Английская поэзия XIV–XX веков в современных русских переводах

I thought once how Theocritus had sung

Of the sweet years, the dear and wished-for years,

Who each one in a gracious hand appears

To bear a gift for mortals, old or young:

And, as I mused it in his antique tongue,

I saw, in gradual vision through my tears,

The sweet, sad years, the melancholy years,

Those of my own life, who by turns had flung

A shadow across me. Straightway I was ’ware,

So weeping, how a mystic Shape did move

Behind me, and drew me backward by the hair:

And a voice said in mastery, while I strove, —

“Guess now who holds thee?” —’”Death,’ I said. But, there,

The silver answer rang, — “Not Death, but Love”.

Unlike are we, unlike, O princely Heart!

Unlike our uses and our destinies.

Our ministering two angels look surprise

On one another, as they strike athwart

Their wings in passing. Thou, bethink thee, art

A guest for queens to social pageantries,

With gages from a hundred brighter eyes

Than tears even can make mine, to play thy part

Of chief musician. What hast thou to do

With looking from the lattice-lights at me,

A poor, tired, wandering singer, singing through

The dark, and leaning up a cypress tree?

The chrism is on thine head, — on mine, the dew, —

And Death must dig the level where these agree.

Go from me. Yet I feel that I shall stand

Henceforward in thy shadow. Nevermore

Alone upon the threshold of my door

Of individual life, I shall command

The uses of my soul, nor lift my hand

Serenely in the sunshine as before,

Without the sense of that which I forbore—

Thy touch upon the palm. The widest land

Doom takes to part us, leaves thy heart in mine

With pulses that beat double. What I do

And what I dream include thee, as the wine

Must taste of its own grapes. And when I sue

God for myself, He hears that name of thine,

And sees within my eyes the tears of two.

Can it be right to give what I can give?

To let thee sit beneath the fall of tears

As salt as mine, and hear the sighing years

Re-sighing on my lips renunciative

Through those infrequent smiles which fail to live

For all thy adjurations? O my fears,

That this can scarce be right! We are not peers,

So to be lovers; and I own, and grieve,

That givers of such gifts as mine are, must

Be counted with the ungenerous. Out, alas!

I will not soil thy purple with my dust,

Nor breathe my poison on thy Venice-glass,

Nor give thee any love — which were unjust.

Beloved, I only love thee! let it pass.

I never gave a lock of hair away

To a man, dearest, except this to thee,

Which now upon my fingers thoughtfully,

I ring out to the full brown length and say

"Take it." My day of youth went yesterday;

My hair no longer bounds to my foot’s glee,

Nor plant I it from rose or myrtle-tree,

As girls do, any more: it only may

Now shade on two pale cheeks the mark of tears,

Taught drooping from the head that hangs aside

Through sorrow’s trick. I thought the funeral-shears

Would take this first, but Love is justified, —

Take it thou, — finding pure, from all those years,

The kiss my mother left here when she died.

The soul’s Rialto hath its merchandise;

I barter curl for curl upon that mart,

And from my poet’s forehead to my heart

Receive this lock which outweighs argosies, —

As purply black, as erst to Pindar’s eyes

The dim purpureal tresses gloomed athwart

The nine white Muse-brows. For this counterpart,

The bay-crown’s shade, Beloved, I surmise,

Still lingers on thy curl, it is so black!

Thus, with a fillet of smooth-kissing breath,

I tie the shadows safe from gliding back,

And lay the gift where nothing hindereth;

Here on my heart, as on thy brow, to lack

No natural heat till mine grows cold in death.

Belovèd, my Belovèd, when I think

That thou wast in the world a year ago,

What time I sat alone here in the snow

And saw no footprint, heard the silence sink

No moment at thy voice, but, link by link,

Went counting all my chains as if that so

They never could fall off at any blow

Struck by thy possible hand, why, thus I drink

Of life’s great cup of wonder! Wonderful,

Never to feel thee thrill the day or night

With personal act or speech, — nor ever cull

Some prescience of thee with the blossoms white

Thou sawest growing! Atheists are as dull,

Who cannot guess God’s presence out of sight.

