The Neapolitan Novels

33.

I cried all night, in the silent kitchen. I fell asleep at dawn. Nella came to wake me and reproached me, she said that Nino had wanted to have breakfast on the terrace in order not to disturb me. He had left.

I dressed in a hurry, and she saw that I was suffering. “Go on,” she yielded, finally, “maybe you’ll be in time.” I ran to the Port hoping to get there before the ferry left, but the boat was already out at sea.

Some difficult days passed. Cleaning the rooms I found a blue paper bookmark that belonged to Nino and I hid it among my things. At night, in my bed in the kitchen, I sniffed it, kissed it, licked it with the tip of my tongue and cried. My own desperate passion moved me and my weeping fed on itself.

Then Donato Sarratore arrived for his two-week holiday. He was sorry that his son had left, but pleased that he had joined his schoolmates in the Avellinese to study. “He’s a truly serious boy,” he said to me, “like you. I’m proud of him, as I imagine your father must be proud of you.”

The presence of that reassuring man calmed me. He wanted to meet Marisa’s new friends, he invited them one evening to have a big bonfire on the beach. He himself gathered all the wood he could find and piled it up, and he stayed with us until late. The boy with whom Marisa was carrying on a half-steady relationship strummed a guitar and Donato sang, he had a beautiful voice. Then, late at night, he himself began to play and he played well, he improvised dance tunes. Some began to dance, Marisa first.

I looked at that man and thought: he and his son have not even a feature in common. Nino is tall, he has a delicate face, the forehead buried under black hair, the mouth always half-closed, with inviting lips; Donato instead is of average height, his features are pronounced, he has a receding hairline, his mouth is compact, almost without lips. Nino has brooding eyes that see beyond things and persons and seem to be frightened; Donato has a gaze that is always receptive, that adores the appearance of every thing or person and is always smiling on them. Nino has something that’s eating him inside, like Lila, and it’s a gift and a suffering; they aren’t content, they never give in, they fear what is happening around them; this man, no, he appears to love every manifestation of life, as if every lived second had an absolute clarity.

From that evening on, Nino’s father seemed to me a solid remedy not only against the darkness into which his son had driven me, departing after an almost imperceptible kiss, but also—I realized with amazement—against the darkness into which Lila had driven me by never responding to my letters. She and Nino scarcely know each other, I thought, they have never been friends, and yet now they seem to me very similar: they have no need of anything or anyone, and they always know what’s right and what isn’t. But if they’re wrong? What is especially terrible about Marcello Solara, what is especially terrible about Donato Sarratore? I didn’t understand. I loved both Lila and Nino, and now in a different way I missed them, but I was grateful to that hated father, who made me, and all us children, important, who gave us joy and peace that night at the Maronti. Suddenly I was glad that neither of the two was present on the island.

I began reading again, I wrote a last letter to Lila, in which I said that, since she hadn’t ever answered me, I wouldn’t write anymore. I bound myself instead to the Sarratore family, I felt I was the sister of Marisa, Pinuccio, and little Ciro, who now loved me tremendously and with me, only with me, wasn’t naughty but played happily; we went looking for shells together. Lidia, whose hostility had conclusively turned into sympathy and fondness, often praised me for the precision that I put into everything: setting the table, cleaning the rooms, washing the dishes, entertaining the baby, reading and studying. One morning she made me try on a sundress that was too tight for her, and, since Nella and even Sarratore, called urgently to give an opinion, thought it very becoming, she gave it to me. At certain moments she even seemed to prefer me to Marisa. She said, “She’s lazy and vain, I brought her up badly, she doesn’t study; whereas you are so sensible about everything.” “Just like Nino,” she added once, “except that you’re sunny and he is always irritable.” But Donato, hearing those criticisms, responded sharply, and began to praise his oldest son. “He’s as good as gold,” he said, and with a look asked me for confirmation and I nodded yes with great conviction.

After his long swims Donato lay beside me to dry in the sun and read his newspaper, Roma, the only thing he read. I was struck by the fact that someone who wrote poems, who had even collected them in a volume, never opened a book. He hadn’t brought any with him and was never curious about mine. At times he read aloud to me some passage from an article, words and sentiments that would have made Pasquale extremely angry and certainly Professor Galiani, too. But I was silent, I didn’t feel like arguing with such a kind and courteous person, and spoiling the great esteem he had for me. Once he read me an entire article, from beginning to end, and every two lines he turned to Lidia smiling, and Lidia responded with a complicit smile. At the end he asked me, “Did you like it?”

It was an article on the speed of train travel as opposed to the speed of travel in the past, by horse carriage or on foot, along country lanes. It was written in high-flown sentences that he read with great feeling.

“Yes, very much,” I said.

“See who wrote it: what do you read here?”

He held it out toward me, put the paper under my eyes. With emotion, I read: “Donato Sarratore.”

Lidia burst out laughing and so did he. They left me on the beach to keep an eye on Ciro while they swam in their usual way, staying close to each other and whispering. I looked at them, I thought, Poor Melina, but without bitterness toward Sarratore. Assuming that Nino was right and that there really had been something between the two of them; assuming, in other words, that Sarratore really had betrayed Lidia, now, even more than before—now that I knew him somewhat—I couldn’t feel that he was guilty, especially since it seemed to me that not even his wife felt he was guilty, although at the time she had compelled him to leave the neighborhood. As for Melina, I understood her, too. She had felt the joy of love for that so far from ordinary man—a conductor on the railroad but also a poet, a journalist—and her fragile mind had been unable to readjust to the rough normality of life without him. I was satisfied with these thoughts. I was pleased with everything, in those days, with my love for Nino, with my sadness, with the affection that I felt surrounded by, with my own capacity to read, think, reflect in solitude.