dense crowds that obstruct the approaches disappear as soon as you penetrate the interior lines of stalls. The city of the fair is, like all the other modern Eus-sian cities, too vast for its population, although that population, including the amphibious community scattered in boats on the river, and the flying camps which environ the fair, properly so called, amounts to 200,000 souls. The houses of the merchants stand upon a subterranean city, an immense vaulted sewer; in whieh labyrinth he would be lost who should attempt to penetrate without an experienced guide. Each street in the fair is doubled by a gallery, which follows its whole length, under earth, and serves as an issue for all refuse. The sewers are constructed of stone, and are cleansed several times daily, by a multitude of pumps, which introduce the water from the neighbouring rivers. They are entered by large and handsome stone staircases.

These catacombs of filth, which are also for the prevention of every thing offensive in the open streets, are placed under the charge of cossacks, who form its police, and who politely invite the individual to descend. They are one of the most imposing works I have seen in Russia, and might suggest models to the constructors of the sewers at Paris. So much vastness and solidity reminds one of the descriptions of Eonie. They were built by the Emperor Alexander, who, like his predecessors, pretended to conquer nature by establishing the fair on a soil inundated during one half of the year. He lavished millions in remedying the inconveniences of the injudicious choice made when the fair of Makarief was transported to Nijni.


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