Say over again, and yet once over again,

That thou dost love me. Though the word repeated

Should seem “a cuckoo-song”, as thou dost treat it,

Remember, never to the hill or plain,

Valley and wood, without her cuckoo-strain

Comes the fresh Spring in all her green completed.

Belovèd, I, amid the darkness greeted

By a doubtful spirit-voice, in that doubt’s pain

Cry, “Speak once more — thou lovest!” Who can fear

Too many stars, though each in heaven shall roll,

Too many flowers, though each shall crown the year?

Say thou dost love me, love me, love me — toll

The silver iterance! — only minding, Dear,

To love me also in silence with thy soul.

Let the world’s sharpness, like a clasping knife,

Shut in upon itself and do no harm

In this close hand of Love, now soft and warm,

And let us hear no sound of human strife

After the click of the shutting. Life to life —

I lean upon thee, dear, without alarm,

And feel as safe as guarded by a charm

Against the stab of worldlings, who if rife

Are weak to injure. Very whitely still

The lilies of our lives may reassure

Their blossoms from their roots, accessible

Alone to heavenly dews that drop not fewer,

Growing straight, out of man’s reach, on the hill.

God only, who made us rich, can make us poor.

I lived with visions for my company

Instead of men and women, years ago,

And found them gentle mates, nor thought to know

A sweeter music than they played to me.

But soon their trailing purple was not free

Of this world’s dust, their lutes did silent grow,

And I myself grew faint and blind below

Their vanishing eyes. Then THOU didst come — to be,

Belovèd, what they seemed. Their shining fronts,

Their songs, their splendours (better, yet the same,

As river-water hallowed into fonts),

Met in thee, and from out thee overcame

My soul with satisfaction of all wants

Because God’s gifts put man’s best dreams to shame.

My letters! all dead paper, mute and white!

And yet they seem alive and quivering

Against my tremulous hands which loose the string

And let them drop down on my knee tonight.

This said — he wished to have me in his sight

Once, as a friend: this fixed a day in spring

To come and touch my hand. a simple thing,

Yes I wept for it — this. the paper’s light.

Said, Dear, I love thee; and I sank and quailed

As if God’s future thundered on my past.

This said, I am thine — and so its ink has paled

With lying at my heart that beat too fast.

And this. O Love, thy words have ill availed

If, what this said, I dared repeat at last!

I think of thee! — my thoughts do twine and bud

About thee, as wild vines, about a tree,

Put out broad leaves, and soon there’s nought to see

Except the straggling green which hides the wood.

Yet, O my palm-tree, be it understood

I will not have my thoughts instead of thee

Who art dearer, better! rather, instantly

Renew thy presence. As a strong tree should,

Rustle thy boughs and set thy trunk all bare,

And let these bands of greenery which insphere thee

Drop heavily down, — burst, shattered, everywhere!

Because, in this deep joy to see and hear thee

And breathe within thy shadow a new air,

I do not think of thee — I am too near thee.

I thank all who have loved me in their hearts,

With thanks and love from mine. Deep thanks to all

Who paused a little near the prison-wall

To hear my music in its louder parts

Ere they went onward, each one to the mart’s

Or temple’s occupation, beyond call.

But thou, who, in my voice’s sink and fall,

When the sob took it, thy divinest Art’s

Own instrument didst drop down at thy foot

To hearken what I said between my tears, —

Instruct me how to thank thee! Oh, to shoot

My soul’s full meaning into future years,

That they should lend it utterance, and salute

Love that endures, from Life that disappears!

How do I love thee? Let me count the ways.

I love thee to the depth and breadth and height

My soul can reach, when feeling out of sight

For the ends of being and ideal grace.

I love thee to the level of every day’s

Most quiet need, by sun and candle-light.

I love thee freely, as men strive for right;

I love thee purely, as they turn from praise.

I love thee with the passion put to use

In my old griefs, and with my childhood’s faith.

I love thee with a love I seemed to lose

With my lost saints. I love thee with the breath,

Smiles, tears, of all my life; and, if God choose,

I shall but love thee better after death.

