irregular than the compositions of that English painter. Mysterious sounds rise out of the depth of its subterranes ; such abodes must be haunted by spirits, they cannot belong to beings like ourselves. The citadel of Moscow is not merely a palace, a national sanctuary for the historical treasures of the empire; it is the bulwark of Russia, the revered asylum in which sleep the tutelary saints of the country; it is also the prison of spectres.

This morning, still wandering without a guide, I penetrated even to the middle of the fortress, and found my way into the interior of some of the churches which ornament that pious city, as venerated by the Russians for its relics as for the worldly riches and the warlike trophies which it encloses. I am too excited now to describe these objects in detail, but hereafter I shall pay a methodical visit to the Treasury.

The Kremlin, on its hill, gives me the idea of a city of princes, built in the midst of a city of people. This tyrannical castle, this proud heap of stones, looks down scornfully upon the abodes of common men ; and, contrary to what is the case in structures of ordinary dimensions, the nearer we approach the indestructible mass the more our wonder increases. Like the bones of certain gigantic animals, the Kremlin proves to us the history of a world of which we might doubt until after seeing the remains In this prodigious creation strength takes the place of beauty, caprice of elegance : it is like the dream of a tyrant, fearful but full of power; it has something about it that disowns the age; means of defence which are adapted to a system of war that exists no longer;


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