity of the women contributes to the dulness of the city. Those who are pretty, seldom appear on foot. Wealthy persons who wish to walk, are invariably followed by a servant. The practice is, here, one of prudence and necessity.

The Emperor alone has the power to people this wearisome abode, abandoned so soon as its master has disappeared. He is the magician who puts thought and motion into the human machines, — a magician in whose presence Russia wakes, and in whose absence she sleeps. After the Court has left, the superb metropolis has ,the appearance of a theatre when the


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