Dear my friend and fellow-student, I would lean my spirit o’er you:

Down the purple of this chamber, tears should scarcely run at will:

I am humbled who was humble! Friend, — I bow my head before you!

You should lead me to my peasants! — but their faces are too still.

There’s a lady, — an earl’s daughter; she is proud and she is noble:

And she treads the crimson carpet, and she breathes the perfumed air;

And a kingly blood sends glances up her princely eye to trouble,

And the shadow of a monarch’s crown is softened in her hair.

She has halls among the woodlands, she has castles by the breakers,

She has farms and she has manors, she can threaten and command,

And the palpitating engines snort in steam across her acres,

As they mark upon the blasted heaven the measure of her land.

There are none of England’s daughters who can show a prouder presence;

Upon princely suitors praying, she has looked in her disdain:

She has sprung of English nobles, I was born of English peasants;

What was I that I should love her, — save for competence to pain!

I was only a poor poet, made for singing at her casement,

As the finches or the thrushes, while she thought of other things.

Oh, she walked so high above me, she appeared to my abasement,

In her lovely silken murmur, like an angel clad in wings!

Many vassals bow before her as her carriage sweeps their door-ways;

She has blest their little children, — as a priest or queen were she.

Far too tender, or too cruel far, her smile upon the poor was,

For I thought it was the same smile which she used to smile on me.

She has voters in the commons, she has lovers in the palace,—

And of all the fair court-ladies, few have jewels half as fine:

Oft the prince has named her beauty, ’twixt the red wine and the chalice:

Oh, and what was I to love her? my Beloved, my Geraldine!

Yet I could not choose but love her, — I was born to poet uses,—

To love all things set above me, all of good and all of fair:

Nymphs of mountain, not of valley, we are wont to call the Muses,

And in nympholeptic climbing, poets pass from mount to star.

And because I was a poet, and because the people praised me,

With their critical deduction for the modern writer’s fault;

I could sit at rich men’s tables, — though the courtesies that raised me,

Still suggested clear between us the pale spectrum of the salt.

And they praised me in her presence — “Will your book appear this summer?”

Then returning to each other, “Yes, our plans are for the moors;”

Then with whisper dropped behind me, — “There he is! the latest comer!

Oh, she only likes his verses! what is over, she endures.

“Quite low born! self-educated! somewhat gifted though by nature,—

And we make a point by asking him, of being very kind;—

You may speak, he does not hear you; and besides, he writes no satire,—

All these serpents kept by charmers, leave their natural sting behind”.

I grew scornfuller, grew colder, as I stood up there among them,

Till, as frost intense will burn you, the cold scorning scorched my brow;

When a sudden silver speaking, gravely cadenced, overrung them,

And a sudden silken stirring touched my inner nature through.

I looked upward and beheld her! With a calm and regnant spirit,

Slowly round she swept her eyelids, and said clear before them all,

“Have you such superfluous honor, sir, that able to confer it,

You will come down, Mr. Bertram, as my guest to Wycombe Hall?”

Here she paused, — she had been paler at the first word of her speaking;

But because a silence followed it, blushed somewhat as for shame;

Then, as scorning her own feeling, resumed calmly—“I am seeking

More distinction than these gentlemen think worthy of my claim.

“Nevertheless, you see, I seek it — not because I am a woman”,

(Here her smile sprang like a fountain, and, so overflowed her mouth,)

“But because my woods in Sussex have some purple shades at gloaming

Which are worthy of a king in state, or poet in his youth.

“I invite you, Mr. Bertram, to no scene for worldly speeches,—

Sir, I scarce should dare, — but only where God asked the thrushes first,—

And if you will sing beside them, in the covert of my beeches,

I will thank you for the woodlands,… for the human world at worst”.

Then she smiled around right childly, then she gazed around right queenly;

And I bowed, — I could not answer! Alternate light and gloom,—

While as one who quells the lions, with a steady eye serenely,

She, with level fronting eyelids, passed out stately from the room.

Oh, the blessed woods of Sussex, I can hear them still around me,

With their leafy tide of greenery still rippling up the wind!

