The Neapolitan Novels

99.

For days I expected new disasters, but nothing happened. The article created a certain sensation, the Neapolitan papers took it up and amplified it, I got phone calls and letters of support. The weeks passed, and I became used to the idea of being sued; I discovered that it had happened to many who did the same work I did and had been much more at risk than I was. Daily life asserted itself. For a while I avoided Lila, and I was especially careful not to let myself be drawn into making wrong moves.

The book never stopped selling. In August I went on vacation to Santa Maria di Castellabate; Lila and Enzo were also supposed to take a house at the sea, but work prevailed and it seemed natural for them to give Tina to me. The only pleasure, among the endless difficulties and tasks of that time (call this one, shout at that one, settle a quarrel, do the shopping, the cooking), was seeing a couple of readers sitting under their umbrella each with my book in their hands.

In the fall things started off better. I won a fairly important prize that came with a substantial sum, and I felt smart, skilled in public relations, with increasingly satisfying financial prospects. But the joy, the astonishment of the first weeks of success never returned. I felt the days as if the light had become opaque, and I perceived around me a widespread malaise. For a while there hadn’t been a night when Enzo didn’t raise his voice with Gennaro, something that had been very rare before. When I stopped in at Basic Sight I found Lila plotting with Alfonso, and if I tried to approach she signaled me to wait a moment with a distracted gesture. She behaved the same way if she was talking to Carmen, who had returned to the neighborhood, or to Antonio, who for obscure reasons had put off his departure to some indeterminate time.

It was clear that things around Lila were getting worse, but she kept me out of it and I preferred to stay out of it. Then there were two terrible moments, one after the other. Lila happened to discover that Gennaro’s arms were covered in needle marks. I heard her screaming as I had never heard her scream before. She incited Enzo, she drove him to give her son a beating: they were two strong men and they thrashed each other. The next day she threw her brother Rino out of Basic Sight, even though Gennaro begged her not to fire his uncle, he swore it wasn’t Rino who had started him on heroin. That tragedy struck the girls deeply, especially Dede.

“Why does Aunt Lina treat her son like that?”

“Because he did something that he shouldn’t do.”

“He’s grown-up, he can do what he wants.”

“Not what can kill him.”

“Why? It’s his life, he has the right to do what he wants with it. You don’t know what freedom is, and neither does Aunt Lina.”

She, Elsa, and even Imma were as if stunned by that outburst of cries and curses that came from their beloved Aunt Lina. Gennaro was a prisoner in the house and he shouted all day. His Uncle Rino disappeared from Basic Sight after breaking a very expensive machine, and his curses could be heard throughout the neighborhood. Pinuccia came one evening with her children to beg Lila to rehire her husband and brought her mother-in-law, too. Lila treated both her mother and her sister-in-law rudely; the shouts and insults reached my house clearly. You are delivering us hand and foot to the Solaras, Pinuccia cried desperately. And Lila replied: you deserve it, I’m fucking sick and tired of slaving for you without a drop of gratitude.

But that was petty compared to what happened a few weeks later. Things had scarcely calmed down when Lila began to quarrel with Alfonso, who was now indispensable to the operations of Basic Sight and yet had become increasingly unreliable. He missed important appointments, when he did make them his attitude was an embarrassment, he was heavily made up, he spoke of himself using the feminine. By now Lila had disappeared completely from his face and, in spite of his efforts, he was regaining his masculinity. In his nose, in his forehead, in his eyes something of his father, Don Achille, was appearing, and he himself was disgusted by it. As a result he seemed continuously in flight from his own body, which was putting on weight, and sometimes nothing was heard of him for days. When he reappeared he almost always showed signs of beatings. He went back to work but listlessly.

Then one day he disappeared for good. Lila and Enzo looked for him everywhere, without success. His body was found days later on the beach at Coroglio. He had been beaten to death somewhere else and then thrown into the sea. At the time I couldn’t believe it. When I realized that it was all brutally true I was seized by a grief that wouldn’t go away. I saw him again as he had been in our school days, gentle, attentive to others, beloved by Marisa, tormented by Gino, the pharmacist’s son. Sometimes I even recalled him behind the counter at the grocery during his summer vacations, when he was obliged to do a job he detested. But I cut away the rest of his life, I knew little about it, I felt it as confused. I couldn’t think of him as what he had become, every recent encounter faded, I even forgot the period when he worked in the shoe store in Piazza dei Martiri. Lila’s fault, I thought in the heat of the moment: with her mania for forcing others by mixing everything up, she overwhelmed him. She had obscurely used him and then let him go.

But I changed my mind almost right away. Lila had learned the news several hours earlier. She knew that Alfonso was dead, but she couldn’t get rid of the rage she had felt for days and kept insisting, rudely, on his unreliability. Then, right in the middle of a tirade like this, she collapsed on the floor of my house, evidently because her grief was unbearable. From that moment it seemed to me that she had loved him more than I did, even more than Marisa, and—as, besides, Alfonso had often told me—had helped him as no one else had. In the following hours she became listless, she stopped working, she lost interest in Gennaro, she left Tina with me. Between her and Alfonso there must have been a more complex relationship than I had imagined. She must have looked at him as at a mirror and seen herself in him and had wanted to draw out of his body a part of herself. The complete opposite, I thought uneasily, of what I had narrated in my second book. That work of Lila’s must have pleased Alfonso very much, he had offered himself to her like a living material and she had molded him. Or at least so it seemed to me in the brief time in which I tried to put what had happened in order and calm myself. But, in the end, it was nothing but a vague impression of mine. In reality she never told me anything about their bond, not then or later. She was numbed by her suffering, harboring who knows what feelings, until the day of the funeral.