The Neapolitan Novels

26.

I lived those days despising myself, I couldn’t tear Nino out of my mind. I finished my work lethargically, I departed out of duty, I returned out of duty, I despaired, I was collapsing. And I felt that the facts were proving Lila right: I was forgetting my daughters, I was leaving them with no care, with no school.

Dede and Elsa were enchanted by the new arrangement. They scarcely knew their aunt, but they adored the sense of absolute freedom that she radiated. The house in Sant’Ambrogio continued to be a port in a storm; Mariarosa welcomed everyone with the tone of a sister or perhaps a nun without prejudices, and she didn’t care about dirt, mental problems, crime, drugs. The girls had no duties; they wandered through the rooms until late at night, curious. They listened to speeches and jargons of every type, they were entertained when people made music, when they sang and danced. Their aunt went out in the morning to the university and returned in the late afternoon. She was never anxious, she made them laugh, she chased them around the apartment, played hide-and-seek or blind-man’s buff. If she stayed home, she undertook great cleaning efforts, involving me, them, stray guests. But more than our bodies she looked after our minds. She had organized evening courses, and invited her colleagues from the university. Sometimes she herself gave lectures that were witty and packed with information, and she kept her nieces beside her, addressing them, involving them. The apartment at those times was crowded with her friends, men and women, who came just to listen to her.

One evening, during one of those lessons, there was a knock on the door and Dede ran to open it; she liked to greet people. Returning to the living room, she said excitedly: It’s the police. In the small assembly there was an angry, almost threatening murmur. Mariarosa rose calmly and went to speak to the police. There were two, they said that the neighbors had complained, or something like that. She was cordial, insisted that they come in, almost forced them to sit with us in the living room, and returned to her lecture. Dede had never seen a policeman up close, and started talking to the younger one, resting her elbow on his knee. I remember her opening remark, by which she intended to explain that Mariarosa was a good person:

“In fact,” she said, “my aunt is a professor.”

“In fact,” the cop said faintly, with an uncertain smile.

“Yes.”

“How well you speak.”

“Thank you. In fact, her name is Mariarosa Airota and she teaches art history.”

The boy whispered something to his older companion. They remained prisoners for ten minutes or so and then they left. Dede led them to the door.

Later I, too, was assigned one of these educational projects, and for my evening more people showed up than usual. My daughters sat on cushions in the first row, in the big living room, and they listened obediently. Starting then, I think, Dede began to observe me with curiosity. She had great respect for her father, her grandfather, and now Mariarosa. She knew nothing about me and didn’t want to know anything. I was her mother, I forbade everything, she couldn’t stand me. She must have been amazed that I was listened to with an attention that she on principle would never have given me. And maybe she also liked the composure with which I responded to criticisms; that evening they came surprisingly from Mariarosa. My sister-in-law was the only one among the women present who did not agree with even a word of what I was saying—she who, long ago, had encouraged me to study, to write, to publish. Without asking my permission, she told the story of the fight I had had with my mother in Florence, demonstrating that she knew about it in detail. “Resorting to many learned citations,” she theorized that a woman without love for her origins is lost.