Oh, the cursed woods of Sussex! where the hunter’s arrow found me,

When a fair face and a tender voice had made me mad and blind!

In that ancient hall of Wycombe, thronged the numerous guests invited,

And the lovely London ladies trod the floors with gliding feet;

And their voices low with fashion, not with feeling, softly freighted

All the air about the windows, with elastic laughters sweet.

For at eve, the open windows flung their light out on the terrace,

Which the floating orbs of curtains did with gradual shadow sweep:

While the swans upon the river, fed at morning by the heiress,

Trembled downward through their snowy wings at music in their sleep.

And there evermore was music, both of instrument and singing;

Till the finches of the shrubberies grew restless in the dark;

But the cedars stood up motionless, each in a moonlight ringing,

And the deer, half in the glimmer, strewed the hollows of the park.

And though sometimes she would bind me with her silver-corded speeches,

To commix my words and laughter with the converse and the jest,

Oft I sat apart, and gazing on the river through the beeches,

Heard, as pure the swans swam down it, her pure voice o’erfloat the rest.

In the morning, horn of huntsman, hoof of steed, and laugh of rider

Spread out cheery from the courtyard till we lost them in the hills;

While herself and other ladies, and her suitors left beside her,

Went a-wandering up the gardens through the laurels and abeles.

Thus, her foot upon the new-mown grass, — bareheaded. — with the flowing

Of the virginal white vesture gathered closely to her throat;

With the golden ringlets in her neck just quickened by her going,

And appearing to breathe sun for air, and doubting if to float,—

With a branch of dewy maple, which her right hand held above her,

And which trembled a green shadow in betwixt her and the skies,

As she turned her face in going, thus, she drew me on to love her,

And to worship the divineness of the smile hid in her eyes.

For her eyes alone smile constantly: her lips have serious sweetness,

And her front is calm, — the dimple rarely ripples on her cheek:

But her deep blue eyes smile constantly, — as if they in discreetness

Kept the secret of a happy dream she did not care to speak.

Thus she drew me the first morning, out across into the garden:

And I walked among her noble friends, and could not keep behind:

Spake she unto all and unto me, — “Behold, I am the warden

Of the song-birds in these lindens, which are cages to their mind.

“But within this swarded circle, into which the lime-walk brings us,—

Whence the beeches rounded greenly, stand away in reverent fear;

I will let no music enter, saving what the fountain sings us,

Which the lilies round the basin may seem pure enough to hear.

“The live air that waves the lilies waves this slender jet of water,

Like a holy thought sent feebly up from soul of fasting saint!

Whereby lies a marble Silence, sleeping! (Lough the sculptor wrought her,)

So asleep she is forgetting to say Hush! — a fancy quaint!

“Mark how heavy white her eyelids! not a dream between them lingers!

And the left hand’s index droppeth from the lips upon the cheek:

And the right hand, — with the symbol rose held slack within the fingers,—

Has fallen back within the basin, — yet this Silence will not speak!

“That the essential meaning growing may exceed the special symbol,

Is the thought as I conceive it: it applies more high and low.

Our true noblemen will often through right nobleness grow humble,

And assert an inward honor by denying outward show”.

“Nay, your Silence”, said I, “truly holds her symbol rose but slackly,

Yet she holds it — or would scarcely be a Silence to our ken!

And your nobles wear their ermine on the outside, or walk blackly

In the presence of the social law, as most ignoble men.

“Let the poets dream such dreaming! Madam, in these British Islands,

’Tis the substance that wanes ever, ’tis the symbol that exceeds;

Soon we shall have nought but symbol! and for statues like this Silence,

Shall accept the rose’s image, — in another case, the weed’s”.

“Not so quickly!” she retorted, — “I confess where’er you go, you

Find for things, names;—shows for actions, and pure gold for honor clear;

But when all is run to symbol in the Social, I will throw you

The world’s book which now reads dryly, and sit down with Silence here”.

Half in playfulness she spoke, I thought, and half in indignation;

Friends who listened laughed her words off while her lovers deemed her fair;

A fair woman — flushed with feeling, in her noble-lighted station

Near the statue’s white reposing, — and both bathed in sunny air!

With the trees round, not so distant but you heard their vernal murmur,

And beheld in light and shadow the leaves in and outward move;

And the little fountain leaping toward the sun-heart to be warmer,

And recoiling in a tremble from the too much light above.

’Tis a picture for remembrance! and thus, morning after morning,

Did I follow as she drew me by the spirit to her feet,—

Why, her greyhound followed also! dogs — we both were dogs for scorning,—

To be sent back when she pleased it, and her path lay through the wheat.

And thus, morning after morning, spite of vows and spite of sorrow,

Did I follow at her drawing, while the week-days passed along;

Just to feed the swans this noontide, or to see the fawns to-morrow,

Or to teach the hill-side echo some sweet Tuscan in a song.

Ay, for sometimes on the hill-side, while we sat down in the gowans,

With the forest green behind us, and its shadow cast before;

And the river running under; and across it from the rowans

A brown partridge whirring near us, till we felt the air it bore,—

There, obedient to her praying, did I read aloud the poems

Made by Tuscan flutes, or instruments more various of our own;

Read the pastoral parts of Spenser, — or the subtle interflowings

Found in Petrarch’s sonnets, — here’s the book — the leaf is folded down!—

Or at times a modern volume, — Wordsworth’s solemn-thoughted idyl,

Howitt’s ballad-verse, or Tennyson’s enchanted revery,—

Or from Browning some “Pomegranate”, which, if cut deep down the middle,

Shows a heart within blood-tinctured, of a veined humanity.

Or at times I read there, hoarsely, some new poem of my making,—

Poets ever fail in reading their own verses to their worth,—

For the echo in you breaks upon the words which you are speaking,

And the chariot-wheels jar in the gate through which you drive them forth.

After, when we were grown tired of books, the silence round us flinging

A slow arm of sweet compression, felt with beatings at the breast,

She would break out on a sudden, in a gush of woodland singing,

Like a child’s emotion in a god, — a naiad tired of rest.

Oh, to see or hear her singing! scarce I know which is divinest,—

For her looks sing too, — she modulates her gestures on the tune;

And her mouth stirs with the song, like song; and when the notes are finest,

’Tis the eyes that shoot out vocal light, and seem to swell them on.

Then we talked, — oh, how we talked! her voice, so cadenced in the talking,

Made another singing — of the soul! a music without bars,—

While the leafy sounds of woodlands, humming round where we were walking,

Brought interposition worthy sweet, — as skies about the stars.

And she spake such good thoughts natural, as if she always thought them,—

And had sympathies so rapid, open, free as bird on branch,

Just as ready to fly east as west, whichever way besought them,

In the birchen wood a chirrup, or a cock-crow in the grange.

In her utmost rightness there is truth, — and often she speaks lightly,

Has a grace in being gay, which even mournful souls approve,

For the root of some grave earnest thought is under-struck so rightly,

As to justify the foliage and the waving flowers above.

And she talked on, — we talked, rather! upon all things — substance — shadow—

Of the sheep that browsed the grasses, — of the reapers in the corn,—

Of the little children from the schools, seen winding through the meadow,—

Of the poor rich world beyond them, still kept poorer by its scorn.

So of men, and so of letters, — books are men of higher stature,

And the only men that speak aloud for future times to hear:

So, of mankind in the abstract, which grows slowly into nature,

Yet will lift the cry of “progress”, as it trod from sphere to sphere.

And her custom was to praise me when I said, — “The Age culls simples,

With a broad clown’s back turned broadly to the glory of the stars—

We are gods by our own reck’ning, — and may well shut up the temples,

And wield on, amid the incense-steam, the thunder of our cars.

“For we throw out acclamations of self-thanking, self-admiring,

With, at every mile run faster, — ‘O the wondrous, wondrous age!’

Little thinking if we work our SOULS as nobly as our iron,

Or if angels will commend us at the goal of pilgrimage.

“Why, what is this patient entrance into nature’s deep resources,

But the child’s most gradual learning to walk upright without bane?

When we drive out from the cloud of steam, majestical white horses,

Are we greater than the first men who led black ones by the mane?

“If we trod the deeps of ocean, if we struck the stars in rising,

If we wrapped the globe intensely with one hot electric breath,

’Twere but power within our tether, — no new spirit-power comprising,

And in life we were not greater men, nor bolder men in death”.

She was patient with my talking; and I loved her, loved her certes,

As I loved all Heavenly objects, with uplifted eyes and hands!

As I loved pure inspirations, — loved the graces, loved the virtues,

In a Love content with writing his own name on desert sands.

Or at least I thought so purely! — thought no idiot Hope was raising

Any crown to crown Love’s silence, — silent Love that sat alone,—

Out, alas! the stag is like me, — he, that tries to go on grazing

With the great deep gun-wound in his neck, then reels with sudden moan.

It was thus I reeled! I told you that her hand had many suitors—

But she smiles them down imperially, as Venus did the waves;—

And with such a gracious coldness, that they cannot press their futures

On the present of her courtesy, which yieldingly enslaves.

And this morning, as I sat alone within the inner chamber,

With the great saloon beyond it lost in pleasant thought serene,—

For I had been reading Camoens — that poem you remember,

Which his lady’s eyes are praised in, as the sweetest ever seen;

And the book lay open, and my thought flew from it, taking from it

A vibration and impulsion to an end beyond its own,

As the branch of a green osier, when a child would overcome it,

Springs up freely from his clasping and goes swinging in the sun.

As I mused I heard a murmur, — it grew deep as it grew longer—

Speakers using earnest language, — “Lady Geraldine, you would!”

And I heard a voice that pleaded ever on, in accents stronger,

As a sense of reason gave it power to make its rhetoric good.

Well I knew that voice, — it was an earl’s, of soul that matched his station—

Soul completed into lordship, — might and right read on his brow:

Very finely courteous, — far too proud to doubt his domination

Of the common people, — he atones for grandeur by a bow.

High, straight forehead, nose of eagle, cold blue eyes, of less expression

Than resistance, coldly casting off the looks of other men,

As steel, arrows, — unelastic lips, which seem to taste possession,

And be cautious lest the common air should injure or distrain.

For the rest, accomplished, upright, — ay, and standing by his order

With a bearing not ungraceful; fond of art, and letters too;

Just a good man made a proud man, as the sandy rocks that border

A wild coast, by circumstances, in a regnant ebb and flow.

Thus I knew that voice, — I heard it — and I could not help the hearkening:

In the room I stood up blindly, and my burning heart within

Seemed to seethe and fuse my senses, till they ran on all sides darkening,

And scorchèd, weighed like melted metal round my feet that stood therein.

And that voice, I heard it pleading, for love’s sake, — for wealth, position,

For the sake of liberal uses, and great actions to be done,—

And she interrupted gently, “Nay, my lord, the old tradition

Of your Normans, by some worthier hand than mine is, should be won”.

“Ah, that white hand”, he said quickly, — and in his he either drew it

Or attempted — for with gravity and instance she replied,—

“Nay, indeed, my lord, this talk is vain, and we had best eschew it,

And pass on like friends, to other points less easy to decide”.

What he said again, I know not. It is likely that his trouble

Worked his pride up to the surface, for she answered in slow scorn,—

“And your lordship judges rightly. Whom I marry, shall be noble,

Ay, and wealthy. I shall never blush to think how he was born”.

There, I maddened! her words stung me! Life swept through me into fever,

And my soul sprang up astonished; sprang full-statured in an hour:

Know you what it is when, anguish, with apocalyptic NEVER,

To a Pythian height dilates you, — and despair sublimes to power?

From my brain the soul-wings budded! — waved a flame about my body,

Whence conventions coiled to ashes: I felt self-drawn out, as man,

From amalgamate false natures; and I saw the skies grow ruddy

With the deepening feet of angels, and I knew what spirits can.

I was mad, — inspired, — say either! anguish worketh inspiration,—

Was a man or beast — perhaps so; for the tiger roars when speared;

And I walked on, step by step, along the level of my passion—

Oh my soul! and passed the doorway to her face, and never feared.

He had left her, — peradventure, when my footstep proved my coming,—

But for her, — she half arose, then sat — grew scarlet and grew pale:

Oh she trembled! — ’tis so always with a worldly man or woman

In the presence of true spirits, — what else can they do but quail?

Oh, she fluttered like a tame bird, in among its forest brothers

Far too strong for it! then drooping, bowed her face upon her hands,—

And I spake out wildly, fiercely, brutal truths of her and others!

I, she planted in the desert, swathed her, windlike, with my sands.

I plucked up her social fictions, bloody-rooted though leaf-verdant,

Trod them down with words of shaming, — all the purple and the gold,

All the “landed stakes” and lordships, — all that spirits pure and ardent

Are cast out of love and honor because chancing not to hold.

“For myself I do not argue”, said I, “though I love you, madam;

But for better souls that nearer to the height of yours have trod.

And this age shows to my thinking, still more infidels to Adam,

Than directly, by profession, simple infidels to God.

“Yet, O God”, I said, “O grave”, I said, “O mother’s heart and bosom,

With whom first and last are equal, saint and corpse and little child!

We are fools to your deductions, in these figments of heart-closing!

We are traitors to your causes, in these sympathies defiled!

“Learn more reverence, madam, not for rank or wealth, — that needs no learning;

That comes quickly — quick as sin does, ay, and culminates to sin;

But for Adam’s seed, MAN! Trust me, ’tis a clay above your scorning,

With God’s image stamped upon it, and God’s kindling breath within.

“What right have you, madam, gazing in your palace-mirror daily,

Getting so by heart your beauty, which all others must adore,

While you draw the golden ringlets down your fingers, to vow gayly

You will wed no man that’s only good to God, — and nothing more?

“Why, what right have you, made fair by that same God, — the sweetest woman

Of all women He has fashioned, — with your lovely spirit-face,

Which would seem too near to vanish if its smile were not so human,

And your voice of holy sweetness, turning common words to grace,

“What right can you have, God’s other works to scorn, despise, revile them

In the gross, as mere men, broadly, — not as noble men, forsooth,—

As mere Pariahs of the outer world, forbidden to assoil them

In the hope of living, dying, near that sweetness of your mouth?

“Have you any answer, madam? If my spirit were less earthly,

If its instrument were gifted with a better silver string,

I would kneel down where I stand, and say, — Behold me! I am worthy

Of thy loving, for I love thee! I am worthy as a king.

“As it is, — your ermined pride, I swear, shall feel this stain upon her,—

That I, poor, weak, tost with passion, scorned by me and you again,

Love you, Madam, — dare to love you, — to my grief and your dishonor,—

To my endless desolation, and your impotent disdain!”

More mad words like these, — more madness! friend, I need not write them fuller;

And I hear my hot soul dropping on the lines in showers of tears—

Oh, a woman! friend, a woman! Why, a beast had scarce been duller

Than roar bestial loud complaints against the shining of the spheres.

But at last there came a pause. I stood all vibrating with thunder

Which my soul had used. The silence drew her face up like a call.

Could you guess what word she uttered? She looked up, as if in wonder,

With tears beaded on her lashes, and said “Bertram!” it was all.

If she had cursed me, — and she might have, — or if even, with queenly bearing

Which at needs is used by women, she had risen up and said,

“Sir, you are my guest, and therefore I have given you a full hearing,—

Now, beseech you, choose a name exacting somewhat less instead”,—

I had borne it! — but that “Bertram”—why it lies there on the paper,

A mere word, without her accent, — and you cannot judge the weight

Of the calm which crushed my passion! I seemed drowning in a vapor,—

And her gentleness destroyed me whom her scorn made desolate.

So, struck backward and exhausted by that inward flow of passion

Which had rushed on, sparing nothing, into forms of abstract truth,

With a logic agonizing through unseemly demonstration,

And with youth’s own anguish turning grimly gray the hairs of youth,—

By the sense accursed and instant, that if even I spake wisely,

I spake basely, — using truth, — if what I spake indeed was true,—

To avenge wrong on a woman, — her, who sat there weighing nicely

A full manhood’s worth, found guilty of such deeds as I could do!—

With such wrong and woe exhausted — what I suffered and occasioned,—

As a wild horse through a city runs with lightning in his eyes,

And then dashing at a church’s cold and passive wall, impassioned,

Strikes the death into his burning brain, and blindly drops and dies,—

So I fell, struck down before her! Do you blame me friend, for weakness?

’Twas my strength of passion slew me! — fell before her like a stone;

Fast the dreadful world rolled from me, on its roaring wheels of blackness!

When the light came I was lying in this chamber — and alone.

Oh, of course, she charged her lackeys to bear out the sickly burden,

And to cast it from her scornful sight, — but not beyond the gate—

She was too kind to be cruel, and too haughty not to pardon

Such a man as I, — ’twere something to be level to her hate.

But for me, — you now are conscious why, my friend, I write this letter,

How my life is read all backward, and the charm of life undone!

I shall leave her house at dawn;—I would to-night, if I were better;—

And I charge my soul to hold my body strengthened for the sun.

When the sun has dyed the oriel, I depart with no last gazes,

No weak moanings — one word only left in writing for her hands,

Out of reach of all derision, and some unavailing praises,

To make front against this anguish in the far and foreign lands.

Blame me not, I would not squander life in grief;—I am abstemious:

I but nurse my spirit’s falcon, that its wings may soar again:

There’s no room for tears of weakness in the blind eyes of a Phemius:

Into work the poet kneads them, — and he does not die till then.

Bertram finished the last pages, while along the silence ever

Still in hot and heavy splashes, fell the tears on every leaf:

Having ended, he leans backward in his chair, with lips that quiver

From the deep unspoken, ay, and deep unwritten thoughts of grief.

Soh! how still the lady standeth! ’tis a dream! — a dream of mercies!

’Twixt the purple lattice-curtains, how she standeth still and pale!

’Tis a vision, sure, of mercies, sent to soften his self-curses—

Sent to sweep a patient quiet o’er the tossing of his wail.

“Eyes”, he said, “now throbbing through me! are ye eyes that did undo me?

Shining eyes, like antique jewels set in Parian statue-stone!

Underneath that calm white forehead, are ye ever burning torrid

O’er the desolate sand-desert of my heart and life undone?”

With a murmurous stir uncertain, in the air, the purple curtain

Swelleth in and swelleth out around her motionless pale brows;

While the gliding of the river sends a rippling noise forever

Through the open casement whitened by the moonlight’s slant repose.

Said he—“Vision of a lady! stand there silent, stand there steady!

Now I see it plainly, plainly; now I cannot hope or doubt—

There, the brows of mild repression, — there, the lips of silent passion,

Curved like an archer’s bow to send the bitter arrows out”.

Ever, evermore the while in a slow silence she kept smiling,

And approached him slowly, slowly, in a gliding measured pace;

With her two white hands extended, as if praying one offended,

And a look of supplication, gazing earnest in his face.

Said he, — “Wake me by no gesture, — sound of breath, or stir of vesture;

Let the blessèd apparition melt not yet to its divine!

No approaching, — hush! no breathing! or my heart must swoon to death in

That too utter life thou bringest — O thou dream of Geraldine!”

Ever, evermore the while in a slow silence she kept smiling—

But the tears ran over lightly from her eyes, and tenderly;

“Dost thou, Bertram, truly love me? Is no woman far above me

Found more worthy of thy poet-heart than such a one as I?”

Said he—“I would dream so ever, like the flowing of that river,

Flowing ever in a shadow greenly onward to the sea;

So, thou vision of all sweetness — princely to a full completeness, —

Would my heart and life flow onward — deathward — through this dream of THEE!”

Ever, evermore the while in slow silence she kept smiling,

While the silver tears ran faster down the blushing of her cheeks;

Then with both her hands enfolding both of his, she softly told him,

“Bertram, if I say I love thee,… ’tis the vision only speaks”.

Softened, quickened to adore her, on his knee he fell before her, —

And she whispered low in triumph, — “It shall be as I have sworn!

Very rich he is in virtues, — very noble — noble, certes;

And I shall not blush in knowing that men call him lowly born!”